Storytelling for Virtual Reality serves as a bridge between students of new media and professionals working between the emerging world of VR technology and the art form of classical storytelling. Rather than examining purely the technical, the text focuses on the narrative and how stories can best be structured, created, and then told in virtual immersive spaces. Author John Bucher examines the timeless principles of storytelling and how they are being applied, transformed, and transcended in Virtual Reality. Interviews, conversations, and case studies with both pioneers and innovators in VR storytelling are featured, including industry leaders at LucasFilm, 20th Century Fox, Oculus, Insomniac Games, and Google. For more information about story, Virtual Reality, this book, and its author, please visit StorytellingforVR.com
This monograph proposes a minimalist, phase-based approach to the derivation of coordinate structures, utilizing the operations Copy and Match to account for both the symmetries and asymmetries of coordination. Data are drawn primarily from English, German and Dutch. The basic assumptions are that all coordinate structures are symmetric to some degree (in contrast to parasitic gap and many verb phrase ellipsis constructions), and these symmetries, especially with ellipsis, allow syntactic derivations to utilize Copy and Match in interface with active memory for economizing with gaps and assuring clarity of interpretation. With derivations operating at the feature level, troublesome properties of coordinate structures such as cross-categorial and non-constituent coordination, violations of the Coordinate Structure Constraint, as well as coordinate ellipsis (Gapping, RNR, Left-Edge Ellipsis) are accounted for without separate mechanisms or conditions applicable only to coordinate structures. The proposal provides support for central assumptions about the structure of West Germanic.
The second volume in the trilogy—“a complex, bizarre, and unique vision of the near future with a kaleidoscopic mix of politics, pop, and paranoia” (Bruce Sterling, author of The Hacker Crackdown). World War Three continues. A nuclear strike has laid waste to much of Europe. And the fascists and fundamentalists of the Second Alliance are diligently working on Project Total Eclipse—a nightmare scenario that seeks to establish the SA’s control over a much wider territory through a takeover of the first orbiting space colony in human history. And they are running out of patience with the New Resistance—technologically skilled guerillas who are the only ones standing in the way of their grand plans for apartheid and world domination . . . This extraordinary trilogy, which anticipated such phenomena as surveillance drones and the rising threat of right-wing authoritarianism, is a riveting saga of out-of-control corporate power, a near-future world riven by rage and fear, and the need for individuals to stand up and fight back if they want to hold on to their freedom. “Vivid, dense, powerful imagery . . . hard to put down.” —The Washington Post
The complete trilogy in one volume: Tech-savvy resistance fighters battle a twenty-first-century fascist takeover that threatens the entire planet—and beyond . . . In the near future, Russia invades Western Europe, crisis envelops the United States—and a mercenary army overseen by power-hungry theocrats and authoritarians takes advantage of the chaos. But a band of resistance fighters, technologically skilled and as dedicated to freedom as they are to sex, drugs, and rock and roll, intend to do what needs to be done to save humanity from mass-scale genocide—including those humans living in the world’s first orbiting space colony . . . This volume includes Eclipse, Eclipse: Penumbra, and Eclipse: Corona Praise for The Eclipse Trilogy “[An] apocalyptic, pop-inflected, rock-driven vision.” —William Gibson, New York Times–bestselling author of Neuromancer “Hard to put down.” —The Washington Post “John Shirley’s prophet-in-the-cyberwilderness voice deserves high billing among the best.” —Roger Zelazny, Nebula Award-winning author of Nine Princes in Amber “A Goya-esque vision of war-torn western Europe, bombed out and unstable . . . from a resurgence of Russian militarism and the collapse of NATO.” —Publishers Weekly “A kaleidoscopic mix of politics, pop, and paranoia.” —Bruce Sterling, author of Heavy Weather “Chillingly plausible.” —Kirkus Reviews
This ambitious book addresses questions concerning an old theme - the rise and fall of ancient civilization - but does so from a distinctive theoretical perspective by taking its lead from the work of the great German sociologist Max Weber.
