Today, companies are expected to be flexible and both rapidly responsive and resilient to change, which basically asks them to be agile. By combining Beyond Budgeting,Open Space, Sociocracy, and Agile, this book provides a practical guide for companies that want to be agile company-wide. Notes to the 2nd edition: This second edition reflects such updates as: the new Agile Fluency Model, the renaming / rebranding of Statoil to Equinor, and some small additions to complexity. We also enhanced the description of Organizational Open Space and explain how it differs from Liberating Structures. Enjoy insights in the book shared by Jez Humble, Diana Larsen, James Shore, Johanna Rothman, and Bjarte Bogsnes. Find out what Spotify, ING, Ericsson, and Walmart say in the book. Quotes from early readers: “[This is] a very important book. My hopes are that it will be the missing link between agile for teams and the flexible, adaptive and humane organisations we want to build. It’s a great book. Thanks for writing it!” ~Sandy Mamoli, author of Creating Great Teams “Just as Spotify has worked hard to make all aspects of product development align well and work together - I see Jutta and John in this book exploring methods and processes that will work very well across the whole company.” ~ Anders Ivarsson, Spotify “I love how those practices [are] integrated and summarized into actionable recommendations.” ~ Yves Lin, Titansoft “Really wonderful balance of structure and space, rigor and creativity, that you're suggesting.” ~ Michael Herman, Openspaceworld.org “Company-wide Agility with Beyond Budgeting, Open Space and Sociocracy [...] makes an important case for companies to regard trust and autonomy the norm, rather than a privilege. [...] Overall a great overview of how leaders can reimagine the way power is distributed within their companies.” ~ Aimee Groth, Author of The Kingdom of Happiness: Inside Tony Hsieh’s Zapponian Utopia This book invites you to take a new perspective that addresses the challenges of doing business in a volatile, uncertain, complex, and ambiguous world.
Johnny Nelson reached up for the new, blue flannel shirt he had hung above his bunk, and then placed his hands on hips and soliloquized: "Me an' Red buy a new shirt apiece Saturday night an' one of 'em 's gone Sunday mornin'; purty fast work even for this outfit." He strode to the gallery to ask the cook, erstwhile subject of the Most Heavenly One, but the words froze on his lips. Lee Hop's stoop-shouldered back was encased in a brand new, blue flannel shirt, the price mark chalked over one shoulder blade, and he sing-songed a Chinese classic while debating the advisability of adopting a pair of trousers and thus crossing another of the boundaries between the Orient and the Occident. He had no eyes in the back of his head but was rarely gifted in the "ways that are strange," and he felt danger before the boot left Johnny's hand. Before the missile landed in the dish pan Lee Hop was digging madly across the open, half way to the ranch house, and temporary safety. Johnny fished out the boot and paused to watch the agile cook. "He 's got eyes all over hisself—an' no coyote ever lived as could beat him," was his regretful comment. He knew better than to follow—Hopalong's wife had a sympathetic heart, and a tongue to be feared. She had not yet forgotten Lee Hop's auspicious initiation as an ex-officiomember of the outfit, and Johnny's part therein. And no one had been able to convince her that sympathy was wasted on a "Chink." The shirtless puncher looked around helplessly, and then a grin slipped over his face. Glancing at the boot he dropped it back into the dish water, moved swiftly to Red's bunk, and in a moment a twin to his own shirt adorned his back. To make matters more certain he deposited on Red's blankets an old shirt of Lee Hop's, and then sauntered over to Skinny's bunk. "Hoppy said he 'd lick me if I hurt th' Chink any more; but he did n't say nothin' to Red. May th' best man win," he muttered as he lifted Skinny's blankets and fondled a box of cigars. "One from forty-three leaves forty-two," he figured, and then, dropping to the floor and crawling under the bunk, he added a mark to Skinny's "secret" tally. Skinny always liked to know just how many of his own cigars he smoked. "Now for a little nip, an' then th' open, where this cigar won't talk so loud," he laughed, heading towards Lanky's bunk. The most diligent search failed to produce, and a rapid repetition also failed. Lanky's clothes and boots yielded nothing and Johnny was getting sarcastic when his eyes fell upon an old boot lying under a pile of riding gear in a corner of the room. Keeping his thumb on the original level he drank, and then added enough water to bring the depleted liquor up to his thumb. "Gee—I 've saved sixty-five dollars this month, an' two days are gone already," he chuckled. He received sixty-five dollars, and what luxuries were not nailed down, every month. Mounting his horse he rode away to enjoy the cigar, happy that the winter was nearly over. There was a feeling in the air that told of Spring, no matter what the calendar showed, and Johnny felt unrest stirring in his veins. When Johnny felt thus exuberant things promised to move swiftly about the bunk-house.
Hunting Rutting Bucks is a tremendous resource for hunters hoping to take the biggest buck of their lives. Rather than focus on the much-publicized but short primary rut period, the author divides the mating season into three distinct phases and offers tried-and-true advice specific to each period. Each year the rut is responsible for helping hunters take some of the most mature, large-antlered, wary bucks in the wild. Season after season, these reclusive, almost totally nocturnal trophy-class bucks are vulnerable to hunters who know and understand how to effectively hunt by observing the nuances of all phases of the white-tailed deer's breeding season: the rut. In this book, John Trout, Jr., shares his best-kept secrets on how to consistently tag out on rut-crazed bucks. He shares countless strategies and tips that cover a wide variety of topics, including: A detailed analysis of the pre rut, primary rut, and post rut How to read rubs and scrapes, and figure out which ones are active and which ones aren't How to lure bucks into gun or bow range with scents, calls, and rattling antlers How to hunt cold fronts and moon phases How to set up and hunt tree stands to maximum advantage And much more!
Timeline Analog 3 (1981-1989) traces the amazing story of editing's evolution. Read how filmmakers like Spielberg and Hitchcock used editing to craft masterpieces while inventors like Beeson, Rady and Warner built wondrous editing machines for editors. Free updates included.
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