Goethe researcher Katharine Mommsen draws the reader into the fascinating life of Germany's greatest literary genius, Johann Wolfgang von Goethe (1749-1832). We discover how ordinary items such as the food we eat or the beverages we drink, and everyday activities like hiking, ice-skating, horseback riding, dancing the waltz, and music-making acquire fresh meaning within Goethe's own pantheistic life philosophy. He directed his wisdom toward keeping body and soul healthy, lively, focused, and strong as a basis for a fuller life - for him it became an essential part of the poet's worldly gospel. This book which is composed around hundreds of excerpts from Goethe's works, correspondences and conversations transcends biography, and shows us the poet's art of living in its richness in wit and wisdom, goodness, and love for humanity.
The Golden Goblet traces Johann Wolfgang von Goethe’s poetry from the idealism of youth to the liberation of maturity. In contrast to his rococo contemporaries, Goethe’s poetry draws on the graceful simplicity of German folk rhythms to develop complex, transcendent themes. This robust selection, artfully translated by Zsuzsanna Ozsváth and Frederick Turner, explores transformation, revolution, and illumination in Goethe’s lush lyrical style that forever altered the course of German literature.
Johann Wolfgang von Goethe's Faust is a tragic play in two parts: Faust. Der Tragödie erster Teil translated as: Faust: The First Part of the Tragedy) and Faust. Der Tragödie zweiter Teil (Faust: The Second Part of the Tragedy). Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is Goethe's most famous work and considered by many to be one of the greatest works of German literature.The principal characters of Faust Part One include:Heinrich Faust, a scholar, sometimes said to be based on the real life of Johann Georg Faust, or on Jacob Bidermann's dramatized account of the Legend of the Doctor of Paris, CenodoxusMephistopheles, a Devil (Demon)Gretchen, Faust's love (short for Margaret; Goethe uses both forms)Marthe, Gretchen's neighbourValentin, Gretchen's brotherWagner, Faust's famulusFaust Part One takes place in multiple settings, the first of which is heaven. Mephistopheles makes a bet with God: he says that he can lure God's favourite human being (Faust), who is striving to learn everything that can be known, away from righteous pursuits. The next scene takes place in Faust's study where Faust, despairing at the vanity of scientific, humanitarian and religious learning, turns to magic for the showering of infinite knowledge.He suspects, however, that his attempts are failing. Frustrated, he ponders suicide, but rejects it as he hears the echo of nearby Easter celebrations begin. He goes for a walk with his assistant Wagner and is followed home by a stray poodle (the term then meant a medium-to-big-size dog, similar to a sheep dog).In Faust's study, the poodle transforms into the devil (Mephistopheles). Faust makes an arrangement with the devil:The devil will do everything that Faust wants while he is here on Earth, and in exchange Faust will serve the devil in Hell. Faust's arrangement is that if he is pleased enough with anything the devil gives him that he wants to stay in that moment forever, then he will die in that moment.When the devil tells Fau st to sign the pact with blood, Faust complains that the devil does not trust Faust's word of honor.In the end, Mephistopheles wins the argument and Faust signs the contract with a drop of his own blood. Faust has a few excursions and then meets Margaret (also known as Gretchen). He is attracted to her and with jewellery and help from a neighbor, Martha, the devil draws Gretchen into Faust's arms. With influence from the devil, Faust seduces Gretchen. Gretchen's mother dies from a sleeping potion, administered by Gretchen to obtain privacy so that Faust could visit her. Gretchen discovers she is pregnant. Gretchen's brother condemns Faust, challenges him and falls dead at the hands of Faust and Mephistopheles.Gretchen drowns her illegitimate child and is convicted of the murder. Faust tries to save Gretchen from death by attempting to free her from prison. Finding that she refuses to escape, Faust and the devil flee the dungeon, while voices from Heaven announce that Gretchen shall be saved "Sie ist gerettet" this differs from the harsher ending of Urfaust "Sie ist gerichtet!" "she is condemned."It was reported that members of the first-night audience familiar with the original Urfaust version cheered on hearing the amendment.
