Stay gathers together 100,000 words of reviews, plus short fiction by John Clute, and was originally published to coincide with Loncon3 (the 2014 World Science Fiction Convention) at which he was one of the Guests of Honour. Also included is a complete reprint of the text of The Darkening Garden.
Pardon This Intrusion gathers together 47 pieces by John Clute, some written as long ago as 1985, though most are recent. The addresses and essays in Part One, "Fantastika in the World Storm", all written in the twenty-first century, reflect upon the dynamic relationship between fantastika - an umbrella term Clute uses to describe science fiction, horror and fantasy - and the world we live in now. Of these pieces, "Next", a contemporary response to 9/11, has not been revised; everything else in Part One has been reworked, sometimes extensively. Parts Two, Three and Four include essays and author studies and introductions to particular works; as they are mostly recent, Clute has felt free to rework them where necessary. The few early pieces - including "Lunch with AJ and the WOMBATS", a response to the Scientology scandal at the Brighton WorldCon in 1987 - are unchanged.
For more than 50 years John Clute has been reviewing science fiction and fantasy. Look at the Evidence is a collection of reviews from a wide variety of sources - including Interzone, the New York Review of Science Fiction, and Science Fiction Weekly - about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. It covers the period between 1987 and 1992.
For more than 50 years John Clute has been reviewing science fiction and fantasy. As Scores demonstrates, his devotion to the task of understanding the central literatures of our era has not slackened. There are jokes in Scores, and curses, and tirades, and apologies, and riffs; but every word of every review, in the end, is about how we understand the stories we tell about the world. Following on from his two previous books of collected reviews (Strokes and Look at the Evidence) this book collects reviews from a wide variety of sources, but mostly from Interzone, the New York Review of Science Fiction, and Science Fiction Weekly. Where it has seemed possible to do so without distorting contemporary responses to books, these reviews have been revised, sometimes extensively. 125 review articles, over 200 books reviewed in more than 214,000 words.
For more than 50 years John Clute has been reviewing science fiction and fantasy. Strokes is a collection of reviews from a wide variety of sources - including Interzone, the New York Review of Science Fiction, and Science Fiction Weekly - about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. It covers the period between 1966 and 1986.
Canary Fever is a collection of reviews about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. The title refers to the canary in the coal mine, who whiffs gas and dies to save miners; reviewers of fantastika can find themselves in a similar position, though words can only hurt us.
Author, critic, and scholar John Clute has assembled exclusively for Payseur & Schmidt this dictionary of horror motifs. Thirty entries unravel the hidden meanings and dark secrets of horror literature. Entries such as Vastation, Double, Appointment in Samarra, and Cloaca, to name a few. Each is explored in-depth, with cross-references to Clute's Encyclopedia of Fantasy and a forthcoming encyclopedia of Horror.An addition, each entry is accompanied by a brand new illustration by one of thirty hand-picked artists. Cover and endpapers illustrated by Jason Van Hollander. Artists include:Adam GranoAndrio AberoArt ChantryCarson EllisChanda HelzerCorey LunnDiana SudykaDirk FowlerGuy BurwellHeiko MullerJacob CoveyJason Van HollanderJay RyanJeff KleinsmithJesse LeDouxJessica LynchJon DalyJulie MurphyKaela GrahamKaren KirchoffLesley ReppeteauxLittle Friends of PrintmakingMartin OntiverosMeg HuntMichael Michael MotorcycleMike KingS. BrittShawn WolfeSteven WeissmanTara McPherson165 pages. Signed and numbered limited hardback first edition of 500. Deluxe embossed and stamped cover with screen-printed sash.
A lavishly illustrated look at humanity's fear of the apocalypse and the concept of Millennialism, examines the great significance placed on the number 1000, which the author argues is nothing more than superstition.
A searing exposé of the misuses and misrepresentations of science from the time of Galileo continuing through to the present day, this new edition includes updates on the asbestos industry, the chemicals industry, the sugar industry, the agriculture industry (the abuse of antibiotics), and the automobile industry (lead in gasoline). The final chapter has been expanded to include the full-blooded assault on science mounted by the Trump administration.
Galileo, Einstein, Curie, Darwin, Hawking—we know the names, but how much do we really know about these people? Galileo gained notoriety from his battle with the Vatican over the question of heliocentrism, but did you know that he was also an accomplished lute player? And Darwin of course discovered the principle by which new species are formed, but his bold curiosity extended to the dinner table as well. (And how many people can say they've eaten an owl!) In Eureka! John Grant—author of Debunk It!, Discarded Science, Spooky Science and many others—offers fifty vivid portraits of groundbreaking scientists, focusing not just on the ideas and breakthroughs that made them so important but also on their lives and their various...quirks.
Contains Locke's The reasonableness of Christianity as delivered in the scriptures (1695), A second vindication of the reasonableness of Christianity (1697), a previously unpublished manuscript text, and Pierre Coste's French version of the Vindications.
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
The days of the image brands are over, and new marketing has gone mainstream. The worlds biggest companies are pursuing a post-advertising strategy, moving away from advertising and investing in leading edge alternatives. In the vanguard of the revolution has been John Grant, co-founder of the legendary agency St. Lukes and author of The New Marketing Manifesto, whose radical thinking has informed a generation. Now Grant is set to stun the industry again. In The Brand Innovation Manifesto, he redefines the nature of brands, showing why old models and scales no longer work and revealing that the key to success today is impacting peoples lifestyles (think Starbucks, iPod and eBay). At the heart of the book is the concept of the brand molecule to which new cultural ideas can be constantly added to keep pace with change. Cataloguing 32 classes of idea, Grant presents a practical approach to mixing and matching them within your own market to develop new brand ideas - and new ideas for existing brands.
A hilarious lampoon of scientific inquiry into the psychic. Life after death, spirit communication, the astral plane, reincarnation: on the relatively rare occasions when scientists have tried to apply their methods to the paranormal, they’ve often ended up embarrassed—fooled by obvious charlatans, deluded into making irrational and unsubstantiated claims, or frustrated in their attempt to find something that just isn’t there. John Grant—author of Discarded Science and Corrupted Science—investigates the pseudoscience of spooky stuff to fascinating and humorous effect. From scamming mediums, to poltergeist fakery, to heavenly hallucinations, Grant spares ardent believers and gullible thinkers no mercy in this rollicking history of psychic “phenomena.”
From the American and French revolutions to modern theories of consciousness to contemporary entertainment (the hit TV series Lost features a character named John Locke who espouses Lockeian concepts), the influence of English philosopher JOHN LOCKE (16321704) falls wide and deep over Western culture. Yet his writings are less familiar to even serious readers and students of philosophy than that of other great thinkers of recent centuries. Here, Cosimo proudly presents, in 10 volumes, a replica of the 1801 tenth edition of Lockes collected works. Volume IV includes: [ A Letter to the Right Rev. Edward Lord Bishop of Worcester, concerning some Passages relating to Mr. Lockes Essay of Human Understanding, in a late Discourse of his Lordships in Vindication of the Trinity [ Mr. Lockes Reply to the Bishop of Worcesters Answer to his Letter [ An Answer to Remarks upon an Essay concerning Human Understanding [ Mr. Lockes Reply to the Bishop of Worcesters Answer to his second Letter
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