Argues that the theory that endangered species must pay their own way to survive is a political expediency used to justify legalized killing in the name of conservation
While Universal's Dracula and Frankenstein (both 1931) have received the most coverage of any of the studio's genre releases, it is the lesser known films that have long fascinated fans and historians alike. Starting with The Last Warning, a 1929 movie released as both a silent and a talkie, Universal provided a decade of films that entertained audiences and sometimes frustrated critics. Each of Universal's horror, science fiction and "twisted mystery" films receives an in-depth essay for each film. The focus is first on the background to the making of the movie and its place in the Universal catalog. A detailed plot synopsis with critical commentary follows. Filmographic data for the film conclude the entry. Universal's The Shadow short film series is covered in an appendix. Many rare illustrations and movie posters are also included.
By the mid-1930s, cinema patrons insisted on value-for-money. Double feature programs became mandatory at all neighborhood cinemas. Usually the "A" feature film figured as the main attraction, and the supporting movie, the "B." Sometimes that role was reversed. On many occasions picturegoers felt the unheralded "B" movie had actually proved more entertaining than the widely advertised "A" attraction. More than two hundred of these wonderful "B" film classics from Hollywood's golden age are described, reviewed and detailed in this book. It's a must-have for all film addicts, movie fans and nostalgia connoisseurs.
Almost all the CLASSIC HOLLYWOOD MOVIES discussed in this book are currently available on DVD. Many are sold by specialist stores such as Oldies. And now that vintage titles are being pressed on demand, theoretically they will never go out of print! However, an attempt has been made to include some of the classics that are not so well-known, as well as those that are more frequently aired on TV or are prominently featured in retail and mail order stores. Here, for example, are a few of the movie titles that begin with the letter "S" Seven Keys to Baldpate (1917), Seven Keys to Baldpate (1947), She Goes To War (1929), the Shining Adventure (1925), the Ship of Lost Men (1929), Show-Off (1926), Silent Enemy (1930), Sky Bride (1932), Sky High (1922), Slums of New York (1932), the Smart Set (1928), Son of the Gods (1930), Speedway (1929), Spite Marriage (1929), the Squall (1929), Square Shoulders (1929), Stranger in Town (1932), Strictly Unconventional (1930), Sunset Trail (1932), Svengali (1931).
Thanks to DVD, a great number of silent films and early talkies are now available for home viewing. In fact, so many of these wonderful movies can now be purchased, rented or borrowed by classic motion picture fans that an up-to-date reference work to the best (and the middling and the worst) has become essential. In this comprehensive guide, fans and enthusiasts will find not only familiar titles like Lon Chaney's "Phantom of the Opera" or Douglas Fairbanks' "Thief of Bagdad" or Harold Lloyd's "Safety Last"; but the less familiar "Down to the Sea in Ships" (starring a young Clara Bow), "Evangeline" (Dolores Del Rio), "Stella Dallas" (Belle Bennett), "Monsieur Beaucaire" (Rudolph Valentino), Ford Sterling's "The Show-Off," and Al Jolson's "Big Boy," to mention just a few of the many hundreds of titles detailed in this massive book. 440 pages of insightful text! Over 110 wonderful photos!
More than 50 of Hollywood's most famous movies are examined in detail in this book, which provides full cast and production credits, release dates, background information, DVD suppliers, plus up-to-date assessments and reviews. This information not only covers almost everything you would want to know about some of your favorite movies, but guides you towards further classic films you might enjoy! To name just twenty of the more than fifty titles, they include An American in Paris, The Apartment, The Caine Mutiny, Casablanca, China Seas, Duck Soup, From Here To Eternity, Gone With The Wind, The Greatest Show On Earth, If I Had a Million, In Old Chicago, It Happened One Night, Laura, Out of the Past, The Palm Beach Story, the Picture of Dorian Gray, A Place in the Sun, two versions of State Fair, The Wizard of Oz, Wonder Bar, and Yankee Doodle Dandy.
