John Gaitha Browning was a 30-year-old artist when he joined the Army, and he did not cease to be an artist just because he had become a soldier. The extraordinary journal he kept during his two years in the South Pacific records the plight of any artist at war: "We are a lonely lot who ignore so many things and dream of a day when we will be free to create beauty again". Browning also brought to Army life his many years of experience (some while a Boy Scout) working among Native Americans, learning their lore and handiwork. Many entries in this journal are fascinating comparisons between them and the New Guinea and Philippine natives. Although his love of art and culture sometimes left him at odds with the youngest soldiers, he was determined to make a written and visual record of whatever "good and beautiful" he found amidst the confusion and destruction of war. The journals begin on February 6, 1943 in Fort Ord, California; cover Browning's journey to Australia aboard the U. S. Army Transport Willard A. Holbrook; his adventures in Brisbane and Cairns, and then New Guinea; and his combat experience in the Philippines during the spring and summer of 1945.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The best of John Muir -- 332 quotations, the distillation of his thought, the essence of his beliefs. Muir was the foremost conservationist of his time -- nature writer, social critic, realist, a romantic, a visionary. A long-needed collection that features an excellent subject index. Painstaking bibliographic references make this an invaluable addition to one's Muir Library. (Yosemite Association.) If asked for a succinct statement of his beliefs, Muir might have replied:
In Kites: The Art of Using Natural Materials, John Browning shows how he uses natural materials to make beautiful kites; kites that fly. In the book Browning balances the visual appeal of Nature's riches with the universal appeal of kites, their ephemeral lightness tethered to the kite flyer's desire to be air-borne, defying the pull of earth's gravity. This combination of beauty and practicability is evident in the colourful images-which inform as well as delight-of kites both fixed and in flight. Throughout the book the images demonstrate how the different shapes, colours, and textures of natural materials have been transformed by Browning into fragile yet flight-worthy structures that appeal to the mind, to the eye, and to the imagination. This book, filled with colourful images, shows many examples of natural materials-leaves, plants, trees, paper, and bamboo-and how they have been brought together to create the kites. Conceived as works of Art, constructed as kites, and realized as flying structures.
This is an account of the life of an obstetrician and gynaecologist. It features his successes and failures, his sadness and joy, his trauma and relief and his exposure to problems in other cultures. It is all seen through the lens of a robust Christian faith.
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