The Father; A Dream Play; Miss Julie; The Ghost Sonata; The Dance of Death `Ibsen can sit serenely in his Doll's House,' Sean O'Casey remarked, `while Strindberg is battling with his heaven and his hell.' Strindberg was one of the most extreme, and ultimately the most influential theatrical innovators of the late nineteenth century. The five plays translated here are those on which Strindberg's international reputation as a dramatist principally rests and this edition embraces his crucial transition from Naturalism to Modernism, from his two finest achievements as a psychological realist, The Father and Miss Julie, to the three plays in which he redefined the possibilities of European drama following his return to the theatre in 1898. Michael Robinson's highly performable translations are based on the authoritative texts of the new edition of Strindberg's collected works in Sweden and include the Preface to Miss Julie, Strindberg's manifesto of theatrical naturalism. Introduction Textual Note Bibliography Chronology Explanatory Notes
August Johan Strindberg: Inferno Strindbergs autobiografischer Roman beschreibt seine schwersten Jahre von 1894 bis 1896, die »Infernokrise«. Von seiner zweiten Frau, Frida Uhl, getrennt leidet der Autor in Paris unter Angstzuständen, Verfolgungswahn und hegt Selbstmordabsichten. Er unternimmt alchimistische Versuche und verfällt den mystischen Betrachtungen Emanuel Swedenborgs. Visionen und Hysterien wechseln sich ab und verwischen die Grenze zwischen Genie und Wahnsinn. Erstdruck in schwedischer Übersetzung aus dem französischen Original: Stockholm 1897. Erstdruck des französischen Originals: Paris 1898. Hier in der Übers. v. Christian Morgenstern. Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2016. Textgrundlage ist die Ausgabe: Strindberg, August: Inferno. Übers. v. Christian Morgenstern, Berlin: Hyperionverlag, [1919] Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Joseph Wright, Der Alchemist entdeckt Phosphor auf der Suche nach dem Stein der Weisen, 1771. Gesetzt aus der Minion Pro, 11 pt. Über den Autor: 1849 in die kinderreiche Familie eines patriarchalisch-strengen Kolonialwarenhändlers in Stockholm geboren, studiert August Johan Strindberg Medizin und Literatur in Uppsala. Nach kurzen schauspielerischen Versuchen widmet er sich als Dramatiker dem Naturalismus. Er lebt zeitweilig in Berlin und Paris, bevor er 1901 endgültig nach Stockholm zurückkehrt. Psychotisch veranlagt, neigt er Okkultismus und Alchimie zu und durchlebt schwere Krisen, die er vor allem in seinem Roman »Inferno« verarbeitet und entwickelt einen zunehmend mythisch inspirierten expressionistischen Stil. Strindberg hinterlässt über sechzig Dramen und je zehn Romane und Novellensammlungen als er 1912 als bedeutendster Dichter Schwedens an Magenkrebs in Stockholm stirbt.
The Inferno is an autobiographical novel by August Strindberg. Written in French in 1896-97 at the height of Strindberg's troubles with both censors and women, the book is concerned with Strindberg's life both in and after he lived in Paris, and explores his various obsessions, including alchemy, occultism, and Swedenborgianism, and shows signs of paranoia and neuroticism. The novel, with a certain amount of exaggeration for literary effect, charts two years of Strindberg's life in the 1890s. Presented here is Claud Field's 1913 translation from the original French.
The Father; A Dream Play; Miss Julie; The Ghost Sonata; The Dance of Death `Ibsen can sit serenely in his Doll's House,' Sean O'Casey remarked, `while Strindberg is battling with his heaven and his hell.' Strindberg was one of the most extreme, and ultimately the most influential theatrical innovators of the late nineteenth century. The five plays translated here are those on which Strindberg's international reputation as a dramatist principally rests and this edition embraces his crucial transition from Naturalism to Modernism, from his two finest achievements as a psychological realist, The Father and Miss Julie, to the three plays in which he redefined the possibilities of European drama following his return to the theatre in 1898. Michael Robinson's highly performable translations are based on the authoritative texts of the new edition of Strindberg's collected works in Sweden and include the Preface to Miss Julie, Strindberg's manifesto of theatrical naturalism. Introduction Textual Note Bibliography Chronology Explanatory Notes ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This book is about evolution, and what each of us, our self and our consciousness, really are. It highlights how evolution influences the human self and what we think of as our individual personalities, our souls. The theory of evolution, first conceived by Charles Darwin, has been described as the best idea ever conceptualised, and there is quite some truth in this! Still, there is much to discover in relation to evolution, including the scope of this theory for shedding light, often in unexpected ways, on some of the major questions of life. Are humans just another animal species? Are we really more intelligent than our forefathers? What is the connection between Nietzsche, Shakespeare, Hamlet and syphilis? Evolution and I discusses and sheds light on human knowledge and evolution from a range of perspectives including morals and ethics, sex and gender, religion, artificial intelligence, and microorganisms, with often surprising conclusions.
As a nominally neutral power during the Second World War, Sweden in the early postwar era has received comparatively little attention from historians. Nonetheless, as this definitive study shows, the war—and particularly the specter of Nazism—changed Swedish society profoundly. Prior to 1939, many Swedes shared an unmistakable affinity for German culture, and even after the outbreak of hostilities there remained prominent apologists for the Third Reich. After the Allied victory, however, Swedish intellectuals reframed Nazism as a discredited, distinctively German phenomenon rooted in militarism and Romanticism. Accordingly, Swedes’ self-conception underwent a dramatic reformulation. From this interplay of suppressed traditions and bright dreams for the future, postwar Sweden emerged.
Named a Best Book of 2023 by Scientific American This timely and captivating look at the hidden impact of light pollution is “rich in revelation and insight…lyrical” (The Wall Street Journal) and urges us to cherish natural darkness for the sake of the environment, our own well-being, and all life on earth. How much light is too much light? Satellite pictures show our planet as a brightly glowing orb, and in our era of constant illumination, light pollution has become a major issue. The world’s flora and fauna have evolved to operate in the natural cycle of day and night. But in the last 150 years, we have extended our day—and in doing so have forced out the inhabitants of the night and disrupted the circadian rhythms necessary to sustain all living things, including ourselves. In this “well-researched and surprisingly lyrical” (The New Statesman, UK) book, Swedish conservationist Johan Eklöf urges us to appreciate natural darkness, its creatures, and its unique benefits. He ponders the beauties of the night sky, traces the errant paths of light-drunk moths and the swift dives of keen-eyed owls, and shows us the bioluminescent creatures of the deepest oceans. As a devoted friend of the night, Eklöf reveals the startling domino effect of diminishing darkness: insects, dumbfounded by streetlamps, failing to reproduce; birds blinded and bewildered by artificial lights; and bats starving as they wait in vain for insects that only come out in the dark. For humans, light-induced sleep disturbances impact our hormones and weight, and can contribute to mental health problems like chronic stress and depression. The streetlamps, floodlights, and neon signs of cities are altering entire ecosystems, and scientists are only just beginning to understand their long-term effects. The light bulb—long the symbol of progress and development—needs to be turned off. “Urgent…vivid…eye-opening” (Publishers Weekly), and ultimately encouraging, The Darkness Manifesto outlines simple steps that we can take to benefit ourselves and the planet. In order to ensure a bright future, we must embrace the darkness.
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