Our moment has seen the resurgence of an anarchist sensibility, from the uprisings in Seattle in 1999 to the Occupy movement of 2011. Against the vacuity and drift of financialized capitalism, proclaiming there is no alternative, these insurgent movements have insisted that an alternative is possible. In The Ballerina and the Bull Johanna Isaacson explores the occult history of US punk, hardcore, queercore, and riot grrrl, DIY culture, and alternative subcultures to trace a new politics of expressive negation that both contests the present order and gives us a sense of the impasses of politics in an age of depoliticization. Expressive negation registers the contradictory politics at the heart of these projects: the desire for negation that must be positively expressed. Drawing on first- hand experience, interviews, and discussion of the ludic, spatial, and sexual politics of anarchist subcultures, Isaacson maps an underground utopian politics of style and develops a radically new history of the present moment.
In the past ten years, heteroepitaxy has continued to increase in importance with the explosive growth of the electronics industry and the development of a myriad of heteroepitaxial devices for solid state lighting, green energy, displays, communications, and digital computing. Our ever-growing understanding of the basic physics and chemistry underlying heteroepitaxy, especially lattice relaxation and dislocation dynamic, has enabled an ever-increasing emphasis on metamorphic devices. To reflect this focus, two all-new chapters have been included in this new edition. One chapter addresses metamorphic buffer layers, and the other covers metamorphic devices. The remaining seven chapters have been revised extensively with new material on crystal symmetry and relationships, III-nitride materials, lattice relaxation physics and models, in-situ characterization, and reciprocal space maps.
Identifies various challenges to the world community of transport survey specialists as well as the larger constituency of practitioners, planners, and decision-makers that it serves and provides potential solutions and recommendations for addressing them.
Mass violence and terrorism are a salient phenomenon in the late modern society, showing no sign of decline. Proactive results from the long, ongoing debate of how to address these issues are therefore increasingly necessary – not just in the context of prevention, but also in the context of the aftermath. Shared Experiences of Mass Shootings develops an understanding of the collective experience, consequences and recovery processes after mass shootings. Drawing from in-depth case studies of two mass shootings in Finland and comparing them with other international cases, it explores how communities work through violent tragedies employing social memory and memorialization practices that can be seen as either tools for recovery, or as something that needs to be restricted. Contributing a novel understanding of how experiencing mass violence is deeply gendered through the social patterns and narratives of men’s and women’s emotions, this timely monograph will appeal to undergraduate and postgraduate students, as well as postdoctoral researchers, interested in fields such as: Sociology of Violence, Criminology, Social Work, Memory Studies, Media Studies and Cultural Trauma.
As a partner to Volume 1: Dimensional Continuous Models, this monograph provides a self-contained introduction to algebro-geometric solutions of completely integrable, nonlinear, partial differential-difference equations, also known as soliton equations. The systems studied in this volume include the Toda lattice hierarchy, the Kac-van Moerbeke hierarchy, and the Ablowitz-Ladik hierarchy. An extensive treatment of the class of algebro-geometric solutions in the stationary as well as time-dependent contexts is provided. The theory presented includes trace formulas, algebro-geometric initial value problems, Baker-Akhiezer functions, and theta function representations of all relevant quantities involved. The book uses basic techniques from the theory of difference equations and spectral analysis, some elements of algebraic geometry and especially, the theory of compact Riemann surfaces. The presentation is constructive and rigorous, with ample background material provided in various appendices. Detailed notes for each chapter, together with an exhaustive bibliography, enhance understanding of the main results.
The final section explores concepts of the artist as a producing subject and of the viewer as a produced subject with respect to such artists as Pablo Picasso, Marcel Duchamp, Andy Warhol, and Sherrie Levine.
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