From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere.
Microgroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music. Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience is of enormous cultural significance. He writes on musicians as varied as Sun Ra, PJ Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann. Among other topics, he discusses recording formats; the relationship between music and visual art, dance, and poetry; and, with Terri Kapsalis, the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to “other” music and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.
Unless you lived through the 1970s, it seems impossible to understand it at all. Drug delirium, groovy fashion, religious cults, mega corporations, glitzy glam, hard rock, global unrest—from our 2018 perspective, the seventies are often remembered as a bizarre blur of bohemianism and disco. With Pick Up the Pieces, John Corbett transports us back in time to this thrillingly tumultuous era through a playful exploration of its music. Song by song, album by album, he draws our imaginations back into one of the wildest decades in history. Rock. Disco. Pop. Soul. Jazz. Folk. Funk. The music scene of the 1970s was as varied as it was exhilarating, but the decade’s diversity of sound has never been captured in one book before now. Pick Up the Pieces gives a panoramic view of the era’s music and culture through seventy-eight essays that allow readers to dip in and out of the decade at random or immerse themselves completely in Corbett’s chronological journey. An inviting mix of skilled music criticism and cultural observation, Pick Up the Pieces is also a coming-of-age story, tracking the author’s absorption in music as he grows from age seven to seventeen. Along with entertaining personal observations and stories, Corbett includes little-known insights into musicians from Pink Floyd, Joni Mitchell, James Brown, and Fleetwood Mac to the Residents, Devo, Gal Costa, and Julius Hemphill. A master DJ on the page, Corbett takes us through the curated playlist that is Pick Up the Pieces with captivating melody of language and powerful enthusiasm for the era. This funny, energetic book will have readers longing nostalgically for a decade long past.
In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse-- found all around the world-- to make up music on the spot.
This text is a survey of Scots literary translations from the 15th to the 20th century. It argues that translation has played a central role in the development of literature in Scots, lending authority to the vernacular and extending the stylistic range open to writers in Scots.
This book addresses recent developments in medical and language education. Both fields have broadened their focus on clinical expertise and linguistic skills to address issues of cultural competence. The book re-imagines the language classroom in medical settings as an arena for the exploration of values and professional identity.
In January 1968, John Corbett and his fellow leathernecks of the 26th Marine Regiment fortified a remote outpost at a place in South Vietnam called Khe Sanh. Within days of their arrival, twenty thousand North Vietnamese soldiers surrounded the base. What followed over the next seventy-seven days became one of the deadliest fights of the Vietnam War—and one of the greatest battles in military history. Private First Class Corbett made do with little or no sleep for days on end. The enemy bombarded the base incessantly. Extremes of heat, cold, and fog added to the misery, as did all manner of wounds and injuries too minor to justify evacuation from frontline positions. The emotional toll was tremendous as the Marines saw their friends suffer and die every day of the siege. Corbett relates these experiences through the eyes of a twenty-year-old but with the mind and maturity of a man now in his fifties. His story of life, death, and growing up on the front lines at Khe Sanh speaks for all of the Marines caught up in the epic siege of the Vietnam War.
This is an essential guide to using digital resources in the study of English language and linguistics. Assuming no prior experience, it introduces the fundamentals of online corpora and equips readers with the skills needed to search and interpret corpus data. Later chapters focus on specific elements of linguistic analysis, namely vocabulary, grammar, discourse and pronunciation. Examples from five major online corpora illustrate key issues to consider in corpus analysis, while case studies and activities help students get to grips with the wide range of resources that are available and select those that best suit their needs. Perfect for students of corpus linguistics and applied linguistics, this engaging and accessible guide opens the door to an ever-expanding world of online resources. It is also ideal for anyone who is curious about how the English language works and has a desire to explore its many written and spoken forms. New to this Edition: - Fully revised and updated throughout, incorporating the latest developments in corpus linguistics - Expanded material on corpora in teaching, contextualising corpus texts and critical discourse analysis
From April 1953, "The Smugglers of the Moon" : Pirates using the moon as a hideout,capture the cadets. The cadets find a world within the Moon with people only 4 1/2 ft tall.
This basic introduction to Old English is an essential guide for students with little or no linguistic knowledge. Unlike other textbooks on the subject, Beginning Old English focuses on the explanation and demonstration of how the language works, using accessible illustrations from simplified Old English texts and showing how many features of present-day English have their roots in this stage of the language. Beginning Old English - builds up reading skills by using simple texts to support the acquisition of key vocabulary and to develop awareness of language structure - offers an introduction to the conventions of Old English poetry and how they are realised across different genres: religious verse, riddles, elegies and heroic poetry - explores issues in the translation of Old English verse - guides the reader through four major texts: Cynewulf and Cyneheard, Beowulf (extract), The Battle of Maldon and The Dream of the Rood - features activities, glossaries, illustrations and a Further Reading section. Concise and approachable, this invaluable text will appeal to anyone with an interest in the early history of English language and literature. This is a simple introduction to Old English for students with little linguistic knowledge. Unlike other textbooks, Beginning Old English focuses on the explanation of how the language works, using accessible illustrations from Old English texts and showing how features of present-day English have their roots in this stage of the language. Assumes no previous linguistic knowledge Second edition updated and revised to take advantage of the availability of digital and online resources, such as the Electronic Beowulf and Learning with the Online Thesaurus of Old English A new chapter, Introducing Old English Prose, added to Part I, complements the existing chapter on Introducing Old English Poetry, by analysing the extent to which different prose genres draw on the techniques of poetry Two new texts, The Ruin and Ælfric's Life of St Æthelthryth, have been added to Part II, which provides graded readings from simplified texts to canonical works in Old English (contains long extracts from Beowulf, Cynewulf and Cyneheard, The Battle of Maldon and The Dream of the Rood)
The classic 1950's space adventures are back! Tom Corbett, Roger Manning, and Astro were attending Space Academy, in a TV series that sparked novels, comic strips, and merchandise. This edition is from October 1953, "The Space Traitor": Bob Keen is about to be commissioned into the Solar Guard, but helps his brother escape from a prison on the moon.
