Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
It was the best of times, it was the best of times," to paraphrase Dickens' famous line. That was the experience of the few youthful hopefuls who founded an amazing tradition all those years ago. It was the experience too of the many who happened upon or sought out Theatre West Four and joined up to become faithful supporters and contributors. It became - for most of them - the centre of their social activity and natural supplier of entertainment; the highlight of each week. Too strong a statement? Read Tony Nicholl's wonderful discourse on the life and times of TW4 and discover more.
The Royal Institution of Great Britain is renowned the world over, first, because it is a premier arena for the advancement of new scientific and technological knowledge; and second because it highlights the advance of knowledge of all kinds. It bridges the sciences and the humanities, and as much publicity is given to advances in the arts, archaeology, architecture, drama and literature as to the pure and applied sciences. More famous scientists have lived and worked in the Royal Institution than in any other laboratory in the world. A roll-call includes Rumford, Davy, Faraday, Tyndall, Dewar, Rayleigh, W. H. Bragg, W. L. Bragg and George Porter. Not is it only the home of continuous electricity, it is also the birthplace of many aspects of molecular biology and viruses and enzymology. Some fifteen scientists who have won the Nobel Prize have, at one time or another, worked or lectured at the RI. And eminent individuals, like Howard Carter and Coleridge, have lectured there. Albemarle Street - Portraits, Personalities and Presentations at The Royal institution is a lively and compelling personal selection of the remarkable personalities and achievements of some of the extraordinary scientists and individuals who, during the nineteenth and twentieth centuries, worked or lectured at 21 Albemarle Street in Mayfair, central London. John Meurig Thomas offers a unique and valuable insight into the history of this prestigious address, having himself lived and worked at the Royal Institution for some twenty years.
The book describes the brains and sense organs of 57 of the 139 genera of the class Cephalopoda, many in great detail, as well as a variety of morphological features. The text is well-illustrated with fully labelled line drawings and photomicrographs. Attention is drawn to the many gaps in our knowledge of these intriguing marine invertebrates with a view to stimulating future research.
This book tells a true detective story set mainly in Elizabethan London during the years of cold war just before the Armada of 1588. The mystery is the identity of a spy working in a foreign embassy to frustrate Catholic conspiracy and propaganda aimed at the overthrow of Queen Elizabeth and her government. The suspects in the case are the inmates of the house, an old building in the warren of streets and gardens between Fleet Street and the Thames. These include the ambassador, a civilized Frenchman, his wife, his daughter, his secretary, his clerk and his priest, the tutor, the chef, the butler, and the concierge. They also include a runaway friar, the Neapolitan philosopher, poet, and comedian Giordano Bruno, who wrote masterpieces of Italian literature, who was later burned in Rome for his anti-papal opinions, and who has been revered in Italy for his honorable and heroic resistance to papal authority. Others in the cast are Queen Elizabeth, her formidable secretary of state Sir Francis Walsingham, and King Henry III of France; poets, courtiers, and scholars; statesmen, conspirators, go-betweens, and stool-pigeons. When not in London, the action takes place in Paris and Oxford; a good deal of it happens on the river Thames. The hero or villain, who calls himself Fagot, does his work most effectively, is not found out, and disappears. In the first part of the book these events are narrated. In the second the spy is identified and his story put together. John Bossy's brilliant research, backed by his forensic and literary skills, solves a centuries-old mystery. His book makes a major contribution to the political and intellectual history of the wars of religion in Europe and to the domestic history of Elizabethan England. Not least, it is compelling reading.
It was the best of times, it was the best of times," to paraphrase Dickens' famous line. That was the experience of the few youthful hopefuls who founded an amazing tradition all those years ago. It was the experience too of the many who happened upon or sought out Theatre West Four and joined up to become faithful supporters and contributors. It became - for most of them - the centre of their social activity and natural supplier of entertainment; the highlight of each week. Too strong a statement? Read Tony Nicholl's wonderful discourse on the life and times of TW4 and discover more.
Widely acknowledged as the essential reference work for this period, this volume brings together more than 700 articles written by 150 top scholars that cover the people, places, activities, and creations of the Anglo-Saxons. The only reference work to cover the history, archaeology, arts, architecture, literatures, and languages of England from the Roman withdrawal to the Norman Conquest (c.450 – 1066 AD) Includes over 700 alphabetical entries written by 150 top scholars covering the people, places, activities, and creations of the Anglo-Saxons Updated and expanded with 40 brand-new entries and a new appendix detailing "English Archbishops and Bishops, c.450-1066" Accompanied by maps, line drawings, photos, a table of "English Rulers, c.450-1066," and a headword index to facilitate searching An essential reference tool, both for specialists in the field, and for students looking for a thorough grounding in key topics of the period
In the accounts of the radical movements that have shaped our history, anarchism has received a raw deal. Its visions and aims have been distorted and misunderstood, its achievements forgotten. The British anarchist movement during the years 1880–1930, while borrowing from Europe, was self-actuated and independent, with a vibrant tale all its own. In The Slow Burning Fuse, John Quail shows a history largely obscured and rewritten following 1919 and the triumph of Leninist communism. The time has arrived to resurrect the works of the early anarchist clubs, their unsung heroes, tumultuous political activities, and searing manifestos so that a truer image of radical dissent and history can be formed. Quail’s story of the anarchists is one of utopias created in imagination and half-realised in practice, of individual fights and movements for freedom and self-expression—a story still being written today.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.