What if the way the book of Esther has been taught to us in church and retold to us in films, cartoons, and romance novels has missed the original point of the story? Far from being models of piety and devotion, Esther and Mordecai seem indifferent to the faith of their ancestors. How then did this story become part of the Bible and gain the broad acceptance that it has? If the church should not neglect the story, how should it be read? Esther and Her Elusive God calls Christians to avoid the common attempts to make Esther more palatable and theological, and to reclaim this secular story as Scripture. Readers will be encouraged to see in Esther a profound message of God's grace and faithfulness to his wayward people.
What is man, apart from the things of his life, apart from loving and fighting and dying? In his exploration of that fundamental question, John S. Dunne considers the different ways in which man strives throughout his life for immortality. Growing out of the 1971 Yale University Thomas More lectures which Father Dunne delivered in that year, Time and Myth analyzes the man’s confrontation with the inevitability of death in the cultural, personal, and religious spheres, viewing each as a particular kind of myth that takes its form from the impact of time upon the myth. With penetrating simplicity the author poses the timeless dilemma of the human condition and seeks to resolve it through stories of adventures, journeys, and voyages inspired by man’s encounter with death; stories of childhood, youth, manhood, and age; and, finally, stories of God and of man wrestling with God and the unknown. The result is a fascinating “odyssey of the mind in which one travels through the wonderland of other cultures, lives, and religions only to return with new insight to the homeland of one’s own.”
N. T. Wright is widely regarded as the most exciting and influential biblical scholar in the world today. These essays throw a spotlight on his contribution to New Testament theology and interpretation over the past four decades. The structure is three-fold, corresponding to the three areas of classic Jewish theology that Wright views as starting points for discerning the shape of New Testament theology: monotheism, election and eschatology. The result is a book that facilitates a deep appreciation of key areas of current scholarly debate, and of Wright’s distinctive contribution to our understanding of the issues. The contributors are world class scholars, including Richard Hays (Duke), Richard Bauckham (St Andrews, Emeritus), James Dunn (Durham, Emeritus), Michael Gorman (St Mary’s Seminary & University), David Horrell (Exeter), Edith Humphrey (Pittsburgh), Bruce Longenecker (Baylor), Oliver O’Donovan (Oxford, Emeritus), Ben Witherington (Asbury), and others.
John Dunne writes with intelligence, style, grace, and sure and discerning spiritual insight. Like all writers of really good spiritual theology, Dunne never betrays his subject matter with the kind of pious posturing or psycho-babble gimmickry that too often passes for 'spiritual writing.' His prose is crisp without being dense or rattling. His theological sensitivity is alert to nuance without becoming trapped into mere jargon. His care for the heart of authentic spirituality, like Henri Nouwen's, is steady and believable. Dunne chooses the classical religious metaphor of the 'journey' and invites his readers to join him in a journey into solitude and back again into the human circle. He insists that we accept as guides in this journey the great spiritual masters of the Eastern and Western traditions. Thus in reading Reasons of the Heart, we find ourselves in the presence of some of the best insights of John's Gospel, Augustine, Aquinas, Dante, Pascal, Kierkegaard, Buber, the Buddha, and Jesus. Dunne skillfully invites the reader to 'pass over' to a religious and theological vision of God and of our common humanity in our journey to authentic spirituality. Like Whitehead, Dunne believes that religion, above all, has to do with what an individual does with his/her solitariness. More than Whitehead, Dunne is concerned not only to have the individual enter solitariness, but also finally to leave it behind and rejoin the human community." --David Tracy, The Critic
In his new book, John S. Dunne asks: "So what is eternal consciousness? It is, I take it, consciousness of the eternal in us. If time is 'a changing image of eternity, ' as Plato says, the changing image of the human being is like "The Voyage of Life," four paintings by Thomas Cole, showing childhood, youth, adulthood, and age. The eternal in us is the person going through these phases. It is the vertical dimension of the life, as in the title scene of "War and Peace" where Prince Andre lay on the battlefield looking up into the peaceful sky, perceiving peace in the midst of war. If the horizontal dimension is time and the vertical dimension is eternity, then eternal consciousness is awareness of the vertical dimension. What is more, the vertical dimension carries through the horizontal, as the person walks through life upright instead of being dragged through in 'quiet desperation.' Willingness and hope, accordingly, is willingness to walk through upright with hope in the face of death and darkness." --"from the book" What can I know? What should I do? What may I hope? Dunne explores these questions in his characteristic hermeneutic method, finding the answer in "the words of eternal life" (John 6:68). It is the life of the spirit that is the eternal in us, the inner life of knowing and loving, the life of hope and peace and friendship and intelligence. "If there were no eternal consciousness in a man," Kierkegaard says, "what then would life be but despair?" John Dunne adds, if there" is" eternal consciousness in us, on the other hand, there is hope. To readers of John Dunne's books, "Eternal Consciousness" will be the latest installment chronicling his spiritual journey; to readers new to Dunne's oeuvre, it will be a lively introduction to the distinctive voice and thought of an inspiring author. "As action grows more frantic and voices more shrill in this age of terror, John Dunne's wisdom, born of Eternal Consciousness, shows us and leads us into our true selves--never unloved, never abandoned, willing to walk on with God through life into the very gateway of death itself." --Jon Nilson, Loyola University Chicago
A collection of key nonfiction works includes the writer's frank observations on the film industry, politics, sports, and other topics; his reflections on raising an adopted daughter; and depictions of Las Vegas and a Hollywood film studio. Original.
