In 1909, young William F. Buckley Sr. (1881–1958), who grew up in the dusty South Texas town of San Diego, graduated from the University of Texas law school and headed for Mexico City. Fluent in Spanish, familiar with Mexican traditions, and soon fit to practice law south of the border, Buckley was headed up the aisle to vast wealth and cultural power. On the way, he took a front-row seat at the Mexican Revolution and played a key role in steering the nascent oil industry through tumultuous and dangerous times. This book for the first time tells the story of the man behind the family that would become nothing short of a conservative institution, reaching its apogee in the career of William F. Buckley Jr., arguably the most prominent conservative commentator of the twentieth century. Buckley witnessed the overthrow and exit of President Porfirio Díaz, the rise of Madero, and the coup of General Victoriano Huerta, all while building the Pantepec Oil Company, the most profitable small petroleum producer in Mexico. He faced down Pancho Villa, survived encounters with hired assassins, evaded snipers in the streets of Veracruz, gambled and won in many a business venture—and ultimately was expelled from the country. As the narrative follows Buckley from his small-town Texas beginnings to the founding of a family dynasty, the streak of independence and distrust of government that would become the Buckley hallmark can be seen in the making. An eventful chapter in the life and career of a singular character, this dramatic account of a man and his moment is a document of political and historical significance—but it is also a remarkable story, told with irresistible brio.
This edition of Beaumont and Fletcher's best tragedy includes a stage history of the play, as well as new information about sources and their relation to the play. Stage action is examined and stage directions improved.
Liberty was the most cherished right possessed by English-speaking people in the eighteenth century. It was both an ideal for the guidance of governors and a standard with which to measure the constitutionality of government; both a cause of the American Revolution and a purpose for drafting the United States Constitution; both an inheritance from Great Britain and a reason republican common lawyers continued to study the law of England." As John Philip Reid goes on to make clear, "liberty" did not mean to the eighteenth-century mind what it means today. In the twentieth century, we take for granted certain rights—such as freedom of speech and freedom of the press—with which the state is forbidden to interfere. To the revolutionary generation, liberty was preserved by curbing its excesses. The concept of liberty taught not what the individual was free to do but what the rule of law permitted. Ultimately, liberty was law—the rule of law and the legalism of custom. The British constitution was the charter of liberty because it provided for the rule of law. Drawing on an impressive command of the original materials, Reid traces the eighteenth-century notion of liberty to its source in the English common law. He goes on to show how previously problematic arguments involving the related concepts of licentiousness, slavery, arbitrary power, and property can also be fit into the common-law tradition. Throughout, he focuses on what liberty meant to the people who commented on and attempted to influence public affairs on both sides of the Atlantic. He shows the depth of pride in liberty—English liberty—that pervaded the age, and he also shows the extent—unmatched in any other era or among any other people—to which liberty both guided and motivated political and constitutional action.
Beggars' Bush is a Jacobean-era stage play, a comedy in the canon of John Fletcher and his collaborators. The actual authorship is a matter of dispute among scholars and critics. Critics generally agree that the hands of Fletcher and Philip Massinger are
How original was Shakespeare and how was Shakespeare original? This lucid, innovative book sets about answering these questions by putting them in historical context and investigating how the dramatist worked with his sources: plays, poems, chronicles and prose romances. Shakespeare's Originality unlocks its topic with rewarding precision and flair, showing through a series of case studies that range across the output—from the mature comedies to the great tragedies, from Richard III to The Tempest—what can be learned about the artistry of the plays by thinking about these sources (including newly identified ones) after several decades of neglect. Discussion is enriched by such matters as Elizabethan ruffs and feathers, actors' footwork, chronicle history, modern theatre productions, debts to classical tragedy, scepticism, magic and science, the agricultural revolution, and ecological catastrophe. This is authoritative, lively work by one of the world's leading Shakespearians, accessible to the general reader as well as indispensable for students.
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