Intercultural language education has redefined the modern languages agenda in Europe and North America. Now intercultural learning is also beginning to impact on English Language Teaching. This accessible book introduces teachers of EFL to intercultural language education by describing its history and theoretical principles, and by giving examples of classroom tasks.
This book was written to inform and educate the public on ways to prevent the likelihood of being a victim of a crime. Crime is one of the major threats to any civilized society. Many people are victims of crimes because they are not familiar with many forms of crimes. Arm yourself with knowledge from this book. Knowledge of various crimes, scams and fraud is the best prevention.
This book, in the form of a course by the author, covers over 390 pages teaching you step by step on how to prepare and win cases of discrimination, sexual harassment, and whistleblowing on the job. It also teaches you how to articulate, fill out forms, and maintain an EEO complaint effective to win. The author chronicles and displays his complaints through the Equal Employment Opportunity Commission and a judgment in federal court documenting his knowledge of bias complaints. The book (course) offers a unique business opportunity to those who may have lost their income from being terminated from their job. It also may be bought and sold at a profit for those who may want to supplement their present income or establish a full time income selling the book (course).
Daniel Corbett is playing piano in a Toronto restaurant during Sunday brunch and dreaming of his daughter, who just turned fourteen but whom he hasn’t seen for a decade. That’s because Corbett isn’t just a piano player. He’s also a parolee, a former heart surgeon who, ten years before, was convicted of slitting his wife’s throat. As Corbett works the keyboard, an attractive woman, Nora, strikes up a conversation and then requests “Happy Birthday” for her daughter, Ellie. He looks over at Nora’s table. Ellie is the picture of the daughter in his head. Same birthdate, same age, going by her middle name. Could she be his Becky? Nonsense. And yet . . . Nora is a single mom. After years of urging from her mom to find and marry a decent man, a benchmark for Ellie when she starts dating boys, who does Nora unwittingly pick? A man who murdered his wife! Nora will never date again! So much for Ellie’s benchmark—unless Corbett is innocent. Nora’s mom decides she’ll be the judge of that. No point sending away the last good man—unless she knows he isn’t. Thus starts the dance. Lies, half-truths, betrayal. Loneliness, bitterness, anger. But also, warmth, love, humour, guts, and goodwill. Is Corbett innocent? Is Ellie his daughter? Will Nora finally find the love and fulfillment she seeks? As Corbett struggles to prevail, he comes to suspect that family may not be so much about how you’re related as how you relate.
This book analyses the development of Modern Scots orthography and compares the spelling used in key works of literature, showing how canonical writers of poetry and fiction in Scots have blended convention and innovation in presenting Scots.
Is it possible to compare French presidential politics with village leadership in rural India? Most social scientists are united in thinking such unlikely juxtapositions are not feasible. Boswell, Corbett and Rhodes argue that they are possible. This book explains why and how. It is a call to arms for interpretivists to embrace creatively comparative work. As well as explaining, defending and illustrating the comparative interpretive approach, this book is also an engaging, hands-on guide to doing comparative interpretive research, with chapters covering design, fieldwork, analysis and writing. The advice in each revolves around 'rules of thumb', grounded in experience, and illustrated through stories and examples from the authors' research in different contexts around the world. Naturalist and humanist traditions have thus far dominated the field but this book presents a real alternative to these two orthodoxies which expands the horizons of comparative analysis in social science research.
Daniel Corbett is playing piano in a Toronto restaurant during Sunday brunch and dreaming of his daughter, who just turned fourteen but whom he hasn’t seen for a decade. That’s because Corbett isn’t just a piano player. He’s also a parolee, a former heart surgeon who, ten years before, was convicted of slitting his wife’s throat. As Corbett works the keyboard, an attractive woman, Nora, strikes up a conversation and then requests “Happy Birthday” for her daughter, Ellie. He looks over at Nora’s table. Ellie is the picture of the daughter in his head. Same birthdate, same age, going by her middle name. Could she be his Becky? Nonsense. And yet . . . Nora is a single mom. After years of urging from her mom to find and marry a decent man, a benchmark for Ellie when she starts dating boys, who does Nora unwittingly pick? A man who murdered his wife! Nora will never date again! So much for Ellie’s benchmark—unless Corbett is innocent. Nora’s mom decides she’ll be the judge of that. No point sending away the last good man—unless she knows he isn’t. Thus starts the dance. Lies, half-truths, betrayal. Loneliness, bitterness, anger. But also, warmth, love, humour, guts, and goodwill. Is Corbett innocent? Is Ellie his daughter? Will Nora finally find the love and fulfillment she seeks? As Corbett struggles to prevail, he comes to suspect that family may not be so much about how you’re related as how you relate.
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