“Dunne has a wicked eye for the telling details, an uncanny ear for the revealing phrase.”—The New York Times. Quintana & Friends gathers thirty-three brilliant essays written by a pioneer of New Journalism between 1963 and 1978. John Gregory Dunne's gifts for keen reportage, subtle storytelling, and articulate opinion on full display, he covers topics ranging from the Hollywood machine to America’s last fight club to departure day for young soldiers shipping out to Viet Nam. In a celebrated baseball essay, he follows San Francisco Giant outfielder Willie Mays as the slugger seeks to break the National League career home-run record, his portrait capturing a prickly veteran not shy, in an age before PR handlers for athletes, of expressing his annoyance with reporters. In “Sneak,” Dunne brings us inside Twentieth-Century Fox’s Minneapolis advance screening of the movie Dr. Doolittle. In “Quebec Zero,” he spends 24 hours underground with a crew of four young men manning nuclear missiles aimed at the Soviet Union, Dunne’s goal “to see how it worked on the mind, to have World War III only an arm’s length away.” In the title essay, Dunne writes of raising his adopted daughter Quintana with wife Joan Didion, speculating about the day the girl might wish to seek out her birth mother. In “Friends,” he writes movingly of a best friend, screenwriter Josh Greenfield, father to an autistic son. “Eureka” celebrates Los Angeles. “Pauline” famously takes down revered New Yorker movie critic Pauline Kael. And in the much-discussed essay “Gone Hollywood,” Dunne blasts the notion that the movie business is a destroyer of writing talent. “The ecology of Hollywood eludes them,” he writes of those who bemoan the studio system’s effects on writers. Echoing this point in the Kael essay, occasional screenwriter Dunne, making reference to an Upper West Side of Manhattan grocery store, famously declares: “The writers who fell apart in Hollywood would have fallen apart in Zabar's.” Download this first-ever digital edition of Quintana & Friends and enjoy John Gregory Dunne at his wittiest, most observant, and powerfully eloquent best.
This powerful exploration of spiritual longing is the story of two parallel journeys. One is the author's account of his five-day riverboat trip up the Amazon and his discovery of the tiny Church of the Poor Devil, whose members revealed a spiritual wealth in the midst of abject poverty. The other is Dunne's own spiritual quest and his "passing over" from a personal religion concerned with the satisfaction of his individual needs to the religion of the poor. In sharing the life of the church's people and their transcendence of the misery of their human condition, Dunne experiences a greater awareness of the human essence, which redirects his relation of material needs and brings him to a "oneness" with humanity and himself. The story of this journey becomes a compelling metaphor for Christianity. At a religious festival, Dunne witnesses the people's rejoicing in a simplicity that encourages them to follow the heart's desire for God. An awareness of God's presence frees them from the complex, material concerns that so soften beget despair. By acknowledging the truth of human misery and the heart's desire, Dunne believes we too can walk vertically through a horizontal world governed by materialism and misunderstanding, and thus, find our place at the intersection of time and eternity.
A grisly racial murder in what news commentators insist on calling “the heartland.” A feeding frenzy of mass media and seamy politics. An illicit love affair with the potential to wreck lives. In his grandly inventive last novel, John Gregory Dunne orchestrated these elements into a symphony of American violence, chicanery, and sadness.In the aftermath of Edgar Parlance’s killing, the small prairie town of Regent becomes a destination for everyone from a sociopathic teenaged supermodel to an enigmatic attorney with secret familial links to the worlds of Hollywood and organized crime. Out of their manifold convergences, their jockeying for power, publicity or love, Nothing Lost creates a drama of magnificent scope and acidity.
