The town of Charleston lay across the river, on the north bank of the Kanawha, to the east of the bridge site and the Elk. It was not much of a town, at least not compared with Staunton or Winchester, but Charleston was a much newer town. He had never lived here; he had no reason even to be here until the war. Now he wished he had never seen the town, wished he could turn, ride away, and forget it was there. He pulled up the short collar of his faded, gray uniform coat to cut off the wind that blew from the receding sun. He looked down the river. She and the children were in that direction. For over the thousandth night in this war he worried if they were safe, if they were afraid. He shivered against the March cold and wished he could be with them. Wished they could all hug into one great bed under a goose-feathered comforter. He wanted to lie with her, feel her warmth, forget the losses of the fighting, and remove forever from his memory the action he was about to take tomorrow.
It is 1865 when Morgan Lewis heads to St. Louis for what he hopes is a new beginning. Now alone and nearly penniless after losing everything in the Civil War, Morgan strikes up a friendship with Corrick McCale who helps him secure work. But it is not long before destiny leads the pair to join the Army fight against Oglala Sioux leader, Red Cloud, who opposes white mans use of the Boseman trail on the Northern Plains. As they build Fort Stout amid Indian hunting grounds, frequent attacks kill few soldiers until December 1866 when the Indians massacre an entire company. After Colonel Stuart Westerfield arrives with his wife, Prudence, to take command, he must rely on Morgans combat experience to help him achieve a great victory over the Indians, and more importantly, the brigadier general rank he lost at the end of the Civil War. But when Morgan urges caution and a different tactical approach, the strain between the two officers grows, especially when Prudence rekindles a former love interest in Morgan. In this historical tale, a struggle between the Army and the Sioux Nation of the Northern Plains ensues as unresolved conflicts of earlier war and love rise to the surface and a colonel and an Indian leader battle for control.
Thirteen-year-old John C. McCoy slips into the cold water of the Tug Fork River and swims through the darkness to the West Virginia shore and his future. It is 1909, and in a dozen years, he and his wife, Hiley, and two daughters struggle to survive, and the couple joins the fight for food, shelter, and safety in the coal fields. In 1979, shortly after John C. dies, his grandson, an Army colonel, seeks the story of the mine wars, denied to him in public education, and the role of his grandfather in those wars, a story denied to him by his family. He discovers violence, Matewan and Baldwin Felts detectives, Police Chief Sid Hatfield, the Battle of Blair Mountain, and a dark struggle of spies, distrust, and betrayal. And as the larger mystery for him unfolds, he fears the nature of his grandfather's actions in that war, doubts that he should be searching, and asks himself, what will he find, and to whom will he tell what he has found. What was his grandpa's role, and will it write a story of pride or shame?
Brendan Matthews comes to the Cass lumber town of 1919 searching for something shrouded in his tortured memories of war. Against the backdrop of the taking of the Red Spruce timber and the churning of the Shay engines on Cass Mountain, he becomes both the hunter and the hunted, pursued by the imposing Sheriff Lance Harder. He finds Lotti and hope, but draws her into his own mystery and dangers. Can anyone stop their slide toward loss and sacrifice or have events in Cass been predetermined on the battlefield in France?
The town of Charleston lay across the river, on the north bank of the Kanawha, to the east of the bridge site and the Elk. It was not much of a town, at least not compared with Staunton or Winchester, but Charleston was a much newer town. He had never lived here; he had no reason even to be here until the war. Now he wished he had never seen the town, wished he could turn, ride away, and forget it was there. He pulled up the short collar of his faded, gray uniform coat to cut off the wind that blew from the receding sun. He looked down the river. She and the children were in that direction. For over the thousandth night in this war he worried if they were safe, if they were afraid. He shivered against the March cold and wished he could be with them. Wished they could all hug into one great bed under a goose-feathered comforter. He wanted to lie with her, feel her warmth, forget the losses of the fighting, and remove forever from his memory the action he was about to take tomorrow.
