Definitive text of important prose eclogue, Baroque German's contribution to western literary genres. Prose eclogue, invented by Martin Opitz and perfected in Nuremberg during the 1640s, is perhaps the only original contribution of the German Baroque to the catalogue of western literary genres. Recently, Baroque scholars have recognized that the little-known Die Nymphe Noris, composed in 1650 by the physician and early Pegnitz Shepherd Johann Hellwig (1609-1674), a sequel to the paradigmatic works by Georg Philipp Harsdörffer, Johann Klaj and Sigmund von Birken, is in fact their equal, a highly inventive artifact worthy of serious attention in its own right: Noris forcefully exploits the negative potential of the Vergilian pastoral tradition to criticize blood nobility's privileged status vis-à-vis the nobilitas literata. Working from copies in both Europe and America, Professor Reinhart has established a definitive critical edition of the text (previously only available in the U.S. and U.K. on microfilm), including an introduction outlining the use of prose eclogue as a vehicle for the social mission of the early Pegnesischer Blumenorden. This book will be of interest to literary and cultural historians of early modern Germany, especially Nuremberg, to scholars of the European Baroque and European culture, and to bibliophiles. PROFESSOR REINHARTis associate professor of German at the University of Georgia.
Pastor Stoever served Lutheran congregations in Pennsylvania and elsewhere: Philadelphia area 1733-1735; Lancaster County 1735-1759, 1777-1779; Berks County 1735-1760s, 1774-1779; York County 1735-1743; Adams County 1735-1742; Lebanon County 1740-1779; Dauphin County 1768-1770; Monocacy and Opequon in Frederick County, Virginia, 1735-1742; and Shenandoah in Shenandoah County, Virginia, 1735-1742.
The Christianopolis (1619) of Johann Valentin Andreae describes in great detail a utopian community of scholar-craftsmen, as seen through the eyes of a naïve young traveller. It is a multi-level text, carefully constructed to provide both entertainment and a critique of contemporary society and religion, which could also be read as the prospectus for the establishment of a new community. This new translation aims to clarify Andreae's elliptical Latin for the first time by identifying parallel passages, allusions and sources for his ideas, and by linking Christianopolis with Andreae's other work as satirist, dramatist, poet and mathematician. A new model of his revision of ideas drawn from Campanella is put forward, and the politico-economic principles embodied in the text are explored. The translation should be of interest to students of the history of utopian ideas, and the history of economic thought.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.