Siegfried Kracauer is today considered one of the key thinkers of the twentieth century. During the Weimar Republic, he established himself as a trenchant theorist of film, culture, and modernity, now often ranked alongside his friends Walter Benjamin and Theodor W. Adorno. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. In this study, Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer's seminal contributions to film studies and shows how Kracauer's American writings helped shape the emergent discipline in turn. Through archival sources and detailed readings of Kracauer's work, von Moltke reconstructs what it means to consider Siegfried Kracauer as the New York Intellectual he became when he settled in Manhattan for the last quarter century of his life. Here, he found an institutional home at the MoMA film library, contributed to communications and propaganda research under the aegis of the Rockefeller Foundation, and published in the influential "little magazines" of the New York Intellectuals. Adopting a transatlantic perspective on Kracauer's work, von Moltke demonstrates how he pursued questions that animated contemporary critics from Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality, about high and low culture, about liberalism, democracy, and what it means to be human. From these wide-flung conversations and debates, Kracauer's own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema."--Provided by publisher.
Introduction: Siegfried Kracauer and the politics of film theory -- Metropolitan contact zones: Kracauer in New York -- Totalitarian propaganda -- Nazi cinema -- Freedom from fear? -- From Hitler to Caligari: spaces of Weimar cinema -- Authoritarian, totalitarian -- Reframing Caligari: the politics of cinema -- Theory of film and the subject of experience -- The curious humanist -- History and humanist subjectivity -- Epilogue: Siegfried Kracauer and the emergence of film studies
Rudolf Steiner's legacy is remarkable. Around the world, thousands of initiatives have been built up around his inspiration and thought, including Steiner Waldorf schools, special education establishments, medical clinics, biodynamic farms, cultural centres, and much more. At the core of this outer work stands the scientific and spiritual path which Steiner called anthroposophy - a philosophy and method which he expounded and developed throughout his life. Hemleben's concise yet informative biography throws a clear light on Steiner's life and his numerous struggles and achievements. Beginning with Steiner's childhood, Hemleben guides us through his youthful years as a respected Goethean scholar and philosopher in Weimar; his work in the Theosophical Society and the later establishing of the Anthroposophical Society; the development of anthroposophy as a spiritual science; the creation of spiritual initiatives in art, the social sciences, education, medicine, agriculture, religion and architecture; the important Christmas Foundation Conference, and his eventual death in 1925. Hemleben's biography - seen by many as the finest account of Steiner's life and work - includes a chronology, personal tributes, an extensive section for further reading, as well as an index. It is also profusely illustrated, with 69 pictures and photographs.
Charting the development of the 'Heimatfilm', Johannes von Moltke focuses on its heyday in the 1950s. Questions of what it could mean to call the German nation 'home' after World War II are present in these films and Moltke uses them as a lens to view contemporary discourses on German national identity.
Much plagiarised and its contents distorted over the years, Stein's seminal work is a classic of original scholarly and spiritual research. In studying the central Grail narrative - Parzival by Wolfram von Eschenbach - Stein takes a twofold approach. On the one hand he searches historical records in order to identify actual people and events hidden behind the Grail epic's veil of romance. And on the other hand, he deciphers Eschenbach's hidden spiritual messages, revealing Parzival to be an esoteric document containing mighty pictures of the human being's inner path of development.
‘That in our times a kind of supernumerary person is appearing who is egoless, who in reality is not a human being, is a terrible truth.’ – Rudolf Steiner Are there people on earth today who do not have a self – a human ego or ‘I’? The phenomenon of ‘egolessness’ – the absence of a human being’s core – was discussed by the spiritual teacher Rudolf Steiner in lectures and personal conversations. An egoless individual, he intimated, is an empty sheath through which other spiritual entities could operate. Erdmuth J. Grosse brings together many little-known quotations from Rudolf Steiner’s spiritual research and supports them with a wealth of disquieting reports, testimonies and examples from literature and politics. He places these insights within the broader context of the riddle of the human self, throwing light on the spiritual development of the individual and humanity as a whole. In this thought-provoking study, Grosse goes on to discuss the role of comets, the effects of cyanide on the human constitution – especially in the light of the Holocaust – and the hidden effects of ceremonial magic, occult lodges, cults and sects. In conclusion, he offers positive solutions to humanity’s present predicament by describing the healing impulses of social threefolding, the invisible spiritual beings seeking to help humanity, the role of the gods, the Christ impulse and the true goals of human evolution.
Based on personal knowledge and intimate interviews with his subject, as well as access to W.J. Stein’s archive of letters and documents, Tautz’s biography is a thoroughly-researched and lovingly-detailed study of an exceptional life. Walter Johannes Stein (1891-1957) was one of the original pioneers of anthroposophy. A student of the Austrian philosopher Rudolf Steiner, Stein met his spiritual teacher whilst studying at Vienna University. After serving in the First World War, Stein was invited by Rudolf Steiner to teach History and Literature at the fledgling Waldorf school in Stuttgart, despite the fact that Stein’s doctorate was in Philosophy and his training in Mathematics and Physics. Through his efforts to master the new disciplines, and with the aid of unconventional methods of research, Stein developed groundbreaking new insights into the story of Parzival and the mystery of the Holy Grail, which led to his seminal book The Ninth Century and the Holy Grail. Tautz describes Stein’s close friendship with Eugen Kolisko, his struggles to help establish the threefold social order, his work as a Goetheanum lecturer, and his eventual estrangement from the Anthroposophical Society following Rudolf Steiner’s death. After journeys of discovery across Europe, Stein landed in London in 1933 – a refugee from the Nazi aggression in Central Europe – where he met his mentor D.N. Dunlop. Dunlop employed him to help establish the first World Power Conference. Based in England for the last 24 years of his life, Stein became a prolific and popular lecturer and the editor of the important anthroposophical journal The Present Age. Long out-of-print, the new edition of this important work is a welcome addition to the growing number of biographies on the founders of anthroposophy.
This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice. The letters in this volume range from 1848 to just before his death. They include most of Brahm's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover--the result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.
Culture in the Anteroom introduces an English-speaking readership to the full range of Siegfried Kracauer's work as novelist, architect, journalist, sociologist, historian, exile critic, and theorist of visual culture. This interdisciplinary anthology---including pieces from Miriam Bratu Hansen, Andreas Huyssen, Noah Isenberg, Lutz Koepnick, Eric Rentschler, and Heide Schlüpmann---brings together literary and film scholars, historians and art historians, sociologists, and architects to address the scope and current relevance of a body of work dedicated to investigating all aspects of modernism and modernity. The contributors approach Kracauer's writings from a variety of angles, some by placing them in dialogue with his contemporaries in Weimar Germany and the New York Intellectuals of the 1940s and '50s; others by exploring relatively unknown facets of Kracauer's oeuvre by considering his contributions to architectural history, the history of radio as well as other new media, and museum and exhibition culture.
Charting the development of the 'Heimatfilm', Johannes von Moltke focuses on its heyday in the 1950s. Questions of what it could mean to call the German nation 'home' after World War II are present in these films and Moltke uses them as a lens to view contemporary discourses on German national identity.
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