As an ethnically heterogeneous but stable democracy, the United States is a puzzle for students of politics. Typically, the literature of democratic theory regards ethnic diversity as disruptive of a democratic polity. However, the United States has so far avoided the system-threatening consequences of heterogeneity experienced by other democratic
Vols. 2-9: Edited by W. Edwin Hemphill; v. 10: Edited by Clyde N. Wilson and W. Edwin Hemphill; v. 11-18, 20-22: Edited by Clyde N. Wilson; v. 23-27 edited by Clyde N. Wilson and Shirley Bright CookVols. 10-15, 22: Published by the University of South Carolina Press for the South Carolina Dept. of Archives and History and the South Caroliniana Society; v. 23-28 published by the University of South Carolina Press Includes bibliographical references and indexes.
The Routledge History of Literature in English covers the main developments in the history of British and Irish literature, with accompanying language notes which explore the interrelationships between language and literature at each stage. With a span from AD 600 to the present day, it emphasises the growth of literary writing, its traditions, conventions and changing characteristics, and includes literature from the margins, both geographical and cultural. Extensive quotations from poetry, prose and drama underpin the narrative. The third edition covers recent developments in literary and cultural theory, and features: a new chapter on novels, drama and poetry in the 21st century; examples of analysis of key texts drawn from across the history of British and Irish literature, including material from Chaucer, Shakespeare, John Keats and Virginia Woolf; an extensive companion website including extra language notes and key text analysis; lists of Booker, Costa and Nobel literature prize winners; and an A-Z of authors and topics. The Routledge History of Literature in English is an invaluable reference for any student of English literature and language.
As an ethnically heterogeneous but stable democracy, the United States is a puzzle for students of politics. Typically, the literature of democratic theory regards ethnic diversity as disruptive of a democratic polity. However, the United States has so far avoided the system-threatening consequences of heterogeneity experienced by other democratic
Marking the bicentenary of the birth of William Makepeace Thackeray in 1811, this five-volume set presents a collection of materials relating to the novelist and to his gifted family.
Written by one of the leading authorities on trade and finance in the early modern Atlantic world, these fourteen essays, revised and integrated for this volume, share as their common theme the development of the Atlantic economy, especially British America and the Caribbean. Topics treated range from early attempts in medieval England to measure the carrying capacity of ships, through the advent in Renaissance Italy and England of business newspapers that reported on the traffic of ships, cargoes and market prices, to the state of the economy of France over the two hundred years before the French Revolution and of the British West Indies between 1760 and 1790. Included is the story of Thomas Irving who challenged and thwarted the likes of John Hancock, Samuel Adams, Alexander Hamilton, George Washington and Thomas Jefferson.
More than 150 years after its original publication, Bartlett's Familiar Quotations has been completely revised and updated for its eighteenth edition. Bartlett's showcases a sweeping survey of world history, from the times of ancient Egyptians to present day. New authors include Warren Buffett, the Dalai Lama, Bill Gates, David Foster Wallace, Emily Post, Steve Jobs, Jimi Hendrix, Paul Krugman, Hunter S. Thompson, Jon Stewart, Elizabeth Kubler-Ross, Barack Obama, Che Guevara, Randy Pausch, Desmond Tutu, Julia Child, Fran Leibowitz, Harper Lee, Nassim Nicholas Taleb, Patti Smith, William F. Buckley, and Robert F. Kennedy. In the classic Bartlett's tradition, the book offers readers and scholars alike a vast, stunning representation of those words that have influenced and molded our language and culture.
This is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820.
