The final novel of “a social satire of epic proportions and one that does not suffer by comparison with Thackeray’s Vanity Fair” (The New York Times). From the winner of the Nobel Prize in Literature in 1932 Set against the backdrop of a post–World War I Britain, now rocked by a general strike, Swan Song captures the staunch resilience—and ridiculousness—of the British upper middle class, who view this new national crisis as just a minor inconvenience. As the ever-so-steadfast Winifred Dartie says, “If they could get this little fuss over, the coming season would be most enjoyable.” Especially since Jon Forsyte and his American wife have visited from France. Though eager to pitch in to help his homeland, Jon never expects his return will have such an effect on his former love, Fleur Mont, now married to a member of Parliament and a mother. Even when the strike abates, their reunion sends ripples through their friends and family, including Fleur’s father. He knows his daughter wants nothing more than what she doesn’t have—and to save her from herself—he sets out to stay one step ahead of her duplicitous heart . . . “It is such a joy to read a book which is unquestionably a good piece of work, that tells you on the first page that it is going to tell its story gracefully, with technical skill, and with that rare quality of fineness. Swan Song has quite literally greatness—to say more about it would be to spill gilt paint over a calla.” —Chicago Tribune
There has been a considerable upsurge in interest in insect bio chemistry and physiology in recent years and this has been reflected in a notable expansion in the number of original papers in this field. Whereas insect physiology has tended to receive ample attention from reviewers, the same has not always been true for the more of insect research. This book is a venture to help biochemical aspects redress the balance. No attempt has been made to cover all aspects of insect biochemistry, but rather a few topics have been selected which seemed to us to merit a review at the present time. One reason for this increased interest in insect biochemistry is perhaps the growing realization that insects can be very useful organisms to act as model systems for the experimental study of general biochemical principles. One remembers, for instance, that Keilin's perceptive observations on the flight muscles of living bees and wax moths led to his discovery of the cytochromes. The fundamental unity of biochemistry has long been accepted as a dogma by the faithful and the insect kingdom provides no exception to it. The main biochemical processes in insects are being revealed as essentially the same as in other life forms but, as so often found in comparative biochemistry, there are interesting variations on the central theme.
Every shipwreck has a story that extends far beyond its tragic end. The dramatic tales of disaster, heroism, and folly become even more compelling when viewed as junction points in history—connecting to stories about the frontier, the environment, immigration, politics, technology, and industry. In Stories from the Wreckage, John Odin Jensen examines a selection of Great Lakes shipwrecks of the wooden age for a deeper dive into this transformative chapter of maritime history. He mines the archeological evidence and historic record to show how their tragic ends fit in with the larger narrative of Midwestern history. Featuring the underwater photography of maritime archeologist Tamara Thomsen, this vibrant volume is a must-have for shipping enthusiasts as well as anyone interested in the power of water to shape history.
A brilliant book, which brings historical analysis of religion in American culture to a new level of insight and importance." —New York Times Book Review Catholicism and American Freedom is a groundbreaking historical account of the tensions (and occasional alliances) between Catholic and American understandings of a healthy society and the individual person, including dramatic conflicts over issues such as slavery, public education, economic reform, the movies, contraception, and abortion. Putting scandals in the Church and the media's response in a much larger context, this stimulating history is a model of nuanced scholarship and provocative reading.
This grab-bag of movie westerns ranges from the best to the worst; from lavish, no-expense-spared Cecil B. DeMille epics to Poverty Row double bills; from big-budget John Wayne vehicles like "In Old Oklahoma," "The War Wagon" and "The Fighting Kentuckian" to the sort of bottom-drawer product delivered by Sherman Scott and Monogram; from prestige, star-studded westerns like "My Darling Clementine" and "How the West Was Won" to the depths of "The Toughest Man in Arizona"; from the expertly crafted, super-popular "B" stables of Gene Autry, William Boyd, Roy Rogers, Charles Starrett and company to the fly-by-night efforts of long-forgotten brands like "The Range Busters." All reviews carry detailed credits. The book is rounded out with a Hopalong Cassidy filmography and many reproductions of original film posters.