Rachel comes home to Boothbay Harbor to find the bench, a site of childhood happiness and dreams, denied to her even as she struggles with the reality of her mother's illness. She lashes out at the tired, old soldier who has moved into Holmes Cottage and has fenced the bench from the people who visit and live in the Harbor. In no way can she foresee the paths of despair, guilt, hope, and love that will mingle when her angry visits to the cottage become a need to help and to find help. The soldier, William, takes her back to days of college and the Korean War, of responsibility, pride, and loss. And Rachel tells of her father, whose life moves on while her mother slips into a world alone. And from the West comes Stephen, who knows neither the old soldier nor the young woman, but in Boothbay Harbor will learn the secret of his past and discover the center of his future.
Captain John Corns leads his Special Forces team into the jungles of the Central Highlands of Vietnam in 1963. Th ere is an insurgency, and he and his Green Berets have undergone extensive training for the mission of assisting the Vietnamese and Montagnard people in their fi ght against communist terrorism. What they fi nd is a challenge that resists rapid progress and a cause that leaves destruction and death in its wake. Corns returns four years later as a major and operations offi cer for the Army/Navy Mobile Riverine Force in the Mekong Delta. Th e confl icting military forces are larger, losses to both the insurgent Viet Cong and to American Forces are greater, and the sacrifi ces of men around him beg the question of what will it cost to win and will it be worth the losses. Now a retired Lieutenant General, Corns looks back at those days as a young offi cer to share the worth, to him, of that experience his time in Vietnam with men like himself.
Blue Spring, last of the Senedo Indian tribe, and Dylan Jones, the Wolf Killer, are caught in the struggle between European conquerors and Native Americans in the land of Eighteenth Century Virginia. A massacre brings these two people of different worlds together, and they vow to build a life that spans their differences. Will the struggle for land and power between the Colonial leaders of early Augusta, and the opposition of the Native Americans who live on the land, leave room for the dreams of thousands of Indians and settlers? Join this lone survivor of massacre, meet the ones she comes to love, and share her life's journey Through Buffalo Gap.
Volume II in Oxford's Complete Works of John Milton provides newly-collated and carefully edited old-spelling texts of two of Milton major poems: Paradise Regain'd and Samson Agonistes. A detailed introduction and notes examine the political, religious, print, and publishing context in which the poems appeared.
Debate about the authorship of the manuscript known to us as De Doctrina Christiana has bedevilled Milton studies over recent years. In this book four leading scholars give an account of the research project that demonstrated its Miltonic provenance beyond reasonable doubt. But the authors do much more besides, locating Milton's systematic theology in its broader European context, picking open the stages and processes of its composition, and analysing its Latinity.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Born in 1928 in a tent on the shore of Loch Fyne, Argyll, Duncan Williamson (d. 2007) eventually came to be recognized as one of the foremost storytellers in Scotland and the world. Webspinner: Songs, Stories, and Reflections of Duncan Williamson, Scottish Traveller is based on more than a hundred hours of tape-recorded interviews undertaken with him in the 1980s. Williamson tells of his birth and upbringing in the west of Scotland, his family background as one of Scotland’s seminomadic travelling people, his varied work experiences after setting out from home at about age fifteen, and the challenges he later faced while raising a family of his own, living on the road for half the year. The recordings on which the book is based were made by John D. Niles, who was then an associate professor at the University of California, Berkeley. Niles has transcribed selections from his field tapes with scrupulous accuracy, arranging them alongside commentary, photos, and other scholarly aids, making this priceless self-portrait of a brilliant storyteller available to the public. The result is a delight to read. It is also a mine of information concerning a vanished way of life and the place of singing and storytelling in Traveller culture. In chapters that feature many colorful anecdotes and that mirror the spontaneity of oral delivery, readers learn much about how Williamson and other members of his persecuted minority had the resourcefulness to make a living on the outskirts of society, owning very little in the way of material goods but sustained by a rich oral heritage.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.