“Funny, outrageous, cynical, and spellbinding.”—People magazine. In this first-ever digital edition of John Gregory Dunne’s acclaimed collection Crooning, readers find evidence from the get-go confirming the writer’s reputation as one of the most clear-seeing, incisive observers of the American cultural and political scene. In sixteen sharp, distinctively voiced essays, Dunne profiles a blacklisted Hollywood screenwriter who three decades later passed himself off as a young Chicano novelist; considers the Kennedy men and conservative William F. Buckley, takes us inside California’s labyrinthine water politics and criminal justice system, details the workings of the Los Angeles county morgue, and is on the ground observing in Jerusalem just weeks before the intifada enveloped the West Bank and Gaza Strip in 1987. Here, too, are superbly entertaining accounts of the Hollywood star system and studio machine, Dunne drawing on two decades of experience as an L.A.-based journalist and fiction-writer with regular forays into screenwriting. He is candid and insightful about the business of writing and life of the dedicated writer as well. In “Laying Pipe,” Dunne chronicles the five-year experience of writing his epic novel The Red White and Blue. And in “Critical,” he focuses on book reviews and reviewers from his perspective as an author who, along with manifold strong notices, also received the occasional critical knock. He names names, and takes the opportunity to fire back at one of his critics. Early in Crooning, Dunne tells us that when he tires of the writing grind, he fantasizes about being a Johnny Mercer-like crooner, then reveals a moment later that he is tone deaf. The title, then, is playful - and in more than one way. Instead of writing sweet narrative melodies, Dunne built his career through work that exposes, challenges, thrums with opinion, and bristles with spiky, knowing humor. Download Crooning and dive into a book of provocative reportage, great stories, and witty, vigorous prose.
This study aims to be a contemporary contribution to a continuing Christian discourse. It includes voices from the spheres of theology, philosophy, literature and the visual arts.
A provocative call for the transformation of science museums into “idea colliders” that spark creative collaborations and connections. Today's science museums descend from the Kunst-und Wunderkammern of the Renaissance—collectors' private cabinets of curiosities—through the Crystal Palace exhibition of 1851 to today's “interactive” exhibits promising educational fun. In this book, Michael John Gorman issues a provocative call for the transformation of science museums and science centers from institutions dedicated to the transmission of cultural capital to dynamic “idea colliders” that spark creative collaborations and connections. This new kind of science museum would not stage structured tableaux of science facts but would draw scientists into conversation with artists, designers, policymakers, and the public. Rather than insulating visitors from each other with apps and audio guides, the science museum would consider each visitor a resource, bringing questions, ideas, and experiences from a unique perspective. Gorman, founder of the trailblazing Science Gallery, describes three scenarios for science museums of the future—the Megamuseum Mall, “the Cirque de Soleil of the science museum world”; the Cloud Chamber, a local space for conversations and co-creation; and the invisible museum, digital device-driven informal science learning. He discusses hybrids that experiment with science and art and science galleries that engage with current research, encouraging connection, participation and surprise. Finally, he identifies ten key shifts in the evolution of science museums, including those from large to small, from interactive to participatory, from enclosed to porous, and from subject-specific to cross-disciplinary.
designing designing is one of the most extraordinary books on design ever written. First published in 1984 and reprinted with this title and cover in 1991, the book was the product of ten years of auto-critique, reflection and experimentation on writing on designing. Offering a savage auto-critique of his own work on “methods”, as well as of the wider methods and ends of advanced industrial societies as a whole, this book challenges the traditional product- and progress- orientated focus on design by insisting that the world now coming into being requires designing to be understood as 'a response to the whole of life.' But designing designing is also unique in modern design thinking in its exploration of what writing on designing might be. Combining essays, interviews, reflections, performances, plays, poems, chance procedures, photographs, collages and quotes, Jones experiments with both form and content in an attempt to make a book which 'is not simply about designing but is instead itself an instance of the ideas and processes explored within it.
In 2014 an investigation into an alleged plot to ‘Islamify’ several state schools in Birmingham began. Known as the ‘Trojan Horse’ affair, this caused a previously highly successful school to be vilified. Holmwood, an expert witness in the professional misconduct cases brought against the teachers, and O’Toole, who researches the government’s counter-extremism agenda, challenge the accepted narrative and draw on the potential parallel with the Hillsborough disaster to suggest a similar false narrative has taken hold of public debate. This important book highlights the major injustice inflicted on the teachers and shows how this affair was used to criticise multiculturalism, and justify the expansion of a broad and intrusive counter extremism agenda.
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