September 11, 2001 marked the beginning of a new era in history, but the forces that triggered those attacks have been in place for years and continue to operate within the United States and abroad. Experts estimate that as many as 500 terrorist cells exist in America today. ABC News journalist John Miller has been tracking this story since his coverage of the first World Trade Center bombing in 1993. He was the first American journalist to interview Osama Bin Laden, and he has a sophisticated knowledge of the structure and workings of extremist organizations. The Cell contains information gleaned from sources within the FBI, CIA, and the local law enforcement communities currently conducting the investigation into the September 11 attacks.
Jon Forsyte is back. After years living in America with his mother Irene, he is excited to be home and can't wait to show off his roots to his new bride. When Fleur Forsyte, now Fleur Mont, his first love, hears of his arrival, she doesn't know what to feel. She's married too, though, with a little boy so there's no reason why they all can't meet as friends. But feelings so strong are not easily contained. And when their passion is rekindled, no one can halt the devastating events that follow - the secret culmination of an old, old story . . .
Citizen soldiers have played a unique role in the wars in Iraq and Afghanistan - and their extended deployment and role in the wars battles have changed the towns, cities, and states they hail from as well. The Devil's Sandbox - a nickname for Iraq - is the story of the 2nd Battalion of Oregon's 162nd Infantry Regiment (2/162), and provides readers an intimate look at the reality of National Guardsmen at war. Follow the 2/162 from their call-up in the summer of 2003 to their return home in the spring of 2005. Witness some of the fiercest fighting of the Iraq War and some of the most rewarding and forward-looking civil affairs projects aimed at rebuilding the broken nation of Iraq. Read how the town in Oregon struggles to do without the people - the accountants, lawyers, mechanics, et. al. - who went to serve in the war. The Devil's Sandbox offers a rare insight into what this war means for the citizen-soldier at home and abroad, and chronicles a battalion that earned the respect of the regular Army soldiers who fought alongside them in some of the toughest battles in the Iraq war.
On March 18, 1980, the Duke basketball program announced the hiring of Mike Krzyzewski, the man who would restore glory to the team. The only problem: no one knew who Krzyzewski was. Nine days later, Jim Valvano was hired by North Carolina State to be their new head coach. The hiring didn't raise as many eyebrows, but the two new coaches had a similar goal: to unseat North Carolina's Dean Smith as the king of college basketball. And just like that, the most sensational competitive decade in history was about to unfold. In the skillful hands of John Feinstein, The Legends Club captures an era in American sport and culture, documenting the inside view of a decade of absolutely incredible competition. Feinstein pulls back the curtain on the recruiting wars, the intensely personal competition that wasn't always friendly, the enormous pressure and national stakes, and the battle for the very soul of college basketball.
Women who murder . . . why are they so much more fascinating than their male counterparts? For evidence, dip into any of the sixteen strange-but-true tales collected in this anthology by Cleveland’s leading historical crime writer. You’ll meet: • Ill-fated Catherine Manz, the “Bad Cinderella” who poisoned her step-sister in revenge for years of mistreatment, then made her getaway wearing her victim’s most fetching outfit, a red dress and an enormous feathered hat . . . • Velma West, the big-city girl who scandalized rural Lake County in the 1920s with her “unnatural passions”—and ended her marriage-made-in-hell with a swift hammer’s blow to the skull of her dull husband, Eddie . . . • Eva Kaber, “Lakewood’s Lady Borgia,” who, along with her mother and daughter, conspired to dispose of an inconvenient husband with arsenic and knife-wielding hired killers . . . • Martha Wise, Medina’s not-so-merry widow, who poisoned a dozen relatives—including her husband, mother, and brother—because she enjoyed going to funerals . . . And a cast of other, equally fascinating women who behaved very, very badly. This is wickedly entertaining reading!