There are many collections of letters and Civil War memoirs available today, but very few offer in-depth information about the medical treatment of wounded soldiers. In Repairing the "March of Mars": The Civil War Diaries of John Samuel Apperson, Hospital Steward in the Stonewall Brigade, 1861-1865, editor John Herbert Roper provides an important supplement to this largely ignored aspect of the Civil War." "Apperson's diary is a sensitive and painstaking observation of the details of medical treatment during and after battle. For all periods of the war, his detailed personal records supplement and correct official army hospital records, and for certain periods, his diary provides the only medical information available. For example, Apperson was present at the amputation of Stonewall Jackson's arm, and his diary shows that Jackson died of postoperative pneumonia, and not of a botched surgery."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Across the ancient and medieval literature of Judaism, Christianity, and Islam, one finds references to the antediluvian sage Enoch. Both the Book of the Watchers and the Astronomical Book were long known from their Ethiopic versions, which are preserved as part of Mashafa Henok Nabiy ('Book of Enoch the Prophet')--an Enochic compendium known in the West as 1 Enoch. Since the discovery of Aramaic fragments among the Dead Sea Scrolls, these books have attracted renewed attention as important sources for ancient Judaism. Among the results has been the recognition of the surprisingly long and varied tradition surrounding Enoch. Within 1 Enoch alone, for instance, we find evidence for intensive literary creativity. This volume provides a comprehensive set of core references for easy and accessible consultation. It shows that the rich afterlives of Enochic texts and traditions can be studied more thoroughly by scholars of Second Temple Judaism and early Christianity as well as by scholars of late antique and medieval religions. Specialists in the Second Temple period-the era in which Enochic literature first appears-will be able to trace (or discount) the survival of Enochic motifs and mythemes within Jewish literary circles from late antiquity into the Middle Ages, thereby shedding light on the trajectories of Jewish apocalypticism and its possible intersections with Jewish mysticism. Students of Near Eastern esotericism and Hellenistic philosophies will have further data for exploring the origins of 'gnosticism' and its possible impact upon sectarian currents in Judaism, Christianity, and Islam. Those interested in the intellectual symbiosis among Jews, Christians, and Muslims in the Middle Ages-and especially in the transmission of the ancient sciences associated with Hermeticism (e.g., astrology, theurgy, divinatory techniques, alchemy, angelology, demonology)-will be able to view a chain of tradition reconstructed in its entirety for the first time in textual form. In the process, we hope to provide historians of religion with a new tool for assessing the intertextual relationships between different religious corpora and for understanding the intertwined histories of the major religious communities of the ancient and medieval Near East.
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
This book is a user-friendly guide to English literature from 1960 to the present. From Philip Larkin, Seamus Heaney to Caryl Churchill, Tom Stoppard and Alan Bennett, the book is essential reading for all readers of contemporary writing.
The Dublin Stage, 1720-1745 is a comprehensive documentary history and calendar of Dublin Ireland's theatres from 1720, the year of Joseph Ashbury's death, to 1745, when Thomas Sheridan assumed the management of the united Smock Alley/Aungier Street companies and ushered in the "Golden Age" of early Dublin theatre. During the eighteenth century, Dublin was second only to London in the number of theatres it supported and in the number and quality of productions. Winner of Lehigh University Press's eighteenth-century studies prize, this work details for the first time evidence of nearly 1,400 stage performances in eight competing theatres and theatrical booths and hundreds of performers, many previously unnoticed. Programs are listed in a detailed calendar, which is organized by theatrical season and provides a day-by-day account of the plays, afterpieces, dances, music, and songs that were performed, as well as the many other forms of entertainment that were staged at the public theatres, such as rope-dancing, animal acts, and equilibres." "The actors who performed and their named roles are listed, as well as the recipients of benefits, the titles of all songs, dances, and other entr'acte entertainments. Each entry also incorporates all available contemporary commentary about each performance, financial information, and supplies locations of rare texts." "In the analytical introduction to the calendar, the authors discuss the physical characteristics and locations of the theatres; their acoustics and capacities; the Dublin theatre season; composition, administration, and management of the companies of performers; management styles and techniques; actors' contractual arrangements, conditions, and salaries; ticket prices; benefit and command performances; the composition of the repertory; costumes, scenery, wardrobe, and machinery, and much else. Special attention is paid to areas that have been neglected by previous histories, such as dance and dancers, and prologues and epilogues." "In addition to a general index, The Dublin Stage, 1720-1745 provides indexes of all mainpieces and afterpieces performed during the period in Dublin, cross-referenced with the venue and date of performance; an author/play index; and an alphabetical listing of all personnel associated with the Dublin stage at this time, as well as a selected bibliography." "Incorporating into their book the work of recent eighteenth-century theatre scholarship, the authors bring to light much that is new about a fascinating period of theatre history and greatly expand our knowledge about the plays and entertainments enjoyed by Dublin audiences, and about the identities of the stage personnel active in Dublin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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