Julius Schmidt was one of the finest astronomical observers of his time, and his detailed map of the Moon surpassed anything that had come before. Today, the German astronomer and geophysicist has remained a largely neglected figure, despite being one of the most important players in the history of lunar studies. This book at last makes accessible Schmidt’s highly regarded German work, Der Mond. Considered an astronomical classic of the nineteenth century, Der Mond remained without a proper English counterpart for the last century and a half, until now. The author’s faithful English translation provides readers with much-needed access into Schmidt’s original publication, with the aim of showing the community just how vital his work and legacy have been in the international field of selenography.
Julius Schmidt was one of the finest astronomical observers of his time, and his detailed map of the Moon surpassed anything that had come before. Today, the German astronomer and geophysicist has remained a largely neglected figure, despite being one of the most important players in the history of lunar studies. This book at last makes accessible Schmidt’s highly regarded German work, Der Mond. Considered an astronomical classic of the nineteenth century, Der Mond remained without a proper English counterpart for the last century and a half, until now. The author’s faithful English translation provides readers with much-needed access into Schmidt’s original publication, with the aim of showing the community just how vital his work and legacy have been in the international field of selenography.
Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.
Here is a book about Walden that takes Thoreau on his own terms. Two Fish on One Hook is a transcendental study of Thoreau's transcendental work. It offers us the task of doing as Thoreau does, exhorting us to follow the patterns Thoreau sets up in Walden and to approach his work as "an act of communication"--one that urges us to listen, to hear, and to act upon what he has to say, one that becmes a transformative experience. "Thoreau's first step is to remind us of how very idle and blockheaded we are. The busy folk 'mind[ing] their own affairs' he leaves to their own devices. Books about Walden are also obliged to begin on the right note by sounding Thoreau's stern wake-up call. Many will find it a jarring note, but there is no better way to wake up from the Procrustean 'sense of men asleep' and to get 'a sick one to lay down his bed and run' into Walden in time. It may be wisdom to let the dead bury the dead; but Thoreau is convinced that 'a man is not requried to bury himself.' He, therefore, begins by asking his readers "Why should they begin digging their graves as soon as they are born?'" --Raymond Tripp
The figure of Johann Gottfried Herder looms increasingly important not only for his prescient contributions to many fields - biblical criticism, philosophy of language, literary criticism, philosophy of history - but also for his pivotal position between the impulses of the Enlightenment and Romanticism. Many of Herder's questions and concerns are more pressing at the end of the modern era than they were at its inception. Bunge's lucid and engaging translations of signal texts from Herder - most appearing here for the first time in English - are arranged thematically: human nature, language, and history; myth and religion; God and nature; literature and the Bible; and Christianity and theology. Along with her extensive Introduction and Bibliography, they constitute an essential resource for coming to terms with the checkered legacy of the Enlightenment.
Pondering the characteristics of Utopias and constructing theoretical examples of them has been an intellectual exercise to thrill thinkers at least since the time of Plato's Republic. Christianopolis is the little known Utopia created by German theologian and scholar JOHANN VALENTIN ANDREAE (1586-1654). A mysterious figure associated with alchemy, Kabbalah, Rosicrucianism, and other philosophical esoterica of the 17th century, Andreae published this intriguing guide to his "perfect" society in 1618. Informed by a rigid brand of Christian socialism, Christianopolis also features a high regard for teachers, and approaches the world from both a scientific and artistic perspective. Translated in 1916 from the original Latin by University of Miami, Ohio, professor of German FELIX EMIL HELD (1880-1944), who rounds out the volume with an extensive historical introduction, this is a highly readable work that will enthrall students of philosophy, classic literature, sociology, and metaphysics.
Johann Christoph Gottsched (1700-1766) is considered to be one of the greatest scholars of the Early German Enlightenment. His extensive correspondence is being presented here in a standard edition: 25 volumes, approx. 6.000 letters to and from Gottsched, are being published with a critical apparatus and an academic commentary.
Johann Christoph Gottsched (1700-1766) is considered to be one of the greatest scholars of the Early German Enlightenment. As a professor for poetics in Leipzig, he worked towards a reformation of the German language and a renaissance in German drama. His extensive correspondence and social contacts made him a 'European event' and his papers are being presented here in a standard edition: 25 volumes, approx. 6,000 letters to and from Gottsched, predominantly in German, are being published with a critical apparatus and an academic commentary. This edition is being published in co-operation with the Saxonian Academy of Sciences and edited by members of the academy. The edition is scheduled to be published over 25 years and offers an ideal addition to the multi-volume edition of Gottsched's works, already published by de Gruyter.
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