200 films reviewed and rated, covering all genres of movie comedy from slapstick to sardonic, from madness to manners. Featured comedians include Bud Abbott and Lou Costello, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, W.C. Fields, Will Rogers, Bob Hope, Buster Keaton, Harold Lloyd, Bing Crosby, The Three Stooges, Eddie Cantor, Charlie Chaplin, Jacques Tati, Sid Field, The Crazy Gang, George Burns and Gracie Allen, Jack Hulbert, Joe E. Brown, Ole Olsen and Chic Johnson, Clifton Webb, Red Skelton, Ronald Shiner, Cecil Kellaway, Norman Wisdom, Frankie Howerd, Toto, Arthur Askey, Katharine Hepburn, Cary Grant, Claudette Colbert, Fred Astaire, Ginger Rogers, Joan Davis, Marjorie Main, Percy Kilbride, Stanley Holloway, Penny Singleton and Arthur Lake.
A guide to classic and vintage motion picture suspense in film noir, mystery thrillers and detective movies from Hollywood's Golden Age, this book also provides credits, reviews, original release information and current DVD details. Movies include not only famous classics like "Charlie Chan in Egypt", "City Streets", "Counsellor at Law", "Father Brown, Detective", "Gilda", "The Kennel Murder Case", "The Lady from Shanghai", "Laura", "Mysterious Mr Moto", "The Naked City", "Nightmare Alley", "Odd Man Out", "Out of the Past", "The Paradine Case", "Rebecca", etc., but lesser known titles. Additional essays survey Film Noir, Sherlock Holmes, The Thin Man, Raymond Chandler, Humphrey Bogart and Alan Ladd.
What makes a "B" movie? This survey examines a hundred typical "B" movies (with complete cast and credit details)from Hollywood's Golden Age, including good movies ("Charlie Chan at Treasure Island", bad movies ("Dangerous Cargo") and cult movies ("Abbott and Costello Meet Dr Jekyll and Mr Hyde").
Over 1,200 DVDs in the mystery, suspense and film noir categories were examined and rated for this illustrated guide. The book is divided into two main sections. In the first, 218 movies are given the glamour treatment with comprehensive details of players and crews, plus background information and reviews. In the second section, essential details on over 500 films are briefly described. Bonus articles includes a survey of "The Thin Man" series, "Sherlock Holmes," "Humphrey Bogart versus Alan Ladd," "Raymond Chandler on the Big Screen" and "The Big Clock." This book will not only prove most useful for all movie fans, but will enthrall and entertain for years to come.
Few people would argue with the films selected for detailed notices and reviews in this book. Many of the movies are award-winners, and most chalked up impressive figures at the box-office. Who would dispute the inclusion of Citizen Kane or Rebecca or The Best Years of Our Lives? However, along with The Yearling and Reap the Wild Wind and Hello, Frisco, Hello, I've also included a few surprises. A magnificent publication. -- Rodney Bourke in International Movie Making (April 2006).
Basically, there are three measures of success in the cinema. First off are pictures like "The Crowd" and "Applause" that achieve rave reviews and even go on to win awards, but don't recover their negative costs. Then there are the movies the critics hate, but the public enjoys. All three versions of "Back Street", for instance. Finally come the pictures everyone loves, like "From Here To Eternity" or "Sunset Boulevard". In the annals of success in Hollywood's Golden Age, one name stands out above all others: Cecil B. DeMille. His famous pictures reviewed here include both versions of "The Buccaneer", "The Crusades", "Sign of the Cross", "The Story of Dr Wassell" and "Union Pacific". But the book also notes a DeMille "B" movie that tied up a fair amount of money but proved so unpopular it was released in some territories as a support. The book also covers some of Hollywood's other disastrous failures, including the M-G-M movie that cost over $4 million to make and returned virtually nothing.
