The silence of God is a recurring theme in modern reflection. It is not only addressed in theology, religious studies and philosophy, but also in literary fiction, film and theatre. The authors show that the concept of a silent deity emerged in the ancient Near East (including Greece). What did the Ancients mean when they assumed that under circumstances their deities remained silent? What reasons are discernable for silence between human beings and their gods? For the first time the close interrelation between the divine and the human in the revelatory process is demonstrated here on the basis of a wealth of translated ancient texts. In an intriguing epilogue, the authors explore the theological consequences of what they have found.
Exegesis starts with the delimitation of the pericope to be interpreted. Yet the principles for selecting passages which form the part of departure for the exegete are seldom made explicit and if one compares various commentaries and Bible translations, it soon becomes apparent that this lack of methodical transparency gives rise to a lot of confusion and dissent. In this work the authors make use of text divisions found in ancient Hebrew, Greek and Syriac manuscripts of Isaiah 40-55 (Deutero-Isaiah). For the first time the poetic structure of the text is based on controllable evidence which is roughly 500-1000 years older than the medieval Masoretic manuscripts on which all modern editions are based. The results are astonishing and raise the question why this type of evidence has been largely neglected thus far.
Like the biblical Job, many people suffer under the silence of God. This book shows that it is enlightening to retrace the origins of the concept of divine speech and silence in the ancient Near East and Greece.
Exegesis starts with the delimitation of the pericope to be interpreted. Yet the principles for selecting passages which form the part of departure for the exegete are seldom made explicit and if one compares various commentaries and Bible translations, it soon becomes apparent that this lack of methodical transparency gives rise to a lot of confusion and dissent. In this work the authors make use of text divisions found in ancient Hebrew, Greek and Syriac manuscripts of Isaiah 40-55 (Deutero-Isaiah). For the first time the poetic structure of the text is based on controllable evidence which is roughly 500-1000 years older than the medieval Masoretic manuscripts on which all modern editions are based. The results are astonishing and raise the question why this type of evidence has been largely neglected thus far.
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