In this fascinating book, John Arthur Maynard tells the story of the poets and promoters who invented the Beat Generation and who, in many cases, destroyed themselves in the process. In this look at the least remembered (but in its time, most publicized) beat enclave, Maynard focuses on two of Venice's most newsworthy residentsÐÐLawrence Lipton and Stuart Z. Perkoff. Lipton began as a writer of popular detective stories and screenplays, but was determined to be recognized as a poet and social critic. He eventually published The Holy Barbarians, which helped to create the enduring public image of the beatnik. Stuart Perkoff was a more gifted poet; with fascination and horror, we follow his failed attempts to support his family, his heroin addiction, his first wive's courage and mental fragility, his sexual entanglements, his imprisonment, and the development of his own writing. Other characters who move in and out of the story are Kenneth Rexroth, Jack Kerouac, and Allen Ginsberg, as well as lesser-known poets, artists, hangers-on, and the many women who were rarely treated as full members of the community.
In this fascinating book, John Arthur Maynard tells the story of the poets and promoters who invented the Beat Generation and who, in many cases, destroyed themselves in the process. In this look at the least remembered (but in its time, most publicized) beat enclave, Maynard focuses on two of Venice's most newsworthy residentsÐÐLawrence Lipton and Stuart Z. Perkoff. Lipton began as a writer of popular detective stories and screenplays, but was determined to be recognized as a poet and social critic. He eventually published The Holy Barbarians, which helped to create the enduring public image of the beatnik. Stuart Perkoff was a more gifted poet; with fascination and horror, we follow his failed attempts to support his family, his heroin addiction, his first wive's courage and mental fragility, his sexual entanglements, his imprisonment, and the development of his own writing. Other characters who move in and out of the story are Kenneth Rexroth, Jack Kerouac, and Allen Ginsberg, as well as lesser-known poets, artists, hangers-on, and the many women who were rarely treated as full members of the community.
Sherman: A Soldier’s Passion for Order is the premier biography of William Tecumseh Sherman, the Civil War commander known for his “destructive war” policy against Confederates and as a consummate soldier. This updated edition of John F. Marszalek’s award-winning book presents the general as a complicated man who, fearing anarchy, searched for the order that he hoped would make his life a success. Sherman was profoundly influenced by the death of his father and his subsequent relationship with the powerful Whig politician Thomas Ewing and his family. Although the Ewings treated Sherman as one of their own, the young Sherman was determined to make it on his own. He graduated from West Point and moved on to service at military posts throughout the South. This volume traces Sherman’s involvement in the Mexican War in the late 1840s, his years battling prospectors and deserting soldiers in gold-rush California, and his 1850 marriage to his foster sister, Ellen. Later he moved to Louisiana, and, after the state seceded, Sherman returned to the North to fight for the Union. Sherman covers the general’s early Civil War assignments in Kentucky and Missouri and his battles against former Southern friends there, the battle at Shiloh, and his rise to become second only to Grant among the Union leadership. Sherman’s famed use of destructive war, controversial then and now, is examined in detail. The destruction of property, he believed, would convince the Confederates that surrender was their best option, and Sherman’s successful strategy became the stuff of legend. This definitive biography, which includes forty-six illustrations, effectively refutes misconceptions surrounding the controversial Union general and presents Sherman the man, not the myth.
Opposition to the British colonisation of Australia did not spring from the Mabo decision or the Native Title Act, nor was it born in the vibrant 1960s, which culminated in the famous tent embassy in 1972. Rather, the first politically organised and united all-Aboriginal activist group was the Australian Aboriginal Progressive Association (AAPA), begun in 1924 under the leadership of Frederick Maynard. For the first time Aboriginal people voiced their disapproval in public in a well-organised way. They opened offices in Sydney, held street rallies. conducted public meetings, gained newspaper coverage, wrote letters and petitions to Government at all levels, and collaborated with the international black labor movement. The AAPA's demands resonate today. They centred on Aboriginal rights to land, stopping Aboriginal children being taken from their families, the acquisition of citizenship rights, and defending a distinct Aboriginal cultural identity. This form of resistance and organised action has now endured for more than seventy years and through a detailed exploration of the life of his grandfather, John Maynard reveals the AAPA's invaluable legacy.
Once by far Hollywood's largest category of popular movies, Westerns are now out of fashion with the movie-going public, but they still hold a commanding presence on DVD. Until recently, Westerns were one of the most popular DVD categories, third only to action and science fiction. Many, many titles from the 1930s and 1940s were made by small, independent companies that no longer exist. A huge number of westerns are therefore in the public domain and are now available on DVD from outlets like Alpha and Grapevine. In fact, there are currently so many titles on DVD, that guides like "World's Worst Westerns" are not a luxury or an addenda, but an absolute necessity for collectors who wish to spend their money wisely by buying titles they will enjoy! In fact, for western fans like myself, a book like "World's Worst Westerns" is not just a novelty, but an absolute necessity!
