It considers the guiding forces behind Visions of the Daughters of Albion and The Marriage of Heaven and Hell, the roles of vision and energy in the Songs of Innocence and of Experience and lyrics such as' The Mental Traveller', Blakes's attempts at mythological interpretation of current events, first in' The French Revolution' and then in the prophetic books America, Europe and The Song of Los, and how Blake's fourfold vision is employed as a means of interpreting and illustrating major predecessors such as Milton and Chaucer.
Blake's 7, Terry Nation's science fiction tale of cosmic freedom fighters, became a hit series in Great Britain when it premiered in 1978. Eight years later, the show quickly became a cult program in America. A dramatization of futuristic outlaw heroes who defend the innocent from both alien and human conquering forces, the series might better be said to be equal parts Robin Hood and The Magnificent Seven. The series defied traditional genre elements of science fiction television, and developed the concept of the continual "story arc" years before such shows as Babylon 5 and Deep Space Nine. This book provides a critical history and episode guide for Blake's 7, including commentaries for all 52 episodes. Also included are analytical essays on the show, dealing with such topics as themes, imagery and story arc; a consideration of the series as a futuristic Robin Hood myth; cinematography and visual effects; and an overview of Blake's 7 in books, comics and videos. A detailed appendix lists the genre conventions found in the series. The author also includes information about Blake's 7 fan clubs and Internet sites.
The twenty contributors to this volume offer a new perspective on the relationship between Blake's poetry and his visionary forms. Their illustrated discussions explore and debate the nature of Blake's mixed art and the energetic interaction of text and design. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
An award-winning journalist tells the “riveting” (The Atlanta Journal-Constitution) story of his quest to reconcile with his white mother and the family he’d never met—and how faith brought them all together. “A compelling and courageous journey that bears witness to the realities of systemic racism, the complexity of identity within that system, and the possibilities of reconciliation.”—Robin DiAngelo, New York Times bestselling author of White Fragility John Blake grew up in a notorious Black neighborhood in inner-city Baltimore that became the setting for the HBO series The Wire. There he became a self-described “closeted biracial person,” hostile toward white people while hiding the truth of his mother’s race. The son of a Black man and a white woman who met when interracial marriage was still illegal, Blake knew this much about his mother: She vanished from his life not long after his birth, and her family rejected him because of his race. But at the age of seventeen, Blake had a surprise encounter that uncovered a disturbing family secret. This launched him on a quest to reconcile with his white family. His search centered on two questions: “Where is my mother?” and “Where do I belong?” More Than I Imagined is Blake’s propulsive true story about how he answered those questions with the help of an interracial church, a loving caregiver’s sacrifice, and an inexplicable childhood encounter that taught him the importance of forgiveness. Blake covered some of the biggest stories about race in America for twenty-five years before realizing that “facts don’t change people, relationships do.” He owes this discovery to “radical integration,” which was the only way forward for him and his family—and is the only way forward for America as a multiracial democracy. More Than I Imagined is a hopeful story for our difficult times. Praise for More Than I Imagined “An incredibly moving memoir that both examines and complicates our understanding of race in America today, More Than I Imagined is overflowing with empathy and full of humanity.”—Clint Smith, New York Times bestselling author of How the Word Is Passed “This is a book of gutsy hope and not of despair, of reconciliation and not of hatred. Both sides of the racial divide need the voice that Blake is uniquely qualified to offer.”—Philip Yancey, author of What’s So Amazing About Grace?
This critical examination demonstrates how William Blake's techniques of symbolic juxtaposition work in both language and illustration of convey his poetic meaning. Tracing the development of the poet's technique from the earlier to the later works, the author places the often obscure Lambeth Prophecies in their stylistic context and renders them highly accessible.
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.
The book begins with a treatment of the role of science and the nature of theory and research. A discussion of the early origins and history of organizational behavior follows. This is the most comprehensive coverage of how organizational behavior emerged and grew. It presents and evaluates the first generation theorists, whose work began during the first 20 years. The subject matter covered is motivation, leadership, and organizational decision making. The institutional culture of organizational behavior is discussed and a vision for the future of the field is stated. Here the early history and the evidence from the theories are brought together in an effort to assess the identity of organizational behavior and where it might be headed.
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