The survivors of the Omega Virus make a desperate effort to find the living. But the walking dead aren’t done with them yet… Helicopter pilot Vladimir Yurish is a man of his word. The last thing he wants is to abandon the safety of the U.S.S. Nimitz and his newly adopted son Ben. Still, a promise is a promise, no matter how close to death it brings him… Angie West has fought hard to keep strangers alive, but now it’s time to tend to her own. Only, when she finds her family missing and their hideout burned and looted, she realizes the threat to her family isn’t just the undead—the living can do so much worse… Halsey has done well for himself, given the circumstances. Between his secluded ranch and precise shooting, the plague hasn’t touched him. Until a Black Hawk crashes on his property, bringing the war to his front door… Amid the chaos of a destroyed civilization, the survivors encounter a new threat. And these new monsters can’t be outrun—or outwitted…
Modern is a word much used, but hard to pin down. In Inventing Modern, John H. Lienhard uses that word to capture the furious rush of newness in the first half of 20th-century America. An unexpected world emerges from under the more familiar Modern. Beyond the airplanes, radios, art deco, skyscrapers, Fritz Lang's Metropolis, Buck Rogers, the culture of the open road--Burma Shave, Kerouac, and White Castles--lie driving forces that set this account of Modern apart. One force, says Lienhard, was a new concept of boyhood--the risk-taking, hands-on savage inventor. Driven by an admiration of recklessness, America developed its technological empire with stunning speed. Bringing the airplane to fruition in so short a time, for example, were people such as Katherine Stinson, Lincoln Beachey, Amelia Earhart, and Charles Lindbergh. The rediscovery of mystery powerfully drove Modern as well. X-Rays, quantum mechanics, and relativity theory had followed electricity and radium. Here we read how, with reality seemingly altered, hope seemed limitless. Lienhard blends these forces with his childhood in the brave new world. The result is perceptive, engaging, and filled with surprise. Whether he talks about Alexander Calder (an engineer whose sculptures were exercises in materials science) or that wacky paean to flight, Flying Down to Rio, unexpected detail emerges from every tile of this large mosaic. Inventing Modern is a personal book that displays, rather than defines, an age that ended before most of us were born. It is an engineer's homage to a time before the bomb and our terrible loss of confidence--a time that might yet rise again out of its own postmodern ashes.
Assessment is a topic that is central to psychology. In the case of clinical psychology, assessment of individual functioning is of keen interest to individuals involved in clinical practice as well as research. Understand ing the multiple domains of functioning, evaluating characteristics of individuals in relation to others (normative assessment) as well as in relation to themselves (ipsative assessment), and charting progress or change over time all require well-developed assessment tools and methods. In light of the importance of the topic, books, journals, and monographs continue to emerge in large numbers to present, address, and evaluate diverse measures. Keeping informed about measures, identifying the mea sures in use, and obtaining the necessary information for their interpreta tion make the task of Sisyphus look like a vacation. In this book, the editors provide information that eases the task remarkably. The overriding goal of this book is to provide concise, useful, and essential information about measures of adult functioning. To that end, this is a sourcebook, a format that is particularly noteworthy. The mea sures are presented and organized according to diagnostic categories, as derived from the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV). The categories are broad (e. g. , substance-related disorders, anx iety disorders, mood disorders, schizophrenia and related disorders) in recognition that those who develop measures and those who use them in clinical research or practice usually do not have narrowly defined diagnos tic entities in mind.
#6 in this Cleveland crime and disaster series includes 15 stories. Sometimes gruesome, often surprising, these tales are meticulously researched and delivered in a literate and entertaining style. Meet a daring Jazz Age stick-up man, a murderous grandmother, an ageless fire chief addicted to profanity, and other unforgettable characters.
Author John Staines here argues that sixteenth- and seventeenth-century writers in England, Scotland, and France wrote tragedies of the Queen of Scots - royal heroine or tyrant, martyr or whore - in order to move their audiences towards political action by shaping and directing the passions generated by the spectacle of her fall. In following the retellings of her history from her lifetime through the revolutions and political experiments of the seventeenth century, this study identifies two basic literary traditions of her tragedy: one conservative, sentimental, and royalist, the other radical, skeptical, and republican. Staines provides new readings of Spenser and Milton, as well as of early modern dramatists, to compile a comprehensive study of the writings about this important historical and literary figure. He charts developments in public rhetoric and political writing from the Elizabethan period through the Restoration, using the emotional representations of the life of this tragic woman and queen to explore early modern experiments in addressing and moving a public audience. By exploring the writing and rewriting of the tragic histories of the Queen of Scots, this book reveals the importance of literature as a force in the redefinition of British political life between 1560 and 1690.
