THE STORY: Joanna's Air Force husband has a new command in England, and the transfer has taken its toll on Joanna's state of mind. One night she feels an unusual presence in the sky, which soon becomes connected to two other mysterious sky sighting
The president of the United States traditionally serves as a symbol of power, virtue, ability, dominance, popularity, and patriarchy. In recent years, however, the high-profile candidacies of Hillary Clinton, Sarah Palin, and Michelle Bachmann have provoked new interest in gendered popular culture and how it influences Americans' perceptions of the country's highest political office. In this timely volume, editors Justin S. Vaughn and Lilly J. Goren lead a team of scholars in examining how the president and the first lady exist as a function of public expectations and cultural gender roles. The authors investigate how the candidates' messages are conveyed, altered, and interpreted in "hard" and "soft" media forums, from the nightly news to daytime talk shows, and from tabloids to the blogosphere. They also address the portrayal of the presidency in film and television productions such as Kisses for My President (1964), Air Force One (1997), and Commander in Chief (2005). With its strong, multidisciplinary approach, Women and the White House commences a wider discussion about the possibility of a female president in the United States, the ways in which popular perceptions of gender will impact her leadership, and the cultural challenges she will face.
Compact Time builds a scientific case that the Earth, with all its living creatures, is actually thousands of years old, not the millions so widely accepted. This unconventional book takes readers on a journey of discovery into the realm of time – re-examining the very history of the Earth. It highlights the fallacies of methods currently applied to timing Earth history and then draws attention to the radiocarbon dating technique. Radiocarbon decays away in only thousands of years and undecayed, radiocarbon permeates the whole geologic column; it’s even in fossil dinosaur bones. This implies a compact timescale of only thousands of years for the whole span of life on Earth. Historical, geological and paleontological lines of evidence supporting this new theory are examined. The implications for understanding human history and the religious significance are assessed within Compact Time.
This study uncovers how Saint Cecilia came to be closely associated with music and musicians. Until the fifteenth century, Saint Cecilia was not connected with music. She was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. In this book, John A. Rice argues that Cecilia’s association with music came about in several stages, involving Christian liturgy, visual arts, and music. It was fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. Saint Cecilia in the Renaissance explores the cult of the saint in Medieval times and through the sixteenth century when musicians’ guilds in the Low Countries and France first chose Cecilia as their patron. The book then turns to music and the explosion of polyphonic vocal works written in Cecilia’s honor by some of the most celebrated composers in Europe. Finally, the book examines the wealth of visual representations of Cecilia especially during the Italian Renaissance, among which Raphael’s 1515 painting, The Ecstasy of Saint Cecilia, is but the most famous example. Thoroughly researched and beautifully illustrated in color, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical and artistic inspiration.
While most every county has a county history which was a life-long labor of love for someone and is generally of little interest beyond inhabitants of the county, Edgefield County, SC is unique for several reasons: 1. It was the end of the Great Wagon Road which stretched from New England all the way down the east coast. 2. Edgefield District once comprised much of the upstate of South Carolina. Augusta, GA at the navigable head of the Savannah River became the major trading post for the Indians and later the corridor for shipping products to market through Savannah. 3. Edgefield has played a key part in the politics of South Carolina and indeed for the entire country. From the earliest times before the Civil War, James Henry Hammond's "Cotton is King" set the narrative for much that followed leading up to Secession. Sen. Strom Thurmond dominated the political scene for most of the 20th Century. Edgefield County boasts 8 governors and 6 senators.
The South Carolina 19th Infantry Regiment was organized during the winter of 1861-1862. It, along with the 18th was created as the last of the units formed in 1861 and did not participate in the early deployment. The 19th was involved the reorganization of the troops in the spring of 1862. They then moved to Mississippi, then to Kentucky where it saw action at Munfordsville. The 19th served with the Army of Tennessee from Murfreesboro to Atlanta, fought with Hood in Tennessee, and was active in the South Carolina Campaign and the North Carolina operations. The regiment lost 8 killed and 72 wounded at Murfreesboro, and the 10th/19th sustained 236 casualties at Chickamauga and totaled 436 men and 293 arms in December, 1863. During the Atlanta Campaign, July 22-28, the 19th reported 12 killed, 60 wounded, and 25 missing, and there were 9 killed, 34 wounded, and 8 missing at Ezra Church. It surrendered on April 26, 1865, with 76 men.
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.
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