The career of Claude Rains is often, and unfairly, overshadowed by the careers of the ever-popular Karloff, Lugosi, Chaney and Rathbone, but few can dispute that he was truly one of the world's foremost character actors. The Invisible Man, ironically, made him quite the visible star. In his own inimitable way, Rains later became John Jasper (in Mystery of Edwin Drood), Louis Renault (Casablanca), Julius Caesar (Caesar and Cleopatra), and Mr. Dryden (Lawrence of Arabia). While concentrating on Rains' more than fifty films, this book also comprehensively examines his work in other media: the stage, radio, television and recordings. His only child, Jessica, in the foreword, provides a brief biography of her father. There are many rare photographs.
Eighty prize-winning films of the 1930s are discussed in detail, with complete cast and technical credits, background notes, etc. Movies covered include "Gone With The Wind," "The Wizard of Oz," "Garden of Allah," "The Hurricane," "San Francisco," "In Old Chicago," "Lost Horizon," "It Happened One Night," "Sweethearts," "The Broadway Melody," "The Adventures of Robin Hood," "Tabu," "Wings," "Stagecoach," "Dr Jekyll and Mr Hyde" (both Fredric March and Spencer Tracy versions), "Cimarron," "Cleopatra," "Grand Hotel.
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.
John McCabe's participation in the writing of James Cagney's autobiography, the many years of friendship that followed, and an intense period of interview and discussion in preparation for a musical comedy based on Cagney's life--a show that never saw the light of day--make him Cagney's ideal biographer. And, indeed, he has written a searching chronicle of this major actor's life and career, packed with history and anecdote, and profusely illustrated. Cagney came from a poor Irish-American New York family but once he found his métier as an actor, it was not long before he was recognized as a brilliantly energetic and powerful phenomenon. After the tremendous impact of Public Enemy--in which he notoriously pushed half a grapefruit into Mae Clarke's face--he was typecast as a gangster because of the terrifying violence that seemed to be pent up within him. Years of pitched battle with Warner Brothers finally liberated him from those roles, and he went on to star in such triumphs as the musicals Yankee Doodle Dandy (winning the 1942 Oscar for best actor) and Love Me or Leave Me. Even so, one of his greatest later roles involved a return to crime--as the psychopathic killer in the terrifying White Heat. He retired from films in 1961 after making Billy Wilder's One, Two, Three, only to return twenty years later for Ragtime. But however much Cagney personified violence and explosive energy on the screen, in life he was a quiet, introspective, and deeply private man, a poet, painter, and environmentalist, whose marriage to his early vaudeville partner was famously loyal and happy. His story is one of the few Hollywood biographies that reflect a fulfilled life as well as a spectacular career.
Remember the days when a night at the movies comprised a full three to four hours of varied entertainment? The attraction was not just the colossal main feature, but the supporting program: the newsreel, the cartoon, the shorts and the before-interval picture or "B" feature. Here's a book where you can re-live those wonderful times. No less than 140 varied features (from Hollywood's main studios to Poverty Row) are discussed, all with full cast and technical credits plus other background information. And to round the book out, I've also included 28 cartoons and 9 shorts!
Providing an overview of the entire thriller genre, this book examines over 160 movies from classic Hollywood and British studios, including such essential film noir entries as "Murder, My Sweet," "The Dark Corner," "The Maltese Falcon" and "Afraid To Talk." Great cinema detectives are represented by William Powell (all six of his Thin Man pictures are detailed and discussed), Basil Rathbone (Sherlock Holmes), Warner Oland (Charlie Chan), Sidney Toler (Charlie Chan), Peter Ustinov (Hercule Poirot), Margaret Rutherford (all four of her Miss Marple films are covered), and others including the Saint, the Falcon, Bulldog Drummond and Philo Vance. From director Alfred Hitchock comes "Notorious," "Saboteur," "Number 17" and "Rich and Strange." A few comedies and spoofs, such as "Satan Met a Lady" (an amazing re-make of the original "Maltese Falcon" with Bette Davis and Warren William) and "Who Done It?" (with Abbott and Costello) round out the survey.
