A TRILOGY TRANSCENDENT is a kind of loose trilogy of novels originally written in 1980 and sharing a common transcendental theme which has particular though not exclusive reference to modern art and its examination and appreciation from a pro-avantgarde standpoint that is often in opposition to philistine reaction from a variety of conservative quarters, whose penchant for 'the concrete' tends to exclude abstraction.
More of a novel about art and artists than writers, even though a writer figures prominently in thwarting a certain influential art critic in his designs upon an unsuspecting artist whose girlfriend's suspicions were not without foundation, this is the first of three such art-related novels written by Mr O'Loughlin back in 1980, in the wake of his 'conversion' to transcendentalism with the volume of philosophical dialogues entitled 'The Transcendentl Future'.
The Anthropology of Digital Practices connects for the first time three distinct research areas – digital ethnography, causal ethnography, and media practice theory – to explore how we might track the effects of new media practices in a digital world. It invites media and communication students and scholars to overcome the field’s old aversion to ‘media effects’ and explores the messy, complex, open-ended effects of new media practices in a digital age. Based on long-term ethnographic research and drawing from recent advances in the study of causality and ethnography, this book tells the ‘formation story’ of the anti-woke movement through a series of critical media events. It argues that digital media practices (e.g. podcasting, YouTubing, tweeting, commenting, broadcasting) will have ‘formative’ effects on an emerging social world at different points in time. One important task of the digital ethnographer is precisely to distinguish between the formative and non-formative effects of specific media practices. This book makes three contributions to our understanding of media practices in the digital era, namely a theoretical, methodological, and empirical contribution. Theoretically, it furthers the ‘practice turn’ in media and communication studies by engaging with the latest thinking on causality and ethnography. Methodologically, it serves as a compelling, up-to-date guide to doing digital ethnography, with special reference to the study of digitally mediated practices. Empirically, it is the first book-length study of the anti-woke movement, a major actor in the ‘culture wars’ currently being fought across the Western world. With its accessible language and rich case studies, The Anthropology of Digital Practices will make an ideal supplementary textbook for a range of undergraduate and graduate courses in research methods, digital ethnography/anthropology, and digital activism.
The rules of the game have changed in the past hundred years, but human nature has not. "In March [1892] Stanford and California had played the first college football game on the Pacific Coast in San Francisco . . . The pregame activities included a noisy parade down streets bedecked with school colors. Tickets sold so fast that the Stanford student manager, future president Herbert Hoover, and his California counterpart, could not keep count of the gold and silver coins. When they finally totaled up the proceeds, they found that the revenues amounted to $30,000—a fair haul for a game that had to be temporarily postponed because no one had thought to bring a ball!"—from College Football: History, Spectacle, Controversy, Chapter Three In this comprehensive history of America's popular pastime, John Sayle Watterson shows how college football in more than one hundred years has evolved from a simple game played by college students into a lucrative, semiprofessional enterprise. With a historian's grasp of the context and a novelist's eye for the telling detail, Watterson presents a compelling portrait rich in anecdotes, colorful personalities, and troubling patterns. He tells how the infamous Yale-Princeton "fiasco" of 1881, in which Yale forced a 0-0 tie in a championship game by retaining possession of the ball for the entire game, eventually led to the first-down rule that would begin to transform Americanized rugby into American football. He describes the kicks and punches, gouged eyes, broken collarbones, and flagrant rule violations that nearly led to the sport's demise (including such excesses as a Yale player who wore a uniform soaked in blood from a slaughterhouse). And he explains the reforms of 1910, which gave official approval to a radical new tactic traditionalists were sure would doom the game as they knew it—the forward pass. As college football grew in the booming economy of the 1920s, Watterson explains, the flow of cash added fuel to an already explosive mix. Coaches like Knute Rockne became celebrities in their own right, with highly paid speaking engagements and product endorsements. At the same time, the emergence of the first professional teams led to inevitable scandals involving recruitment and subsidies for student-athletes. Revelations of illicit aid to athletes in the 1930s led to failed attempts at reform by the fledgling NCAA in the postwar "Sanity Code," intended to control abuses by permitting limited subsidies to college players but which actually paved the way for the "free ride" many players receive today. Watterson also explains how the growth of TV revenue led to college football programs' unprecedented prosperity, just as the rise of professional football seemed to relegate college teams to "minor league" status. He explores issues of gender and race, from the shocked reactions of spectators to the first female cheerleaders in the 1930s to their successful exploitation by Roone Arledge three decades later. He describes the role of African-American players, from the days when Southern schools demanded all-white teams (and Northern schools meekly complied); through the black armbands and protests of the 60s; to one of the game's few successful, if limited, reforms, as black athletes dominate the playing field while often being shortchanged in the classroom. Today, Watterson observes, colleges' insatiable hunger for revenues has led to an abuse-filled game nearly indistinguishable from the professional model of the NFL. After examining the standard solutions for reform, he offers proposals of his own, including greater involvement by faculty, trustees, and college presidents. Ultimately, however, Watterson concludes that the history of college football is one in which the rules of the game have changed, but those of human nature have not.
For just over fifty years John Stuart Mill contributed articles and letters to the newspapers, setting before the public a radical position on contemporary events. From 1822 to 1873, in newspapers as widely read as The Times and the Morning Chronicle, and as narrowly circulated as the True Sun and the New Times, he praised his friends and damned his opponents, while commenting on a while range of issues at home and abroad, from banking to Ireland, from wife-beating to land nationalization. His main series of newspaper writings concerned France (especially during the first four years of the Revolution of 1830) and Ireland (especially during December 1846 and January 1847, when various proposals for relief of the starving cottiers were being debated). Mill felt himself peculiarly fitted to explain French affairs and Irish solutions to the non-comprehending and wrong-headed English. But his pen was wielded wherever he say stupidity and narrowness, and he found them in astonishingly varied areas. He tried to explain to his obdurate countrymen the first principles of law reform, political economy, relations between the sexes, democracy, international law, and much more. Virtually none of these texts have been reprinted before this volume. The Introduction by Ann Robson sets the items in their historical and personal perspective, and draws out the implications for Mill's life and thought. The Textual Introduction by John Robson gives an account of the sources of the texts, and lays out principles and methods followed in the editing. The Mill that emerges from these pages is a fighting journalist, uninhibited, forthright, and often brilliantly satirical, testing his theoretical opinions in the real world, gradually maturing and developing a practical philosophy whose influence has been felt well into our own time.
This book, first published in 1985, investigates the enactment of the federal income tax as a case study of an important Progressive Era reform. It was a critical issue that likely divided people along socioeconomic lines, thus helping to provide insight into the debate over the ‘class origins’ of the reformist movement.
This book provides an overview of the main developments in social work over its 200-year history. From its beginnings in the early 19th century through to the present day, it recounts the efforts to create a fairer, socially just society through its work with individuals and families. Throughout, by focusing on individual cases as well as major ideas behind practice, this book invites the reader to step into the practitioner’s world as it unfolded. Providing a fresh, critical history of social work in Britain, the book covers the practical assistance for families and individuals in poverty in the 19th century; women’s social work with destitute mothers and children; social work’s response to war time needs; the development of specific domains of social work such as hospital social work, psychiatric social workers, moral welfare and children in care; tackling racism; and social work in a market society. The reader encounters the society that social workers and their users wrote about, thought about and sought to create. Covering critical points of dispute along with overarching visions that would take the profession – and society – forward, the book explores the ideologies, moral constructs and social forces that shaped everyday social work. A New History of Social Work will be of interest to all scholars and students of social work and will be particularly relevant for modules on introductions to social work and the foundations of social work.
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.