In one of the most expansive treatments of spiritual warfare, Puritan John Arrowsmith paints Christianity as the battle between the seed of the woman and the serpent. Beginning with Genesis 3:15, Arrowsmith explores themes of military duty, battle against the evil one, and the Christian’s victory and triumph in the Scriptures and classical writings. Arrowsmith’s work stands out among writings on spiritual warfare for its depth of research, its insistence that our warfare is chiefly theological, and its attempt to blend polemical and pastoral theology. He regarded his written efforts as “emissaries of evangelical piety, guardians and avengers of orthodoxy, interpreters of some of God’s oracles, and protective deities in many difficulties.” Carefully translated by David C. Noe with an extensive introduction by Chad B. Van Dixhoorn, this edition of Plans for Holy War presents modern readers with an exceptional and unique guide to spiritual warfare.
The author traces how Lewis and Clark's epic journey of 1804–06 and their charting of the American Northwest dramatically revised generally held concepts of the area's geography. With 45 maps. "Splendidly researched and highly readable" — Donald Jackson, editor of the Letters of the Lewis and Clark Expedition.
This guide for practice managers, in a question-and-answer format, explains accounting procedures and describes GMS, health authority and other sources of income. The book covers payroll, pension, personnel and complaints matters and advises on optimizing income for the practice.
Western culture is composed of a subtle and complex mixture of influences: religious, philosophical, linguistic, political, social, and sociological. American culture is a particular strain, but unless European antecedents and contemporary leanings are duly noted, any resulting history is predestined to provincialism and distortion. In his account of American literature during the period 1919 to 1932, McCormick deals with the extraordinary work of artists who wrested imaginative order from a world in which the abyss was never out of sight.McCormick's volume is intended as a critical, rather than encyclopedic history of literature on both sides of the Atlantic between the end of World War I and the political and social crises that arose in the 1930s. Although he emphasizes American writers, the emergence of a vital and distinctly modern American literature is located in the cultural encounter with Europe and the rejection of national bias by the major figures of the period.McCormick deals with Gertrude Stein and the mythology of the "lost generation," the tensions and ambivalences of traditionalism and modernity in the work of Sherwood Anderson and F. Scott Fitzgerald, the effect and qualities of Hemingway's style as compared to that of Henry de Montherlant, and the provincial iconoclasm of Sinclair Lewis juxtaposed with the more telling satire of Italo Svevo. The formal innovations in the work of John Dos Passos, E.E. Cummings, and William Faulkner, the poetic revolution against cultural parochialism and genteel romanticism is given extensive consideration with regard to the work of T.S. Eliot, Ezra Pound, Wallace Stevens, William Carlos Williams, and Marianne Moore are also discussed. The concluding chapters discuss literary and social criticism and assess the influence of psychoanalysis, philosophical pragmatism, and radical historiography on the intellectual climate of the period.Teachers and students in English and American Literature, American History, and Comparative Literature, and the general reader interested in the writing of the period, may gain new insights from these valuations, devaluations, and re-evaluations.
The open-and-shut case of the Fatal Flapper just won’t stay closed in this thrilling and immersive novel of 1920s Vancouver—another Raincoast Noir mystery. Miss Dora Decker doesn’t look like the sort of young woman capable of stabbing her stockbroker employer twenty-five times with her high-heeled shoe; yet, thanks to a slow news day, she has become internationally famous as the Fatal Flapper, and the police are only too happy to make the arrest. Meanwhile, Ed McCurdy, former muckraking journalist, has traded his typewriter for a career reading radio news as Mr. Good-Evening, Canada’s first “radio personality.” As a celebrity he draws resentment and paranoia from far and near, and he worries that the next murder victim will be himself. Inspector Calvin Hook scours the wet, boozy streets of gritty 1920s Vancouver, piecing together a mystery that somehow connects Al Capone, Winston Churchill and Brother Osiris, the leader of a mystical cult on De Courcy Island.
An essential, refreshingly accessible guide to Greek and Roman drama containing entries for forty plays by all the major dramatists in the classical world - Aeschylus, Sophocles, Euripides, Aristophanes, Menander, Plautus, Terence and Seneca. Features include: · Playwright biographies · Synopses and detailed commentary · Advice on the best translations available · A survey of the ancient theatre and its social and political background. Written by John Burgess, freelance director and former Head of New Writing at the National Theatre, this book is an indispensable resource for the theatregoer, student and general reader.
A distillation of sixty-seven of the best and most important plates from the original three volumes of the bestselling of the Historical Atlas of Canada.
Expanding upon his viral TEDx Talk, psychology professor and social scientist John V. Petrocelli reveals the critical thinking habits you can develop to recognize and combat pervasive false information that harms society in The Life-Changing Science of Detecting Bullshit. Bullshit is the foundation of contaminated thinking and bad decisions leading to health consequences, financial losses, legal consequences, broken relationships, and wasted time and resources. No matter how smart we believe ourselves to be, we’re all susceptible to bullshit—and we all engage in it. While we may brush it off as harmless marketing sales speak or as humorous, embellished claims, it’s actually much more dangerous and insidious. It’s how Bernie Madoff successfully swindled billions of dollars from even the most experienced financial experts with his Ponzi scheme. It’s how the protocols of Mao Zedong’s Great Leap Forward resulted in the deaths of 36 million people from starvation. Presented as truths by authority figures and credentialed experts, bullshit appears legitimate, and we accept their words as gospel. If we don’t question the information we receive from bullshit artists to prove their thoughts and theories, we allow these falsehoods to take root in our memories and beliefs. This faulty data affects our decision making capabilities, sometimes resulting in regrettable life choices. But with a little dose of skepticism and a commitment to truth seeking, you can build your critical thinking and scientific reasoning skills to evaluate information, separate fact from fiction, and see through bullshitter spin. In The Life-Changing Science of Detecting Bullshit, experimental social psychologist John V. Petrocelli provides invaluable strategies not only to recognize and protect yourself from everyday bullshit, but to accept your own lack of knowledge about subjects and avoid in engaging in bullshit just for societal conformity. With real world examples from people versed in bullshit who work in the used car, real estate, wine, and diamond industries, Petrocelli exposes the red-flag warning signs found in the anecdotal stories, emotional language, and buzzwords used by bullshitters that persuade our decisions. By using his critical thinking defensive tactics against those motivated by profit, we will also learn how to stop the toxic misinformation spread from the social media influencers, fake news, and op-eds that permeate our culture and call out bullshit whenever we see it.
