This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Before the Terror and then the Napoleonic Wars made it impracticable to travel through France, many young British men and women were able to watch at first hand the changes taking place in French society an the agitations that were becoming increasingly loud for reform. This book, originally published in 1987, is a study of France in these crucial years seen through the eyes of the travellers. It marries the travellers’ accounts to analysis of the political state of France to produce a book equally illuminating of British taste and attitudies to France, and of the French political and social scene.
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
The extensive journals of the English gentleman composer John Marsh, which cover the period from 1752-1828, represent one the most important musical and social documents of the period to have hitherto remained unpublished. Drawing on the recently discovered original (Now in the Huntington Library, San Marino, California), the selection covers the first fifty years of Marsh's life, a period of intense musical activity in the southern cathedral cities of Salisbury, Canterbury and Chichester. But Marsh was far more than a provincial composer and music director; the journals also cast much valuable light on musical life in London-his account of the great Handel Commemoration of 1784 is without parallel for its colorful evocation of the huge event. A lively interest in a wide range of topics gives the journals a scope rare in the writings of a musician and the volume will be of indispensable value not only to the musical but also thesocial historian. The unfailingly vital and often witty writing also ensures considerable appeal to the more general reader with an interest in an eventful period of English history. The volume has been comprehensively annotated and includes illustrations and contemporary maps in addition to the first complete published listing of Marsh's compositions and writings.
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