When he was asked to summarize his philosophy, Plato reportedly said: "Practice dying," which seems a rather strange, even morbid, comment until one realizes that every life consists of passages, some smooth and some not. Within these passages are what John Morgan calls "thin places." On a trip to Wales, Morgan discovered that the term "thin places" is part of Celtic culture. Thin places are those places where the eternal and the temporal touch, if only for a brief glimpse; where you know that life is more than just the obvious. Thin places can be of great beauty, where life's meaning breaks through by the ocean or in the mountains; but thin places can also arise in the life of every person, whether with the birth of a child or the death of a family member. John Morgan believes that being fully awake to such times and places holds a clue to living more deeply and with greater wisdom about what's really important. His poems express this understanding.
Sooner or later every person faces questions about death and whether there is anything beyond it. This little book consists of personal and sometime private letters between three brothers who realize their own lives may soon come to an end. The wisdom they offer is not only for their own families and friends left behind, but for others who have faced the loss of loved ones. Writing from different religious perspectives, the letters are nonetheless spiritual in the way they seek to wrest from a life lived in the face of death some wisdom for one another as well as others who have shared their struggles with life's deepest questions. When he was asked about the essence of his philosophy, Plato reportedly said, "Practice dying." These letters take his wisdom to heart in a series of heartfelt exchanges over the course of a year, concluding with each author's request for what his memorial service would be like.
Sooner or later every person faces questions about death and whether there is anything beyond it. This little book consists of personal and sometime private letters between three brothers who realize their own lives may soon come to an end. The wisdom they offer is not only for their own families and friends left behind, but for others who have faced the loss of loved ones. Writing from different religious perspectives, the letters are nonetheless spiritual in the way they seek to wrest from a life lived in the face of death some wisdom for one another as well as others who have shared their struggles with life's deepest questions. When he was asked about the essence of his philosophy, Plato reportedly said, "Practice dying." These letters take his wisdom to heart in a series of heartfelt exchanges over the course of a year, concluding with each author's request for what his memorial service would be like.
Throughout history, philosophers have attempted to unravel the mystery of life. People from many diverse traditions have been invited to sit face to face at the table of philosophy to engage in analytical and critical reflection in what Dr. John Morgan calls "the great questions of life." This book invites students to explore the meaning of life in an easy and understandable manner through the infamous character Professor Plotimus. The antics of Professor Plotimus make philosophy interesting, uncomplicated, and easy to grasp while deeply compelling . . . It allows our minds to wonder and listen to the wisdom of the ages that life has meaning and purpose if we only loosen the chains of dogma and venture out of our caves as we attempt to see life in a fresh way. --from the Preface by Linda Lewis Riccardi Adjunct Professor of Humanities and Philosophy, Reading Area Community College
Throughout history, philosophers have attempted to unravel the mystery of life. People from many diverse traditions have been invited to sit face to face at the table of philosophy to engage in analytical and critical reflection in what Dr. John Morgan calls "the great questions of life." This book invites students to explore the meaning of life in an easy and understandable manner through the infamous character Professor Plotimus. The antics of Professor Plotimus make philosophy interesting, uncomplicated, and easy to grasp while deeply compelling . . . It allows our minds to wonder and listen to the wisdom of the ages that life has meaning and purpose if we only loosen the chains of dogma and venture out of our caves as we attempt to see life in a fresh way. --from the Preface by Linda Lewis Riccardi Adjunct Professor of Humanities and Philosophy, Reading Area Community College
If you want to live a better life, how can you do so? Like learning to play a musical instrument or another language, you need to be clear about the basics beforehand. This means describing what you value and what you need to do to move into realizing these values in your everyday life. Once your intentions are clear, again similar to playing a musical instrument, you must practice every day realizing those intentions. This is called practical wisdom—applying what you value into daily practice. In a new book, Everyday Wisdom, writer and philosophy teacher Dr. John C. Morgan provides forty ways to live a deeper and more meaningful life, which he collected over the years from both students in his classes and congregations he served. Written clearly in short essays, Morgan offers pathways for finding your best self, including how to be more loving, peaceful, and intentional. Being clear about your intentions and practicing realizing them every day is the wisdom needed to realize your potential. It’s a daily practice but followed long enough becomes life changing. Essentially, living the good life is one that evolves over time and is a habit you choose to practice every day. This book offers ways to create your book of life and keep a journal along the way, thus putting into daily practice what you value.
