This book offers a fresh analysis of constitutional, economic, demographic and cultural developments in the overseas territories of Britain, France, the Netherlands, Denmark, Spain, the United States, Australia and New Zealand. Ranging from Greenland to Gibraltar, the Falklands to the Faroes, and encompassing islands in the Atlantic, Pacific and Indian Oceans, and the Caribbean, these territories command attention because of their unique status, and for the ways that they occasionally become flashpoints for rival international claims, dubious financial activities, illegal migration and clashes between metropolitan and local mores. Connell and Aldrich argue that a negotiated dependency brings greater benefits to these territories than might independence.
A History of Interior Design tells the story of 6,000 years of domestic and public space. It’s an essential resource for students, professionals, and anyone interested in interior design, the decorative arts, architecture, and art history. It explores a broad range of styles and movements, weaving together a fascinating narrative from cave dwellings and temple architecture, through Gothic cathedrals and Islamic palaces, to modern skyscrapers and the retail spaces of the 21st-century. This fully updated fifth edition includes: More on the contributions of women designers and architects Additional coverage of furniture, product design, and decoration Numerous new examples of diverse modern styles from around the world Over 700 images, more than 300 of which are new or color replacements for black and white photos An extra final chapter focusing on the influence of the latest technology and current thinking on the importance of conservation and ethical sourcing
Ten percent of the world’s population lives on islands, but until now the place and space characteristics of islands in criminological theory have not been deeply considered. This book addresses issues of how, and by whom, crime is defined in island settings, informed by the distinctive social structures of their communities.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This classic reference presents the history of interior design from prehistory to the present. Exploring a broad range of design styles and movements, this revised and expanded edition includes coverage of non-Western design and vernacular interior architecture and features 665 photographs and drawings (color and black-and-white). A History of Interior Design is an essential resource for practicing and aspiring professionals in interior design, art history, and architecture, and general readers interested in design and the decorative arts.
John Kretschmer is sailing's practical philosopher – as much a doer as a thinker. And that is the overarching theme of this chronicle of a sailing life. Often amusing, sometimes poignant, occasionally terrifying but always inspiring, his deeply personal account is a welcome reminder of the good life waiting at sea. With hundreds of thousands of nautical miles under his keel, John's adventures have taken him several times around the world, with challenging crossings of the Atlantic and the Pacific, a narrow escape from a coup in Yemen, an unlikely deliverance from a coral reef off Belize as well as more serene, introspective passages where trade winds are blowing and stories are flowing. His crew has included CEOs, actors, writers, teachers, kids – in essence, everyone. John's narrative is interwoven with practical tips and advice in seamanship, but also, and just as importantly, his hard-won insights about making the most of our lives. He truly believes we find out who we really are, and what we are capable of, far from the shackles of land, when we find a place where time changes shape – days may merge into one another, but minutes are memorable. To live adventurously is to live more fully, and that is the life John Kretschmer continues to live. In this book he shares his simple profundities that will inspire those who live to sail, and those seeking something more rewarding from life.
My dear Son:- We have learned that your Worthiness, forgetful of the high office with which you are invested, was present from the seventeenth to the twenty-second hour, four days ago, in the Gardens of John de Bichis, where there were several women of Siena, women wholly given over to worldly vanities. Your companion was one of your colleagues whom his years, if not the dignity of his office, ought to have reminded of his duty. We have heard that the dance was indulged in, in all wantonness. None of the allurements of love were lacking, and you conducted yourself in a wholly worldly manner. Shame forbids mention of all that took place, for not only the things themselves but their very names are unworthy of your rank. In order that your lust might be all the more unrestrained, the husbands, fathers, brothers and kinsmen of the young women and girls were not invited to be present. You and a few servants were the leaders and inspirers of this orgy. It is said that nothing is now talked of in Siena but your vanity which is the subject of universal ridicule. Certain it is that here at the baths, where churchmen and the laity are very numerous, your name is on every one's tongue.
This book provides the first detailed analysis of the growing phenomenon of the international migration of skilled health workers and reveals its exceptional significance for both sending and receiving countries.
This is a nonchronological introduction to Baroque, one of the great periods of European art. John Martin's descriptions of the essential characteristics of the Baroque help one to gain an understanding of the style. His illustrations are informative and he has clearly looked with a fresh eye at the works of art themselves. In addition to the more than 200 illustrations, the volume contains an appendix of translated documents.
For most of history, argues John Dillenberger, the visual arts were, for better or worse, part of the very fabric of the life and thought of the church. But with the Reformation and the Counter-Reformation a major change took place. Protestant rejection of the visual was matched in Roman Catholicism by the reduction of its formative power. While the visual arts dropped out of the lives of Protestant churches, they became a memory rather than a source of ennoblement or power in the Roman Catholic Church. Thus, in different but allied ways, Protestants and Catholics lost the power of the visual. Part art history, part historical theology, and part theological reflection, this book is both an argument and a program for the recovery of the visual arts in the life of the church, for reclaiming seeing as part of religious perception. It offers a theological understanding of the visual and provides a basis upon which the visual arts may again be incorporated into Protestantism and reinvigorated in Roman Catholicism. The first part is devoted to historical reconstruction, exploring those moments in Western history in which the relation between religion and the arts was in ferment. Part 2 is given to contemporary delineation and analysis: of spiritual perceptions in modern American painting and sculpture, of modern church art and architecture, and of the changing views of contemporary theologians toward the visual arts. Citing David Tracy, Karl Rahner, Langdon Gilkey, and others as examples, Dillenberger argues that contemporary theology is moving away from the modern rationalistic understanding of theological analogy to one far closer to the arts. Part 3 is constructive, developing a theological perspective that demands and includes the visual arts, and suggesting ways in which this can be accomplished in pastoral and theological education. The world of art, says Professor Dillenberger, is more aware of the role of religion in the arts than the world of religion is of art. Thus it is time for the church to resume its historic association with the visual arts, albeit in analogous rather than repristinating ways.
The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today. In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital. Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.
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