Harold Innis was one of the most profound thinkers that Canada ever produced. Such was his influence on the field of communication that Marshall McLuhan once declared his own work was a mere footnote to Innis. But over the past sixty years scholars have had a hard time explaining his brilliance, in large measure because Innis's dense, elliptical writing style has hindered easy explication and interpretation. But behind the dense verbiage lies a profound philosophy of history. In Emergence and Empire, John Bonnett offers a fresh take on Innis's work by demonstrating that his purpose was to understand the impact of self-organizing, emergent change on economies and societies. Innis's interest in emergent change induced him to craft an original and bold philosophy of history informed by concepts as diverse as information, Kantian idealism, and business cycle theory. Bonnett provides a close reading of Innis's oeuvre that connects works of communication and economic history to present a fuller understanding of Innis's influences and influence. Emergence and Empire presents a portrait of an original and prescient thinker who anticipated the importance of developments such as information visualization and whose understanding of change is remarkably similar to that which is promoted by the science of complexity today.
This entertaining and informative reference reveals the Lovable Losers in all their beleaguered glory, from the real story behind the Curse of the Billygoat to Steve Bartman's infamous bleachers grab. Delving deep into Cub history, it provides eve...
Gabriel and Michael Corrigan are two young men living just beneath the glittering surface of life in Los Angeles. Since childhood, the brothers have been shaped by stories that their father was a Traveler — one of an elite group of prophets able to attain pure enlightenment. The Corrigans, who may have inherited their father’s gifts, have always lived “off the grid” — that is, invisible to the intricate surveillance networks that monitor people in our modern world. Thousands of miles away, Maya is attempting to lead a normal life in London. The attractive twenty-six-year-old designer wants to ignore the fact that she comes from a long lineage of Harlequins — a band of warriors pledged to protect the Travelers at all costs. When Maya is summoned to Prague by her ailing father, she learns that Gabriel and Michael have just been located in California. The brothers may represent the last surviving Travelers, and are in desperate need of protection. Maya is reluctant to be drawn into the solitary, destructive life of her ancestors, but she has been trained to fight since she was a young girl. Also searching for the brothers is Nathan Boone, a disciplined mercenary working for the Tabulas — ruthless men who are determined to inflict order on the world by invisibly controlling its population. Boone and the Tabulas fear the power of the Travelers, and for generations Tabulas have hunted them down. When Maya flies to California in search of Gabriel and Michael Corrigan, a colossal battle looms that will reveal a secret history of our time. In this stunningly suspenseful first novel, reminiscent of George Orwell and Philip Pullman, John Twelve Hawks has created a vividly imagined world that runs parallel to our own. Moving at lightning speed from the back alleys of Prague to the underworld of Los Angeles to a guarded research facility in New York, The Traveler goes beneath the surface to give us new insights on history and our own lives.
The result was a series of landmark works such as Infamy; The Rising Sun, which won him the Pulitzer Prize for nonfiction in 1970 and reflected his ability, with the help of his Japanese wife, to open doors normally closed to Westerners in Japan; In Mortal Combat; The Last 100 Days; and his best-selling biography of Adolf Hitler.