The beginning of the Roman Catholic/Orthodox Theological dialogue during the 20th century raised to some high hopes for an imminent canonical unity between the two Denominations, and this, though premature, is not of course to be blamed; it is impossible for any contemporary Christian theologian not to suffer from the division within this very womb of the ontological unification of all things, which is the Church of Christ—precisely because this division gives to many the impression of a fragmentation of the Church’s very being and subsequently weakens her witness. Contents: 1. Manifesting Persons: A Church in Tension, ANDREW T.J. KAETHLER; 2. Ab astris ad castra: An Ignatian-MacIntyrean Proposal for Overcoming Historical and Political-Theological Difficulties in Ecumenical Dialogue, JARED SCHUMACHER; 3. Simon Peter in the Gospel according to John:His Historical Significance according to the Johannine Community’s Narrative, CHRISTOS KARAKOLIS; 4. The Scythian Monks’ Latin-cum-Eastern Approach to Tradition: A Paradigm for Reunifying Doctrines and Overcoming Schism, ANNA ZHYRKOVA; 5. Beauty is the Church’s Unity:Supernatural Finality, Aesthetics, and Catholic-Orthodox Dialogue, NORM KLASSEN; 6. Ecumenism and Trust: A Pope on Mount Athos, ANDREAS ANDREOPOULOS; 7. God’s Silence and Its Icons: A Catholic’s Experiences at Mount Athos and Mount Jamna, MARCIN PODBIELSKI; 8. Councils and Canons: A Lutheran Perspective on the Great Schism and the So-Called Eighth Ecumenical Council, JOHANNES BÖRJESSON; 9. Christological Or Analogical Primacy. Ecclesial Unity And Universal Primacy In The Orthodox Church, NIKOLAOS LOUDOVIKOS; 10. Ecumenism, Geopolitics, and Crisis, JOHN MILBANK; 11. Concluding Reflections on Mapping the Una Sancta. An Orthodox-Catholic Ecclesiology Today, MARCELLO LA MATINA;
Although Hollywood is no longer producing westerns at the rate of over 100 a year, the western movie enthusiast has over 1,000 classic films available on DVD. This guidebook, written in the same vein as the author's previous "goldmines of information" (to quote one reviewer), "Silent Films & Early Talkies on DVD," "Mystery, Suspense, Film Noir and Detective Movies on DVD," and "British Movie Entertainments on VHS and DVD," is a must-have item for even the casual western movie fan. Over 400 DVDs were examined: 136 are described in exhaustive detail and a further 100 summarized. All 66 Hopalong Cassidy movies are featured and there are chapters on Gene Autry, Roy Rogers, John Wayne, Alan Ladd and Buck Jones as well as a guide to a few of Hollywood's worst westerns.
Once the first Buffalo broke through to the hive, it was swarmed all over with Keef. The other Buffalo then broke from their single file and made their way to the side of the first. They were swarmed over as well. The Keef moved up their legs, onto their backs, into their shaggy manes and over their tail ends. The Keef swarmed everywhere, hundreds of them for each of the Buffalo, crawling, biting, chewing, and attacking the Buffalo until the Buffalo were not there, only a swarm of a moving black mass. Still, the Buffalo moved on. All three dropped a little from view as they descended into the hive. We were above them and could still see them. The hive was enormous, so enormous it must have contained millions of Keef. The first Buffalo to reach the hive kept on in a straight direction, the two on each side began to fan out, appearing to seek the edges of the hive. Then the first one dropped.
Written neither as a conventional biography or battalion history, this work centres on the remarkable life of Joe Waite, a boy soldier of the Great War. Though, in telling his story, the names and lives of 64 of his fallen comrades are also revealed. All were lost in just one month of fighting, during the hell that was the Third Battle of Ypres also known as Passchendaele. Born in a tough, working-class neighbourhood in Coventry, in the heart of the industrial Midlands, Joes childhood was blighted by the loss of his mother and tempered by his fathers decision to separate him from his siblings and re-marry. The need to earn his keep forced him into factory work from an early age, soon resulting in a humbling brush with the law. Eventually, the outbreak of war, and later, a family row over a pair of boots, lead to his enlistment in the army, at just 16 years old. Hiding the secret of his true age from his comrades in the 1/7th (TF) battalion, The Royal Warwickshire Regiment, Joe left Coventry and its troubles far behind as he fought his way across Northern France, including at the infamous Battle of the Somme. His time on the Western Front would eventually draw to a close outside the town of Ypres in Belgium, in October 1917. In that month, and still officially too young to fight, Joe was awarded a Military Medal for his bravery at the Battle of Broodseinde. Using sources such as war diaries, personal, public, and military records, the account of not only the battle, but also the story of each man of Joes unit who fell there, is told. With further reference to a unique eyewitness account, voice is also given to what thoughts and feelings the men may have experienced as they fought in the mud of Ypres. Then, as the culmination of an exhaustive and painstaking research project, the stories of the fallen are told, together, for the first time. From civilian life to military service, each mini-biography is a sensitive and respectful telling of the unique and varied accounts of so many men, from so many different backgrounds, allowing for a renewed appreciation of a generation now lost to history. These stories tell of men from all over Britain and even beyond. Men who eventually became soldiers in an infantry battalion originally raised in Coventry, but whose makeup changed so much, as war exerted its toll. Where records allow, it also tells of how their families and communities remembered the fallen, so many of whom have no known resting place. Standing chiefly as a fitting tribute to those lost soldiers, this work concludes with the story of Joes life after the Great War. With one final tragedy to come, its telling will eventually lead to a stark truth; that it isnt only through the eyes of a soldier that the cruelty of war can be seen so harshly.
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