An analysis of the fundamental narrative structure, why it works, the meanings of stories, and why we tell them in the first place. The idea of Into the Woods is not to supplant works by Aristotle, Lajos Egri, Robert McKee, David Mamet, or any other writers of guides for screenwriters and playwrights, but to pick up on their cues and take the reader on a historical, philosophical, scientific, and psychological journey to the heart of all storytelling. In this exciting and wholly original book, John Yorke not only shows that there is truly a unifying shape to narrative—one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within—he explains why, too. With examples ranging from The Godfather to True Detective, Mad Men to Macbeth, and fairy tales to Forbrydelsen (The Killing), Yorke utilizes Shakespearean five-act structure as a key to analyzing all storytelling in all narrative forms, from film and television to theatre and novel-writing—a big step from the usual three-act approach. Into the Woods: A Five-Act Journey into Story is destined to sit alongside David Mamet’s Three Uses of the Knife, Robert McKee’s Story, Syd Field’s Screenplay, and Lajos Egri’s The Art of Dramatic Writing as one of the most original, useful, and inspiring books ever on dramatic writing. Praise for Into the Woods “Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive.” —Chris Chibnall, creator/writer, Broadchurch and Gracepoint “Outrageously good and by far and away the best book of its kind I’ve ever read. I recognized so much truth in it. But more than that, I learned a great deal. Time and again, Yorke articulates things I’ve always felt but have never been able to describe. . . . This is a love story to story—erudite, witty and full of practical magic. I struggle to think of the writer who wouldn’t benefit from reading it—even if they don’t notice because they’re too busy enjoying every page.” —Neil Cross, creator/writer, Luther and Crossbones “Part ‘how-to’ manual, part ‘why-to’ celebration, Into the Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises . . . exciting and thought-provoking.” —Emma Frost, screenwriter, The White Queen and Shameless
This last segment of the Sapir-Thomas Nootka texts includes three first-hand accounts of the Tlkwa:na, or Wolf Ritual, a principal ceremony of the Nuu-chah-nulth First Nations of the West Coast of Vancouver Island. The ritual, which takes several days to enact, is described in detail, from the howling of the “Wolves” in human form, to the abduction of children to their forest lair and the return of these initiates to perform newly learned dances. Also included are Sapir’s field record of a Tlkwa:na of 1910; his correspondence with his chief interpreters Alex Thomas and Frank Williams; and autobiographical stories by Alex Thomas.
This impressive collection of essays is based on a two-year seminar series of the Research centre in Scottish History at the University of Strathclyde. New and original research, as well as historiographical overviews and commentaries, illuminate the study of this formative century in the creation of modern Scotland. Contributors are leading figures in their fields, and the Scottish experience is examined within an international dimension. Topics include Scottish modernisation before the Industrial Revolution, the Union of 1707, Scotland and British expansion, Scottish Jacobitism, the Catholic underground, Scottish national identity, the Scottish Enlightenment, urbanisation, demographic change, Scottish Gaeldom, Highland estate management and tenant emigration, and Scottish radicalism. Contributors: Thomas M. Devine, John R. Young, Michael Fry, Allan I. Macinnes, James F. McMillan, Alexander Murdoch, Richard J. Finlay, Jane Rendall, Bernard Aspinwall, Ian D. Whyte, Robert E. Tyson, T. C. Smout, Andrew Mackillop, Christopher A. Whatley, Elaine W. McFarland.
A consolidated eBook of Volume one and Volume two of The Longest Boundary by John Dunbabin. These volumes are firmly based on primary sources but written in a way that should appeal to the general reader as much as to specialised historians. Its chief actors are politicians and administrators, but there is a range of others, extending from First Nations chiefs to goldminers, railway entrepreneurs, prophets, and policemen. In the concluding chapter the book's general historical approach is supplemented by assessment of the main perspectives of international relations theory. Finally, attention is drawn to small anomalies created by the boundary line.
This book emphasizes not only the flora and fauna but also what each trail has to tell people of all ages about Wisconsin and about the region’s past. Hikes herein range from 1.5 to just over 9 miles in length and cover all areas of the state. Each hike description includes directions to the trailhead, a topographic map, and a detailed account of the route. The authors emphasize not only the flora and fauna but also what each trail has to tell people of all ages about Wisconsin and about the region’s past.
Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines.
The Pokagon Band of Potawatomi Indians has been a part of Chicago since its founding. In very public expressions of indigeneity, they have refused to hide in plain sight or assimilate. Instead, throughout the city’s history, the Pokagon Potawatomi Indians have openly and aggressively expressed their refusal to be marginalized or forgotten—and in doing so, they have contributed to the fabric and history of the city. Imprints: The Pokagon Band of Potawatomi Indians and the City of Chicago examines the ways some Pokagon Potawatomi tribal members have maintained a distinct Native identity, their rejection of assimilation into the mainstream, and their desire for inclusion in the larger contemporary society without forfeiting their “Indianness.” Mindful that contact is never a one-way street, Low also examines the ways in which experiences in Chicago have influenced the Pokagon Potawatomi. Imprints continues the recent scholarship on the urban Indian experience before as well as after World War II.
LONGLISTED FOR THE HIGHLAND BOOK PRIZE SHORTLISTED FOR THE RICHARD JEFFERIES AWARD A WATERSTONES BEST BOOK OF 2023 Footprints in the Woods is John Lister-Kaye’s charming account of a year spent with otters, badgers, weasels and pine martens. This family – Mustelidae – all live in the wild at Aigas, the conservation and field study centre in the Highlands that he calls home. With fifty years of experience living side-by-side with these creatures and the patience of a true naturalist, John reveals the lives of these elusive animals: sometimes red in tooth and claw, but often playful, familial, curious and surprising.
From Beauregard and Custer to Lee and Sherman, twelve commanders from each side vividly describe what they and their men experienced at twelve of the war’s most legendary battles from Fort Sumter to Appomattox Court House in accounts gathered from letters, memoirs, reports, and testimonies. They relate noted incidents and personal triumphs and tragedies while covering strategies and explaining battlefield decisions. Trench warfare at Petersburg and Sherman’s scorched earth policy in Georgia foreshadowed the world wars to come, and technological advancements—such as armored steamships, landmines, and machine guns—literally changed the landscape of war. Submarines and a time bomb even came into play. Informative biographies and headnotes for each battle give parallel statistics at a glance and establish context; sidebars cover notable tactics and technologies, including espionage, aerial reconnaissance, and guerilla warfare; and a concise roll-call outline each commander's life in full after the war. Here, from the men who conducted and controlled it, is an invaluable sourcebook of what happened in the War Between the States and why.
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