This book illustrates the diverse and simultaneous happenings in the varied and complex Europe of the 1500s and 1600s AD, mainly focusing on England and Italy, the two major protagonists of this most fascinating period of history, when military interventions, literature, art and religious philosophies formed the Europe which we have inherited today. The book is enriched with more than 1000 illustrations and a 100-year calendar of historical events, in addition to references to 1,168 important contemporaries who lived in England, Italy and Europe during the Elizabethan and Jacobean periods. This book also delves in depth into the fascinating mystery of the authorship question in relation to who wrote the Shakespearean works.
Authority and accessibility combine to bring the history and the drama of Tudor England to life. Almost 900 engaging entries cover the life and times of Henry VIII, Mary I, Elizabeth I, William Shakespeare, and much, much more. Written for high school students, college undergraduates, and public library patrons—indeed, for anyone interested in this important and colorful period—the three-volume Encyclopedia of Tudor England illuminates the era's most important people, events, ideas, movements, institutions, and publications. Concise, yet in-depth entries offer comprehensive coverage and an engaging mix of accessibility and authority. Chronologically, the encyclopedia spans the period from the accession of Henry VII in 1485 to the death of Elizabeth I in 1603. It also examines pre-Tudor people and topics that shaped the Tudor period, as well as individuals and events whose influence extended into the Jacobean period after 1603. Geographically, the encyclopedia covers England, Scotland, Wales, and Ireland, and also Russia, Asia, America, and important states in continental Europe. Topics include: the English Reformation; the development of Parliament; the expansion of foreign trade; the beginnings of American exploration; the evolution of the nuclear family; and the flowering of English theater and poetry, culminating in the works of William Shakespeare.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The United States has long thought of itself as exceptional--a nation destined to lead the world into a bright and glorious future. These ideas go back to the Puritan belief that Massachusetts would be a "city on a hill," and in time that image came to define the United States and the American mentality. But what is at the root of these convictions? John Howard Smith's A Dream of the Judgment Day explores the origins of beliefs about the biblical end of the world as Americans have come to understand them, and how these beliefs led to a conception of the United States as an exceptional nation with a unique destiny to fulfill. However, these beliefs implicitly and explicitly excluded African Americans and American Indians because they didn't fit white Anglo-Saxon ideals. While these groups were influenced by these Christian ideas, their exclusion meant they had to craft their own versions of millenarian beliefs. Women and other marginalized groups also played a far larger role than usually acknowledged in this phenomenon, greatly influencing the developing notion of the United States as the "redeemer nation." Smith's comprehensive history of eschatological thought in early America encompasses traditional and non-traditional Christian beliefs in the end of the world. It reveals how millennialism and apocalypticism played a role in destructive and racist beliefs like "Manifest Destiny," while at the same time influencing the foundational idea of the United States as an "elect nation." Featuring a broadly diverse cast of historical figures, A Dream of the Judgment Day synthesizes more than forty years of scholarship into a compelling and challenging portrait of early America.
There is currently much interest in the history of interpretation, reader-response and the sociology of sacred texts - in what the text does as much as what it means. Isaiah, 'more evangelist than prophet' according to Jerome and others, provides an ideal case study, because of his profound influence on the language and imagery of Christianity. With illustrations from art, music, literature and the media as well as commentaries, sermons and official church pronouncements, Professor Sawyer shows how Isaiah has been used in all kinds of context, from the cult of the Virgin Mary, mediaeval passion iconography and antisemitic propaganda to Christian feminism and liberation theology. This first attempt at a comprehensive critical study of an essential part of biblical interpretation will provide a model for further research, and ensure that commentaries will never be the same again.
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