From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere.
Daniel Corbett is playing piano in a Toronto restaurant during Sunday brunch and dreaming of his daughter, who just turned fourteen but whom he hasn’t seen for a decade. That’s because Corbett isn’t just a piano player. He’s also a parolee, a former heart surgeon who, ten years before, was convicted of slitting his wife’s throat. As Corbett works the keyboard, an attractive woman, Nora, strikes up a conversation and then requests “Happy Birthday” for her daughter, Ellie. He looks over at Nora’s table. Ellie is the picture of the daughter in his head. Same birthdate, same age, going by her middle name. Could she be his Becky? Nonsense. And yet . . . Nora is a single mom. After years of urging from her mom to find and marry a decent man, a benchmark for Ellie when she starts dating boys, who does Nora unwittingly pick? A man who murdered his wife! Nora will never date again! So much for Ellie’s benchmark—unless Corbett is innocent. Nora’s mom decides she’ll be the judge of that. No point sending away the last good man—unless she knows he isn’t. Thus starts the dance. Lies, half-truths, betrayal. Loneliness, bitterness, anger. But also, warmth, love, humour, guts, and goodwill. Is Corbett innocent? Is Ellie his daughter? Will Nora finally find the love and fulfillment she seeks? As Corbett struggles to prevail, he comes to suspect that family may not be so much about how you’re related as how you relate.
This book examines military space strategy within the context of the land and naval strategies of the past. This second edition has been updated and revised, with several new chapters included. The book examines competition and conflict in the space domain, including the methods used and sound counterstrategies to thwart a competitor’s efforts. Contrary to many spacepower pundits, the book explains that neither is the space domain inherently offense-dominant nor is there a first-mover advantage when incorporating a sound space strategy. Offering new insights into the nature of strategic competition in space, this second edition leans heavily on the British maritime experience and the work of Julian Corbett to provide a strategic framework for understanding competition, crisis, and conflict in the space domain. It also includes important concepts from leading theorists and strategists, both past and present, to amplify concepts and provide additional insights into the functioning of space strategy. The book provides a foundational framework by underscoring that space strategy is shaped by the fundamental nature of all warfare, along with the universal principles of strategy and the essential unity of all strategic experience. Warfare is warfare, no matter the domain of operations, and consequently, policymakers and military leaders can look to historical experience and knowledge of past strategic frameworks to help gain insights into the functioning of space warfare. This book will appeal to students of spacepower, defense and strategic studies, and International Relations.
In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse-- found all around the world-- to make up music on the spot.
Unless you lived through the 1970s, it seems impossible to understand it at all. Drug delirium, groovy fashion, religious cults, mega corporations, glitzy glam, hard rock, global unrest—from our 2018 perspective, the seventies are often remembered as a bizarre blur of bohemianism and disco. With Pick Up the Pieces, John Corbett transports us back in time to this thrillingly tumultuous era through a playful exploration of its music. Song by song, album by album, he draws our imaginations back into one of the wildest decades in history. Rock. Disco. Pop. Soul. Jazz. Folk. Funk. The music scene of the 1970s was as varied as it was exhilarating, but the decade’s diversity of sound has never been captured in one book before now. Pick Up the Pieces gives a panoramic view of the era’s music and culture through seventy-eight essays that allow readers to dip in and out of the decade at random or immerse themselves completely in Corbett’s chronological journey. An inviting mix of skilled music criticism and cultural observation, Pick Up the Pieces is also a coming-of-age story, tracking the author’s absorption in music as he grows from age seven to seventeen. Along with entertaining personal observations and stories, Corbett includes little-known insights into musicians from Pink Floyd, Joni Mitchell, James Brown, and Fleetwood Mac to the Residents, Devo, Gal Costa, and Julius Hemphill. A master DJ on the page, Corbett takes us through the curated playlist that is Pick Up the Pieces with captivating melody of language and powerful enthusiasm for the era. This funny, energetic book will have readers longing nostalgically for a decade long past.
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