The first critical approach to the literary career of the 2009 National Book Award winner Understanding Colum McCann chronicles the Irish-born writer's journey to literary celebrity from his days as a teenage sportswriter for the Irish Press in the 1970s, through the publication of his award-winning first story, "Tresses," in 1990, to his winning the 2009 National Book Award in fiction for the international bestseller Let the Great World Spin. In this first critical study of McCann's body of work, John Cusatis provides an introduction to McCann's life and career; an overview of his major themes, style, and influences; and close readings of his two short story collections and five novels. Cusatis traces McCann's redefinition of the Irish novel, exploring the author's propensity for transcending aesthetic, cultural, ethnic, geographical, and social boundaries in his ascent from the status of "Irish novelist" to "international novelist." In the process, this study illuminates the various incarnations of McCann's perennial subject: exile, both geographical and emotional. Cusatis also delineates how the influences of McCann's Irish upbringing, penchant for international travel, and exhaustive and eclectic reading of literature manifest themselves in his fiction. Close attention is given to McCann's stylistic trademarks, such as his poetic voice, use of Christian symbolism, Irish and classical mythology, intertextuality, multiple viewpoints, nonlinear plot structure, and the merger of what McCann deems "factual truth" and "textual truth." Understanding Colum McCann makes use of the existing body of published interviews, profiles, and critical articles, as well as a decade of correspondence between Cusatis and McCann. With international interest in McCann on the rise, this first full-length study of his career to date serves as an ideal point of entrance for students, scholars, and serious readers, and offers the biographical and critical foundation necessary for a deeper understanding of McCann's fiction.
Boston Congregationalist ministers Charles Chauncy (1705-1787) and Jonathan Mayhew (1720-1766) were significant political as well as religious leaders in colonial and revolutionary New England. Scholars have often stressed their influence on major shifts in New England theology, and have also portrayed Mayhew as an influential preacher, whose works helped shape American revolutionary ideology, and Chauncy as an active leader of the patriot cause. Through a deeply contextualised re-examination of the two ministers as ‘men of their times’, Oakes offers a fresh, comparative interpretation of how their religious and political views changed and interacted over decades. The result is a thoroughly revised reading of Chauncy’s and Mayhew’s most innovative ideas. Conservative Revolutionaries unearths strongly traditionalist elements in their belief systems, focussing on their shared commitment to a dissenting worldview based on the ideals of their Protestant New England and British heritage. Oakes concludes with a provocative exploration of how their shifting theological and political positions may have helped redefine prevailing notions of human identity, capability, and destiny.
The Power of Deception By John Savarese John Rossi is an ambitious young Wall Street trader, sent to the relative quiet of Columbus, Ohio, to facilitate a deal. But almost immediately he is snared by the intrigues of the wealthy Swartz family—made of the mysterious Dorothy, the ruthless Stanley, and their three lovely daughters—and a simple deal becomes very complicated. The Power of Deception is a suspenseful, erotic courtroom thriller, in which terrible secrets and vast sums of money are dangerously intertwined. How will John Rossi finally obtain the leverage he needs to take Stanley Swartz down, before something terrible happens to him or someone he loves?
Sarah Sinclair was the perfect victim--she wanted to die. When a darkly enigmatic man approaches her in the small antiquarian book store where she works, Sarah is drawn into a slow dance toward death. A death she couldn't stop even if she wanted to. She is stalked, yet blindly charmed. And when he kills her, seductively, silently, she smiles. Sarah's ex-husband, police officer Robert Sinclair, is the first to find her body and he calls it in to the one officer who will understand: his ex-mistress Detective Lane Frank. As Lane struggles to follow the increasingly elusive trail of clues, another macabre trail emerges--of bodies, coldly, tauntingly abandoned. As the FBI becomes involved, Lane must fight to retain her hold on the case and her grip on Robert Sinclair, whose grief sinks him further into an alcoholic haze of despair and desperation. As a calculating last resort, Lane calls on the one man who can help her stop the killing, a forensic psychiatrist who had stepped too close to the edge, crawled too deeply into the mind of evil. She calls a profiler who has dropped out of society, living simply in a cabin in the woods far away from the madness that called to him, threatened him. Lane calls her father. As they work together, Lane and her father slowly craft an image of a killer so brilliant he has murdered perhaps hundreds and never been caught, so cold that he cannot relinquish his power. With a tortuous trail of names and faces, the killer has insulated himself from those who would repress him and his need to kill, a need rooted in a disturbing, horrifying childhood. And as Lane and her father grow closer to finding the killer, the game becomes personal between two men on opposing sides of evil, men on the edge of an abyss of madness, from which there is only one escape--death.
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