In his accomplishments as a conductor, composer, and musical administrator, Johann Herbeck had a significant effect on musical culture in the city of Vienna that was all the more remarkable because his professional career lasted only twenty-five years. During his relatively short lifetime (183177) he held positions of leadership in the most important Viennese musical organizations of the period and became famous for his conducting. His musical talents are also demonstrated in a sizeable repertoire of his own compositions: starting with songs for voice and piano early in his career, he went on in his mature years to compose instrumental works and a large body of choral settings of secular German and sacred Latin texts. Herbecks Mass in E Minor, a significant composition in the last category, is presented in this edition.
This edition presents a selection of Johann Herbeck’s sacred choral works with instrumental accompaniment representing his association with important Austrian organizations and institutions. Texts in Latin and German are featured, along with both mixed and men’s choruses. The earliest examples represent Herbeck’s basic musical ability at the age of fifteen as a student at the Heiligenkreuz Abbey in Lower Austria (two settings of “Tantum ergo,” 1847) and his greater competence just a few years later as a member of the Church of the Piarists in Vienna (“De profundis,” 1851). Only five years later, his two lengthy works for men’s chorus and military brass band, which he conducted in his debut as director of the Wiener Männergesang-Verein (“Psalm: Der Herr ist mein Licht” and “Te Deum,” 1856), exhibited mature musical mastery. The same level of competence is evident in his works for mixed chorus that he performed upon being named founding conductor of the Viennese Singverein (“Sperent in te,” 1858) and before and after becoming the imperial Hofkapellmeister (“Adoro te,” 1864; “In ecclesiis,” 1867).
An authoritative English translation of Goethe’s classic autobiographical account of war and conquest in the age of revolution In August 1792, Goethe accompanied Karl August, Grand Duke of Saxe-Weimar-Eisenach, during the Prusso-Austrian invasion of revolutionary France to restore Louis XVI as king. After the Cannonade of Valmy that September, the German armies were forced to retreat, never again to threaten the heart of France until the end of the Napoleonic era. The French subsequently invaded the Rhineland and captured the city of Mainz, claiming it for the French Republic. When German armies besieged Mainz, Goethe witnessed the capture of the city at the close of 1793. Goethe’s narrative of these events has become a classic text for the history of Franco-German relations during the revolutionary period. A product of recollection, historical hindsight, and considerable study of other published sources, it is a fascinating document of the military catastrophe exposing the decline of Prussian power since the death of Frederick II, which eventually culminated in Napoleon’s devastating 1806 victory at Jena and Auerstedt.
Single-volume edition of the complete work in the Bayard Taylor translation. Part One covers Faust's pact with Mephistopheles and seduction of an innocent girl; Part Two relates his courtship of Helen of Troy and his salvation.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.