John Birchensha (c.1605-1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects entitled Syntagma musicæ. Unfortunately, the book never appeared, and no final manuscript of it survives. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas and to gain at least a flavour of the lost Syntagma musicæ.
John Birchensha (c.1605-1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects entitled Syntagma musicæ. Unfortunately, the book never appeared, and no final manuscript of it survives. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas and to gain at least a flavour of the lost Syntagma musicæ.
In the face of false teachings about Jesus, the apostle John took a direct approach. "I heard Jesus speak," he wrote. "I saw him . . . I even touched him." Just as we would write about someone we knew and loved, John told the early believers the truth about the Savior. But he didn't let them off the hook without an examination of their lives. Pastor John MacArthur will take you through these short but impactful letters, passage by passage, so that you can better understand their message of forgiveness, how to uphold a biblical faith, and the real dangers of spiritual warfare. John was not alone in his concern about the influence of false teachers in the early church. Jude, a half-brother of Christ, also wrote to the believers. In his letter, he firmly urged all believers to fight for truth, and encouraged all followers of Jesus to stand firm in the faith. —ABOUT THE SERIES— The MacArthur Bible Study series is designed to help you study the Word of God with guidance from widely respected pastor and author John MacArthur. Each guide provides intriguing examinations of the whole of Scripture by examining its parts and incorporates: Extensive, but straight-forward commentary on the text. Detailed observations on overriding themes, timelines, history, and context. Word and phrase studies to help you unlock the broader meaning and apply it to your life. Probing, interactive questions with plenty of space to write down your response and thoughts.
This is the second volume of a six volume compendium on the correspondences of John Wallis (1616-1703). Wallis was Savilian Professor of Geometry at Oxford from 1649 until his death, and was a founding member of the Royal Society and a central figure in the scientific and intellectual history of England. Along with his role as decipherer on the Parlimentary side during the Civil War, he prepared the ground for the discovery of infinitesimal calculus by Newton and Leibniz and played a decisive role in modernization of English mathematics. This volume provides fascinating insight into the life of Wallis through his correspondences with intellectual and political figures of the latter part of the 17th century.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
The fifth volume in this annotated collection of texts relating to the 'progresses' of Queen Elizabeth I around England provides 26 appendices, a detailed bibliography of primary and secondary sources, and the index to Volumes I to V.
John Eccles’s active theatrical career spanned a period of about sixteen years, though he continued to compose occasionally for the theater after his semi-retirement in 1707. During his career he wrote incidental music for more than seventy plays, writing songs that fit perfectly within their dramatic contexts and that offered carefully tailored vehicles for his singers’ talents while remaining highly accessible in tone. This edition includes music composed by Eccles for plays beginning with the letters R–W, along with secular songs and catches by Eccles that were not associated with plays. These plays were fundamentally collaborative ventures, and multiple composers often supplied the music; thus, this edition includes all the known songs and instrumental items for each play. Plot summaries of the plays are given along with relevant dialogue cues, and the songs are given in the order in which they appear in the drama (when known).
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