John Charles van Dyke (1856-1932) was an American art historian and critic. He was born at New Brunswick, N. J., studied at Columbia, and for many years in Europe. He was admitted to the New York bar in 1877 but never practiced law. He was appointed librarian at Sage Library, New Brunswick in 1878, then in 1899 professor of art history in Rutgers College. He was elected to the National Institute of Arts and Letters. He wrote a series of critical guide books: New Guides to Old Masters. He edited Modern French Masters (1896), Old Dutch and Flemish Masters (1901), Old English Masters; and a series of histories covering the history of art in America.
Since its first appearance in 1901, John C. Van Dyke's The Desert has been considered one of the classics of American nature writing. Before its publication, Americans thought of deserts as scorpion-infested wastelands—with names like Devil's Domain and the Lands That God Forgot. All this changed as The Desert drew attention to the extraordinary beauty that existed in the American West: rolling sand dunes, golden vistas, vibrant sunsets, and remarkable plant and animal life. Van Dyke's book captured the nation's imagination at a time when attitudes about the land were changing. It provided a vocabulary that continues to be used as appreciation of deserts increases and ever greater pressures lead to new calls to protect these fragile environments. With a critical introduction by Peter Wild, this edition offers new insights—and reveals some surprising truths—about this legendary author and his best known work. Van Dyke was not, it seems, the "plaster saint of the desert." He was not entirely honest with his readers about the journeys that inspired the book, and his natural history includes serious errors. But in this more informed reading, Wild notes, Van Dyke "emerges as all the more fascinating a writer and his famous book becomes far more intriguing than most readers have imagined through the decades." As the centennial of its publication approaches and the complex story behind its long success is finally told, this new edition of The Desert reveals an equally complex and dramatic narrative: our changing relationship with the American landscape. "Van Dyke came at just the right time... No sooner had Americans conquered the wilderness, cut down the forests, and slaughtered the buffalo than the romantic nation began sentimentalizing the past, longing for what it had just destroyed."—from the Introduction
The Scribner Writers Series has set the standard for literary reference for more than 25 years. In addition to addressing the lives and careers of important writers, the articles discuss the themes and styles of major works and place them in pertinent historical, social and political contexts for today's readers. Novelists, playwrights, essayists, poets, short story writers, and more recently, genre writers in science fiction and mystery, are all expertly discussed in the more than 16 sets comprising this series.The essays in the set combine biography, criticism, and in some cases, original interviews to tell the story of each author. This set includes 70 biographical/critical essays on such writers as Rachel Carson, Ralph Waldo Emerson, Henry David Thoreau and Gary Snyder and 12 general subject essays.
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