Sooner or later each one of us faces death, our own or others we care about. And yet, few take time beforehand to think about these endings, and in the process may lose the wisdom of the ages that comes after facing death. Perhaps this explains why when Plato was asked to summarize his philosophy he reportedly said: Practice dying. He understood that dying is what each one of us does throughout our lives, whether it is leaving home the first time to go to school or departing from this planet when our lives end. If we learn how to die--to let go and get our egos out of the way--we will have gained wisdom about how best to live. This brief yet comprehensive book deals not only with the philosophical and psychological meaning of death but its practical implications for our lives. Written by two brothers who have taught philosophy, ethics, psychology, and religion at community colleges and four-year private colleges, this book can be used in many learning situations, whether part of courses in philosophy, ethics, psychology, or counseling; or for short-term workshops or continuing education courses for students in human services, health care, social work, or any of the helping professions.
Description: Throughout history, philosophers have attempted to unravel the mystery of life. People from many diverse traditions have been invited to sit face to face at the table of philosophy to engage in analytical and critical reflection in what Dr. John Morgan calls ""the great questions of life."" This book invites students to explore the meaning of life in an easy and understandable manner through the infamous character Professor Plotimus. The antics of Professor Plotimus make philosophy interesting, uncomplicated, and easy to grasp while deeply compelling . . . It allows our minds to wonder and listen to the wisdom of the ages that life has meaning and purpose if we only loosen the chains of dogma and venture out of our caves as we attempt to see life in a fresh way. --from the Preface by Linda Lewis Riccardi Adjunct Professor of Humanities and Philosophy, Reading Area Community College About the Contributor(s): John C. Morgan is an adjunct professor of philosophy at Albright College, Reading, Pennsylvania, where he teaches courses in philosophy and ethics in the Accelerated Degree Program. He has taught philosophy previously at two community colleges and has authored many articles and books, the last two from Wipf and Stock: Psychology of Death and Dying and Dear Brothers: Letters Facing Death.
Sooner or later every person faces questions about death and whether there is anything beyond it. This little book consists of personal and sometime private letters between three brothers who realize their own lives may soon come to an end. The wisdom they offer is not only for their own families and friends left behind, but for others who have faced the loss of loved ones. Writing from different religious perspectives, the letters are nonetheless spiritual in the way they seek to wrest from a life lived in the face of death some wisdom for one another as well as others who have shared their struggles with life's deepest questions. When he was asked about the essence of his philosophy, Plato reportedly said, "Practice dying." These letters take his wisdom to heart in a series of heartfelt exchanges over the course of a year, concluding with each author's request for what his memorial service would be like.
This detailed archaeological survey of the ninth and eighth century BC covers an astonishingly creative era in Greek history. This second edition has been updated with a substantial chapter on the abundant discoveries and developments made since the book's first publication.
Sooner or later every person faces questions about death and whether there is anything beyond it. This little book consists of personal and sometime private letters between three brothers who realize their own lives may soon come to an end. The wisdom they offer is not only for their own families and friends left behind, but for others who have faced the loss of loved ones. Writing from different religious perspectives, the letters are nonetheless spiritual in the way they seek to wrest from a life lived in the face of death some wisdom for one another as well as others who have shared their struggles with life's deepest questions. When he was asked about the essence of his philosophy, Plato reportedly said, "Practice dying." These letters take his wisdom to heart in a series of heartfelt exchanges over the course of a year, concluding with each author's request for what his memorial service would be like.
This comprehensive survey of urban growth in America has become a standard work in the field. From the early colonial period to the First World War, John Reps explores to what extent city planning has been rooted in the nation's tradition, showing the extent of European influence on early communities. Illustrated by over three hundred reproductions of maps, plans, and panoramic views, this book presents hundreds of American cities and the unique factors affecting their development.
Sooner or later each one of us faces death, our own or others we care about. And yet, few take time beforehand to think about these endings, and in the process may lose the wisdom of the ages that comes after facing death. Perhaps this explains why when Plato was asked to summarize his philosophy he reportedly said: Practice dying. He understood that dying is what each one of us does throughout our lives, whether it is leaving home the first time to go to school or departing from this planet when our lives end. If we learn how to die--to let go and get our egos out of the way--we will have gained wisdom about how best to live. This brief yet comprehensive book deals not only with the philosophical and psychological meaning of death but its practical implications for our lives. Written by two brothers who have taught philosophy, ethics, psychology, and religion at community colleges and four-year private colleges, this book can be used in many learning situations, whether part of courses in philosophy, ethics, psychology, or counseling; or for short-term workshops or continuing education courses for students in human services, health care, social work, or any of the helping professions.
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
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