Johann Wolfgang von Goethe's Faust is a tragic play in two parts: Faust. Der Tragodie erster Teil translated as: Faust: The First Part of the Tragedy) and Faust. Der Tragodie zweiter Teil (Faust: The Second Part of the Tragedy). Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is Goethe's most famous work and considered by many to be one of the greatest works of German literature. The principal characters of Faust Part One include: Heinrich Faust, a scholar, sometimes said to be based on the real life of Johann Georg Faust, or on Jacob Bidermann's dramatized account of the Legend of the Doctor of Paris, Cenodoxus Mephistopheles, a Devil (Demon) Gretchen, Faust's love (short for Margaret; Goethe uses both forms) Marthe, Gretchen's neighbour Valentin, Gretchen's brother Wagner, Faust's famulus Faust Part One takes place in multiple settings, the first of which is heaven. Mephistopheles makes a bet with God: he says that he can lure God's favourite human being (Faust), who is striving to learn everything that can be known, away from righteous pursuits. The next scene takes place in Faust's study where Faust, despairing at the vanity of scientific, humanitarian and religious learning, turns to magic for the showering of infinite knowledge. He suspects, however, that his attempts are failing. Frustrated, he ponders suicide, but rejects it as he hears the echo of nearby Easter celebrations begin. He goes for a walk with his assistant Wagner and is followed home by a stray poodle (the term then meant a medium-to-big-size dog, similar to a sheep dog). In Faust's study, the poodle transforms into the devil (Mephistopheles). Faust makes an arrangement with the devil: the devil will do everything that Faust wants while he is here on Earth, and in exchange Faust will serve the devil in Hell. Faust's arrangement is that if he is pleased enough with anything the devil gives him that he wants to stay in that moment forever, then he will die in that moment. When the devil tells Faust to sign the pact with blood, Faust complains that the devil does not trust Faust's word of honor. In the end, Mephistopheles wins the argument and Faust signs the contract with a drop of his own blood. Faust has a few excursions and then meets Margaret (also known as Gretchen). He is attracted to her and with jewellery and help from a neighbor, Martha, the devil draws Gretchen into Faust's arms. With influence from the devil, Faust seduces Gretchen. Gretchen's mother dies from a sleeping potion, administered by Gretchen to obtain privacy so that Faust could visit her. Gretchen discovers she is pregnant. Gretchen's brother condemns Faust, challenges him and falls dead at the hands of Faust and Mephistopheles. Gretchen drowns her illegitimate child and is convicted of the murder. Faust tries to save Gretchen from death by attempting to free her from prison. Finding that she refuses to escape, Faust and the devil flee the dungeon, while voices from Heaven announce that Gretchen shall be saved - "Sie ist gerettet" - this differs from the harsher ending of Urfaust - "Sie ist gerichtet!" - "she is condemned." It was reported that members of the first-night audience familiar with the original Urfaust version cheered on hearing the amendment.
Rich selection of the poet's verse—from his earliest, "An den Schlaf," written at 18, to his last great poem, "Verdächtnis," written at 80. English translations by Stanley Appelbaum.
A successful 1773 drama by Johann Wolfgang von Goethe, based on the memoirs of the historical adventurer-poet Gottfried or Götz von Berlichingen (c. 1480-1562). It first appeared in English in 1799 as Goetz of Berlichingen of the Iron Hand in a rather free version by Walter Scott. Goethe's plot treats events freely: while the historical Götz died an octogenarian, Goethe's hero is a free spirit, a maverick, intended to be a pillar of national integrity against a deceitful and over-refined society, and the way in which he tragically succumbs to the abstract concepts of law and justice shows the submission of the individual in that society.
This meticulously edited Goethe collection is formatted for your eReader with a functional and detailed table of contents: Novels & Novellas: The Sorrows of Young Werther Wilhelm Meister's Apprenticeship Wilhelm Meister's Journeyman Years Elective Affinities The Good Women Novella; or, A Tale The Recreations of the German Emigrants - Green Snake and the Beautiful Lily (A Fairy Tale) Plays The Wayward Lover; or, The Lover's Caprice Goetz Von Berlichingen with the Iron Hand Clavigo Stella Brother and Sister Iphigenia in Tauris Egmont Faust - Faust (Part One) - Faust (Part Two) - Faustus (Translated by Samuel Taylor Coleridge) Torquato Tasso The Natural Daughter The Fellow Culprits Poetry: Hermann and Dorothea Erotica Romana Reynard the Fox The Sorcerer's Apprentice Songs Familiar Songs Ballads Cantatas Odes Sonnets Epigrams Parables Art God, Soul, and World Religion and Church Antiques Venetian Epigrams Elegies West-Eastern Divan Songs from Various Plays Miscellaneous Poems Autobiography and Memoirs: Truth and Poetry: From My Own Life Maxims and Reflections Letters: Letters from Italy (Italian Journey) Letters from Switzerland Correspondence with K. F. Zelter Eckermann's Conversations with Goethe Essays: Theory of Colours Winckelmann and His Age Introduction to the Propyläen Criticism on Goethe & His Works: Life of Johann Wolfgang Goethe (James Sime) Goethe: The Writer (Ralph Waldo Emerson) Byron and Goethe (Giuseppe Mazzini) The Faust-Legend and Goethe's 'Faust' (H. B. Cotterill) Goethe's Farbenlehre: Theory of Colors (I&II) (John Tyndall)
A fresh new translation of 'Faust,' the greatest work by Germany's greatest writer, brings us the immediacy, power and passion of Goethe in modern language.
German poet, dramatist, novelist, translator, scientist and musician, Johann Wolfgang von Goethe (1749-1832) is universally recognized as a towering figure in world literature.
Drawn from diverse sources, ranging between the visionary and the sceptical, the majestic and the mischievous, this collection illuminates a contemporary's remark than an angel looked out of one of Goethe's eyes and a devil out of the other.
Loosely connected with Part One and the German legend of Faust, Part Two is a dramatic epic rather than a strictly constructed drama. It is conceived as an act of homage to classical Greek culture and inspired above all by the world of story-telling and myth at the heart of the Greektradition, as well as owing some of its material to the Arabian Nights tales. The restless and ruthless hero, advised by his cynical demon-companion Mephistopheles, visits classical Greece i search of the beautiful Helen of Troy. Returning to modern times, he seeks to crown his career by gaining control of the elements, and at his death is carried up into the unkown regions,still in pursuit of the 'Eternal Feminine'. David Luke's translation of Part One won the European Poetry Translation Prize. Here he again imitates the varied verse-forms of the original, and provides a highly readable - and actable - translation, supported by an introduction, full notes, and an index of classical mythology.
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