One of the most sought-after criminals of the Depression era, Ralph Fults began his career of crime at the improbable age of fourteen. At nineteen he met Clyde Barrow in a Texas prison, and the two men together founded what would later be known as the Barrow gang. Running with Bonnie and Clyde is the story of Fults's experiences in the Texas criminal underworld between the years 1925 and 1935 and the gripping account of his involvement with the Barrow gang, particularly its notorious duo, Bonnie and Clyde. Fults's "ten fast years" were both dramatic and violent. As an adolescent he escaped numerous juvenile institutions and jails, was shot by an Oklahoma police officer, and was brutalized by prison guards. With Clyde, following their fateful meeting in 1930, he robbed a bank to finance a prison raid. After the ambush of Bonnie and Clyde, in 1934, he joined forces with Raymond Hamilton; together the two robbed more banks and eluded countless posses before Hamilton's capture and 1935 execution. One of the few survivors among numerous associates who ended up shot, stabbed, beaten to death, or executed, Fults was later able to reform himself, believing that the only reason he was spared was to reveal the darkest aspects of his past-and in so doing expose the circumstances that propel youth into crime. Author John Neal Phillips tells Fults's story in vivid and at times raw detail, recounting bank robberies, killings, and prison escapes, friendships, love affairs, and marriages. Dialogues based on actual conversations amongst the participants enhance the narrative's authenticity. Whereas in books and mms, Fults, Parker, Barrow, and Hamilton have been romanticized or depicted as one-dimensional, depraved characters, Running with Bonnie and Clyde shows them as real people, products of social, political, and economic forces that directed them into a life of crime and bound them to it for eternity. Although basing his account primarily on Fults's testimony, Phillips substantiates that viewpoint with references to scores of eyewitness interviews, police files and court documents, and contemporary news accounts. An important contribution to criminal and social history, Running with Bonnie and Clyde will be fascinating reading for scholars and general readers alike.
This volume is largely a source book of genealogical and historical materials, compiled from the public records of Rockingham, Augusta, Greenbrier, Wythe, Montgomery and other counties of Virginia, with valuable contributions from various other parts of the United States.
1918: The end of the war to end all wars. The end of an era for victors and vanquished alike. When Germany launched the Ludendorf Offensives—the most massive military bombardment of World War I—they seemed certain to win. But when American troops began arriving in droves, the Allies' certain defeat became a decisive victory. No Man's Land takes us into the trenches, behind enemy lines, into military strategy sessions and through the corridors of power in London, Paris, Berlin, and Washington in a brilliant account of one of the most fateful years in Western history. Drawing on new sources—diaries, memoirs, vivid personal experiences—here is a book that for sheer excitement, drama, vigor, and emotional impact rivals the greatest novels, history marvelously told by the incomparable John Toland. "A compelling human picture...a marvelous job by a master of the big-canvas history." Business Week
Novels sixteen through twenty in #1 New York Times bestselling and Pulitzer Prize-winning author John Sandford’s Prey series, featuring Minneapolis homicide investigator Lucas Davenport. BROKEN PREY Two bodies are found three weeks apart. Same condition, same display—but there's nothing to link the two victims, nothing to indicate that the killings end here. But that's not about to stop Lucas Davenport. INVISIBLE PREY A wealthy woman and her maid are murdered. Robbery would seem the likely scenario, except that none of the clues are coming together for Lucas Davenport. At least not those he can see. PHANTOM PREY After one troubled college-age student disappears and two are found slashed to death, Lucas Davenport finds himself hunting what appears to be a modern-day Jack the Ripper. WICKED PREY Out of Lucas Davenport’s past comes a psycho nursing a violent grudge. But why go after Davenport for revenge when Davenport’s young daughter is so close, and so vulnerable? STORM PREY When a simple robbery turns deadly, the thieves close in on the one woman who was the only possible witness: Lucas Davenport’s wife. They have only one option—eliminate her. And fast.
Text and image are used together in an increasingly flexible fashion and many disciplines and areas of study are now attempting to understand how these combinations work.This introductory textbook explores and analyses the various approaches to multimodality and offers a broad, interdisciplinary survey of all aspects of the text-image relation. It leads students into detailed discussion concerning a number of approaches that are used. It also brings out their strengths and weaknesses using illustrative example analyses and raises explicit research questions to reinforce learning. Throughout the book, John Bateman looks at a wide range of perspectives: socio-semiotics, visual communication, psycholinguistic approaches to discourse, rhetorical approaches to advertising and visual persuasion, and cognitive metaphor theory. Applications of the styles of analyses presented are discussed for a variety of materials, including advertisements, picture books, comics and textbooks. Requiring no prior knowledge of the area, this is an accessible text for all students studying text and image or multimodality within English Language and Linguistics, Media and Communication Studies, Visual and Design Studies.
In a gripping debut novel that combines power, politics, and the press, John Luciew introduces a rogue reporter whose new lease on life may be the end of him.... Obituary writer Lenny Holcomb has reached a dead end. Burned-out and uninspired, he knows life in Harrisburg, Pennsylvania, has nothing left to offer. Until the secrets of the dead begin to reveal themselves in his work -- sending Lenny back into the streets armed with a shrewd mind and a recharged sense of purpose. Lenny is hot on the trail of a popular governor with presidential ambitions who may have had a role in the death of his beautiful press secretary. Teamed with the sexy investigative journalist Jacquelyn "Jack" Towers, Lenny uncovers widespread political corruption leading all the way to the governor's majordomo -- a ruthless and mysterious behind-the-scenes powerbroker who has been pulling strings for his boss all along. When Lenny puts together the murderous truth, he realizes that he's just made a very powerful and dangerous enemy -- and that the last obituary he pens may be his own.