This book seeks to illustrate the interconnections of science and philosophy with religion and politics in the early modern period by focusing on the institutional dynamics of the university. Much of the work is devoted to one key university- that of Cambridge- and examines the major issues of the institutional setting of Newton’s work, the religious and political circumstances that favoured its dissemination, and the way in which it was dealt with in the curriculum. But the author also seeks to place the problem of the role of science in the early modern university in a larger, European context. To do so, he includes a close prosopographical analysis of the scientific community from the mid-15th TO the end of the 18th century, and discusses the complex relations between the universities and the Enlightenment.
This introductory text explores the historical origins of the main legal institutions that came to characterize the Anglo-American legal tradition, and to distinguish it from European legal systems. The book contains both text and extracts from historical sources and literature. The book is published in color, and contains over 250 illustrations, many in color, including medieval illuminated manuscripts, paintings, books and manuscripts, caricatures, and photographs. Two great themes dominate the book: (1) the origins, development, and pervasive influence of the jury system and judge/jury relations across eight centuries of Anglo-American civil and criminal justice; and (2) the law/equity division, from the emergence of the Court of Chancery in the fourteenth century down through equity's conquest of common law in the Federal Rules of Civil Procedure. The chapters on criminal justice explore the history of pretrial investigation, policing, trial, and sentencing, as well as the movement in modern times to nonjury resolution through plea bargaining. Considerable attention is devoted to distinctively American developments, such as the elective bench, and the influence of race relations on the law of criminal procedure. Other major subjects of this book include the development of the legal profession, from the serjeants, barristers, and attorneys of medieval times down to the transnational megafirms of twenty-first century practice; the literature of the law, especially law reports and treatises, from the Year Books and Bracton down to the American state reports and today's electronic services; and legal education, from the founding of the Inns of Court to the emergence and growth of university law schools in the United States.
Nulapeiron: a world isolated for twelve centuries. Its billions of inhabitants occupy subterranean strata, ruled by a trained aristocracy of lords and ladies whose power base is upheld by oracles. But revolution has touched all of its many cultures – failing in its intent, yet changing everything. Now Lord Tom Corcorigan – the commoner-turned-noble who renounced his power; the poet, logosopher, and holder of the key to understanding the myriad wonders of mu-space; the legendary one-armed warrior, former revolutionary, and would-be peacemaker – lies fatally wounded. His survival is dependent on his meeting with a mysterious seer whose spacetime-warping talents transcend the merely Oracular. It is a confrontation that will result in bitter tragedy and loss. Can the woman he loves be truly dead, or can quantum mysteries lie beyond the grave? Turning his back on a society sliding once more into anarchy and chaos, a disillusioned and despairing Tom wanders this strange, stratified world in search of meaning, love, and his own salvation. But it seems Nulapeiron is threatened by a vast, insidious, and terrifying enemy whose origins may lie beyond their world, beyond their understanding. And now is the time for legends to be reborn. Sequel to the acclaimed Paradox and the second book in the Nulapeiron Sequence, Context is a thrilling, daring and complex novel that confirms John Meaney as one of British science fiction’s most original and exciting practitioners.
A re-evaluation of the "Orestes" as a curious melange of early and late Euripidean features. Combines a thorough critique of recent criticism on the play with detailed analysis of the work's more troubling scenes.
Genre—the articulation of "kind"—is one of the oldest and most continuous subjects of theoretical and critical commentary. Yet from Romanticism to postmodernism, the concept of genre has been punched with so many holes that today it hardly seems graspable, let alone viable. By combining theory with dialectical literary histories of three significantly different genres—tragedy, satire, and the essay—John Snyder reconstructs genre as the figural deployment of symbolic power. One purpose of this approach is to reconcile the recent dismantling of representational and classificatory genres with the incipient notion in post-Althusser Marxism that genre is the crucial mediation between history and aesthetics. Snyder extends certain implications of Aristotle, Benjamin, Bakhtin, Foucault, and Serres. He also offers the first antisystem yet comprehensive genre theory to serve as a fully distinct alternate to Frye's formalist and Genette's structuralist schemes. Finally, Snyder's theory of genre as power opens a way to a fundamentally new theory of literature itself: that aesthetic language deployed as power organizes itself as generic intervention. Three historically dynamic configurations establish the range of all possible genres—tragedy as power politically deployed as mimesis, satire as power rationally deployed as rhetoric, and the essay as power textually deployed as constative rhetoric. Specific analyses developing this important new theory cover a broad spectrum of literature, from classical to contemporary. Other genres, different media, and a variety of subgenres and modes political and religious—all acquire fresh significance from the elaborations of Snyder's three selected genres.
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