OUTNUMBERED Under an unstoppable barrage of artillery, brilliant U.S. cryptographers crack the Japanese top-secret code, revealing their chilling plans for a doomsday attack on Midway Island. OUTGUNNED The Navy's high command responds quickly, mobilizing all they have to counter-attack the massive Japanese firepower. But there is a mole among the code-cracking team-a ruthless, cold-blooded Nazi spy on orders to stop at nothing in aiding the Japanese. BUT NOT OUTSMARTED Enter Navy Lieutenant Todd Ingram-the man the mole didn't count on. As the Japanese ravage the South Pacific, Ingram must escape the onslaught-and stop a traitor who has the power to turn the tide of war toward the land of the rising sun. In the heart-pounding tradition of Eye of the Needle comes a thriller full of raw courage, non-stop action, and an unforgettable villain.
With over 900 biographical entries, more than 600 novels synopsized, and a wealth of background material on the publishers, reviewers and readers of the age the Longman Companion to Victorian Fiction is the fullest account of the period's fiction ever published. Now in a second edition, the book has been revised and a generous selection of images have been chosen to illustrate various aspects of Victorian publishing, writing, and reading life. Organised alphabetically, the information provided will be a boon to students, researchers and all lovers of reading. The entries, though concise, meet the high standards demanded by modern scholarship. The writing - marked by Sutherland's characteristic combination of flair, clarity and erudition - is of such a high standard that the book is a joy to read, as well as a definitive work of reference.
Racial Rhapsody: The Aesthetics of Contemporary U.S. Identity aims to explain and to interrogate the disciplinary history according to which literary criticism has come to organize its attention to literary texts around this primary object of analysis, the "racial" body.
Max Beerbohm, the foremost caricaturist of his day, was hailed by The Times in 1913 as the greatest of English comic artists, by Bernard Berenson as the English Goya, and by Edmund Wilson as the greatest...portrayer of personalities - in the history of art.
In the summer of 1862, President Lincoln called General Henry W. Halleck to Washington, D.C., to take command of all Union armies in the death struggle against the Confederacy. For the next two turbulent years, Halleck was Lincoln's chief war advisor, the man the President deferred to in all military matters. Yet, despite the fact that he was commanding general far longer than his successor, Ulysses S. Grant, he is remembered only as a failed man, ignored by posterity. In the first comprehensive biography of Halleck, the prize-winning historian John F. Marszalek recreates the life of a man of enormous achievement who bungled his most important mission. When Lincoln summoned him to the nation's capital, Halleck boasted outstanding qualifications as a military theorist, a legal scholar, a brave soldier, and a California entrepreneur. Yet in the thick of battle, he couldn't make essential decisions. Unable to produce victory for the Union forces, he saw his power become subsumed by Grant's emergent leadership, a loss that paved the way for Halleck's path to obscurity. Harnessing previously unused research, as well as the insights of modern medicine and psychology, Marszalek unearths the seeds of Halleck's fatal wartime indecisiveness in personality traits and health problems. In this brilliant dissection of a rich and disappointed life, we gain new understanding of how the key decisions of the Civil War were taken, as well as insight into the making of effective military leadership.
Stokes offers studies of Wilde's place in the Romantic tradition, and of his relationships with such legendary figures of the fin de siecle as Aubrey Beardsley, Alfred Jarry, and Arthur Symons. And always, as part of the process of historical inquiry, Stokes considers those who came after: humanitarian disciples who kept Wilde's memory sacred, performers in his plays, actors who impersonated the man himself.
A respected journalist explores the fields of science that try to explain the mysteries of the human mind, arguing that science has done little to plumb the depths of our minds and cannot ever rationally explain all of human behavior.
Who are history's most iconic graphic designers? Let the debate begin here. In this gorgeous, visual overview of the history of graphic design, students are introduced to 50 of the most important designers from the early 20th century to the present day. This fun-to-read, pretty-to-look-at graphic design history primer introduces them to the work and notable achievements of such industry luminaries as El Lissitzky, Alexander Rodchenko, A.M. Cassandre, Alvin Lustig, Cipe Pineles, Armin Hofmann, Paul Rand, Saul Bass, Herb Lubalin, Milton Glaser, Stefan Sagmeister, John Maeda, Paula Scher, and more. Who coined the term "graphic design"? Who designed the first album cover? Who was the first female art director of a mass-market American magazine? Who created the "I Want My MTV" ad campaign? Who created the first mail-order font shop? In Graphic Icons: Visionaries Who Shaped Modern Graphic Design, students start with the who and quickly learn the what, when, why, and where behind graphic design's most important breakthroughs and the impact they had, and continue to have, on the world we live in.
In 2007, after collapsing on a practice field at the Nike campus, champion marathoner Alberto Salazar's heart stopped beating for 14 minutes. Over the crucial moments that followed, rescuers administered CPR to feed oxygen to his brain and EMTs shocked his heart eight times with defibrillator paddles. He was clinically dead. But miraculously, Salazar was back at the Nike campus coaching his runners just nine days later. Salazar had faced death before, but he survived that and numerous other harrowing episodes thanks to his raw physical talent, maniacal training habits, and sheer will, as well as—he strongly believes—divine grace. In 14 Minutes, Salazar chronicles in spellbinding detail how a shy, skinny Cuban-American kid from the suburbs of Boston was transformed into the greatest marathon runner of his era. For the first time, he reveals his tempestuous relationship with his father, a former ally of Fidel Castro; his early running life in high school with the Greater Boston Track Club; his unhealthy obsession to train through pain; the dramatic wins in New York, Boston, and South Africa; and how surviving 14 minutes of death taught him to live again.
On the Nature of Continental Shelves discusses continental margins using techniques of systems analysis applied on minicomputers. The book describes insights and theories of mechanisms of enhanced primary production at the continental shelves, emphasizing these as the source energy, food, and recreation, and a possible means to detect global change while in its early phases. The text explains circulation, equations of motion, Ekman dynamics, and baroclinic effects of vertical changes in water density. Production in the seas involves the process of photosynthesis by organisms in which instruments on aircraft platforms can measure salinity and chlorophyll fluorescence. During photosynthesis, some of the light energy absorbed by phytoplankton pigments is emitted as fluorescence, at longer wavelengths, which can then detected. Adult fish and crustaceans are mobile and add a biological vector to the physical movement of organisms on the continental shelves. The book examines food limitation and the conditions of the Bering Sea, the Mid-Atlantic, and the Gulf of Mexico. The text also investigates sinking losses, present depocenters, atmospheric forcing, eutrophication, overfishing, and the effects of climate on primary production at the continental shelves. The book can be beneficial for students of meteorology, oceanography as well as to marine ecologists, biologists, and environmentalists.
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
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