Amongst animals, diversity of form and of environmental circumstances have given rise to a multitude of different adap tations subserving the relatively unified patterns of cellular metabolism. Nowhere else is this state of affairs better exem plified than in the realm of respiration". Jones (1972). The field of comparative respiratory biology is expanding almost exponentially. With the ever-improving analytical tools and methods of experimentation, its scope is blossoming to fascinating horizons. The innovativeness and productivity in the area continue to confound students as well as specialists. The increasing wealth of data makes it possible to broaden the information base and meaning fully synthesize, rationalize, reconcile, redefine, consolidate, and offer empirical validation of some of the earlier anecdotal views and interpretations, helping resolve the issues into adequately realistic and easily perceptible models. Occa sional reflections on the advances made, as well as on the yet unresolved prob lems, helps chart out new grounds, formulate new concepts, and stimulate inquiry. Moreover, timely assessments help minimize isolation among investiga tors, averting costly duplication of effort. This exposition focuses on the diversity of the design of the gas exchangers and gives a critical appraisal of the plausible or constrained the evolvement of respiration. The factors that have motivated cause-and-effect relationship between the phylogenetic, developmental, and en vironmental factors, conditions, and states which at various thresholds and under certain backgrounds conspired in molding the gas exchangers is argued.
Rather than the proverbial melting pot, Wilson asks us to recognize a West that is at least a place where, against a backdrop of aridity and expansive space, diverse lives can and do coexist." --John Rohrbach Renowned photographer Laura Wilson has captured the majesty, as well as the tragedy, of her home region of Texas and the wider West for more than three decades. A former assistant to Richard Avedon, she has published her work to wide acclaim over the past twenty-five years. As seen in this extraordinary book, Wilson's subjects range from legendary West Texas cattle ranches to impoverished Plains Indian reservations to lavish border-town cotillions. Also featured are compelling portraits of artists who are associated with the region, including Donald Judd, Ed Ruscha, and Sam Shepard. The unforgettable images in That Day, most of which are previously unpublished, tell sharply drawn stories of the people and places that have shaped, and continue to shape, the nation's most dynamic and unyielding land. Text from Wilson's journals accompanies the photographs, recalling her personal experiences behind the camera at the moment when a particular image was captured. With her incisive eye, Wilson casts a fresh light on the West--a topic of enduring fascination.
The New York Times bestseller! “Frank Hamer, last of the old breed of Texas Rangers, has not fared well in history or popular culture. John Boessenecker now restores this incredible Ranger to his proper place alongside such fabled lawmen as Wyatt Earp and Eliot Ness. Here is a grand adventure story, told with grace and authority by a master historian of American law enforcement. Frank Hamer can rest easy as readers will finally learn the truth behind his amazing career, spanning the end of the Wild West through the bloody days of the gangsters.” --Paul Andrew Hutton, author of The Apache Wars To most Americans, Frank Hamer is known only as the “villain” of the 1967 film Bonnie and Clyde. Now, in Texas Ranger, historian John Boessenecker sets out to restore Hamer’s good name and prove that he was, in fact, a classic American hero. From the horseback days of the Old West through the gangster days of the 1930s, Hamer stood on the front lines of some of the most important and exciting periods in American history. He participated in the Bandit War of 1915, survived the climactic gunfight in the last blood feud of the Old West, battled the Mexican Revolution’s spillover across the border, protected African Americans from lynch mobs and the Ku Klux Klan, and ran down gangsters, bootleggers, and Communists. When at last his career came to an end, it was only when he ran up against another legendary Texan: Lyndon B. Johnson. Written by one of the most acclaimed historians of the Old West, Texas Ranger is the first biography to tell the full story of this near-mythic lawman.
“A crackling addition to [the] Prey series” (Entertainment Weekly) from #1 New York Times bestselling author John Sandford. In a wealthy Minneapolis neighborhood, two elderly women are bludgeoned to death. They are apparent victims of a random robbery, though nothing of value appears to have been stolen. But when Lucas Davenport looks deeper, he fears that the victims weren’t so random, and the items stolen were far from invaluable. As a pattern emerges it leads Lucas to…certainly not where he expected. Which is too bad, because the killers are expecting him. And that’s only the first surprise…
No Rules! Logos is a new survey series that rounds up the most innovative, radical, and out-there graphic solutions, from around the world. In each book, dyed-in-the-wool design rules are identified, and a range of examples demonstrate how to break those rules, to great effect. Each entry is featured in a number of illustrations, analysed and assessed, and includes feedback about impact and audience reaction. No Rules! Logos tackles perhaps the most venerated discipline of graphic design, the corporate identity and its logotype. Of course, in the world of No Rules! anything goes, especially with a young generation of entrepreneurs and boutique businesses needing logos and identities to grace products as diverse as vinyl toys, home-made recordings, recycled fashion, and limited-edition products from skateboards to pet accessories. The book identifies 10 key “rules” of logo design, such as “keep it simple,” “make a mark that is constant and unchanging,” and “keep to primary colors or black and white.”
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