Famous features such as "Sherlock Holmes Faces Death," "Johnny Allegro," "My Forbidden Past," "His Kind of Woman," "The Big Carnival," and "After the Thin Man" are examined, plus the "Bulldog Drummond" series, and a number of serials including "The Clutching Hand," "Chick Carter, Detective," "Panther Girl of the Congo," "Holt of the Secret Service" and "The Last of the Mohicans." Two bonus features are monographs on Robert Siodmak (of "Cobra Woman," "The Phantom Lady," "The Spiral Staircase," etc.) and Otto Preminger, who made "Laura," "Fallen Angel," "Whirlpool," "Where the Sidewalk Ends," "The 13th Letter" and "Angel Face.
Crime is not exactly a risky business for movie makers. In fact, this category has always been high on Hollywood's agenda, and there are very few crime films that have actually lost money. Crime and film noir make such a fascinating subject, that although the author set out to detail 150 of his favorite films, he has actually reviewed 185! 125 of these movies are also supplied with their exhaustive credit details, as well as copyright and other release information, plus a brief synopsis. Fortunately, many of these movies - both justly famous and even the unjustly neglected - are now available on DVD. Many are also frequently presented on pay TV.
Covers all aspects of the selection, growth, and propagation of lilacs along with information on their landscape use, companion plants, and the history and origin of each lilac species.
When most people think of movie musicals, films like "Singin' in the Rain", "Sound of Music", "The Red Shoes", "On the Town", "White Christmas", "Ziegfeld Follies", "Top Hat", "Funny Face" and "Funny Girl" immediately come to mind. Such films are included in this book, as are many of the works of major stars, including Fred Astaire, Bing Crosby, Gene Kelly, Betty Grable, Shirley Temple, Julie Andrews, Elvis Presley, Lucille Ball, Alice Faye, Jeanette MacDonald, Maurice Chevalier, Nelson Eddy, Doris Day, Dick Powell, Betty Hutton, Eleanor Powell, and Al Jolson. But attention is also drawn to less lavishly produced but very pleasant musical offerings from both major and minor studios (including perhaps the finest "B" musical ever made). In all, 125 pictures are reviewed and detailed with full cast and technical credits, plus songs and musical numbers, awards, release dates and other essential background information.
John Howard Reid's books are not only noted for the wealth of essential information he provides on each film he discusses, but for the insight and clarity of his reviews. Reid has been reviewing films professionally since 1955, and has contributed an enormous amount of material to newspapers and magazines in England, France, Australia and the USA. In the course of his work, Reid has come into contact with many famous stars and directors, and is often able to provide quotes and information that no other sources can duplicate. As a reviewer for one of Reid's previous books rightly pointed out, "Nobody does it better than John Howard Reid." In fact, Reid often provides far more information than the titles of his books suggest. "140 All-Time Must-See Movies" is a typical case. The book actually provides full details and reviews for 160 feature films plus brief comments on over 30 shorts.
Working for Paramount in the 1940s playwright and scriptwriter Preston Sturges directed a succession of exceptional comedies of which the 'Palm Beach Story' is perhaps the finest. Pym's account recreates the subtlety and a dazzling energy of this near perfect film. In the BFI FILM CLASSICS series.
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
Remember "Humpy," the talking camel? You'll find him in this book, along with a host of other legendary characters from Alice in Wonderland through the Mysterious Mr Wong to Wild Bill Hickok. Movie stars featured include Lon Chaney, Kay Francis, Buster Keaton, Greta Garbo, Constance Bennett, Adolphe Menjou and Will Rogers. Directors include John Ford, Cecil B. DeMille, Ernst Lubitsch and Fred Zinnemann. It all adds up to many hours of pleasure for classic movie fans who can thumb through details of award-winning films, popular pictures, and little-known masterpieces that deserve wider recognition. Yes, there are famous "B" movies too, like "Sleepers West" and its re-make, "The Narrow Margin.
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
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