Nights with Uncle Remus presents 71 of Harris's, or Uncle Remus’, most popular narratives, featuring Brer Rabbit, African American trickster tales, Sea Island legends, and spine tingling ghost stories. For more than a hundred years, the tales of Joel Chandler Harris have entertained and influenced both readers and writers and none less that the tales and stories of Brer Rabbit told by Uncle Remus, stories like: "The Moon in the Mill-Pond," “Mr. Fox and Miss Goose,” “The Story of the Pigs, “ “Why the Alligator's Back is Rough,” “Why the Guinea-fowls are speckled,” “The Night before Christmas,” …..and of course a healthy number of Brer Rabbit tales like: “Brer Rabbit's Love-charm,” “Brer Rabbit rescues Brer Terrapin” “Brer Rabbit and the Mosquitoes” and many other Brer Rabbit stories. These stories, and others like them, have inspired writers from Mark Twain to William Faulkner, Zora Neale Hurston and Toni Morrison, which helped revolutionise modern children's story telling and literature. These stories are illustrated by none other than the great Milo Winter who also illustrated notable volumes like Aesop's Fables, Arabian Nights, Alice in Wonderland, Gulliver's Travels, Tanglewood Tales, and many others. This volume is sure to keep you and your young ones enchanted for hours, if not because of the quantity, then their quality. They will have you coming back for more time and again. 10% of the profit from this volume will be donated to charities. ============ KEYWORDS/TAGS: fairy tales, folklore, myths, legends, children’s stories, childrens stories, bygone era, fairydom, fairy kingdom, ethereal, fairy land, classic stories, children’s bedtime stories, happy place, happiness, laughter, Brer rabbit, uncle remus, woodland, animals, Br'er Fox, Br'er Wolf, Aunt Nancy, Affiky, African, Atter, Bear, Benjermun, Big-Money, Bimeby, breff, Buckra, Bumbye, Buzzard, Buzzud, cabin, chillun, Coon, creeturs, Deer, fiddle, foolee, Fox, Gater, Gator, Goose, Hawk, holler, Jack, King, Lilly, Lion, Mammy-Bammy, Meadows, negroes, neighborhoods, neighbourhoods, Ole, Possum, puss, Ram, Riley, Sally, squall, Tarrypin, Tempy, Tildy, Unk, Wildcat, Wolf, woods, yo'se'f, youer, yuther
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
In this book, first published in 1984, Joel Weinsheimer advocates revitalizing the practice of imitating literature as a mode appropriate for literary critics as well as artists. The book is not only about imitation; it is itself an imitation, specifically of Samuel Johnson. As both the focus and mode of presentation, imitation is presented not merely as a kind of poetry that once flourished in the eighteenth century but also as a kind of criticism particularly relevant today. Applying arguments from philosophy of science, deconstruction, psycho-analysis, literary theory, semiotics and hermeneutics, Weinsheimer shows that the three main currents of thought responsible for forcing imitation underground were empiricism, originalism and historicism. The three central chapters of the book concentrate on their representatives: John Locke, Edward Young and Thomas Warton. The author then applies Johnsonian arguments – supported by those of Gadamer Peirce – to challenge those objections and re-establish imitation as an intellectually defensible mode of writing.
Contrary to the widespread assumption that Elizabethan drama grows out of an essentially homiletic tradition, The Tudor Play of Mind proposes that many important plays—including such diverse works as Gorboduc, Endimion, Tamburlaine, The Spanish Tragedy, Every Man in His Humour, and Bussy D’Ambois—are informed by the ancient rhetorical tradition of posing questions and arguing them in utramque partem emphasized in humanist education. This accounts for the complex and often ambivalent responses they demand. In support of this thesis, Joel B. Altman shows how abstract debate questions were developed into increasingly subtle mimetic fictions in the sixteenth century. He discusses the significance of this process for the drama through detailed analyses of early debate plays, the Terentian commentaries and English comedy, Lyly's court allegories, Senecan tragedy, and the experimental plays of Marlowe. Altman’s argument that Tudor playwrights offered their audiences dramatized inquiries will profoundly affect our interpretation of individual plays and our assessment of the larger cultural function of drama in the period. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
The American author and creator of the folk character Uncle Remus, Joel Chandler Harris produced a wide body of works, reflecting his life and interests in the Deep South. As a young journalist, he established a reputation as a brilliant humorist and writer of dialect. His Uncle Remus stories secured for Harris a place in American literature. The format was an instant success — a wise and genial old black man, Uncle Remus narrates tales of Brer Rabbit, Brer Fox and other animals to the son of a plantation owner, while interweaving his philosophy of the world about him. Harris’ later novels reveal his ability as a writer of ‘local color’, exploring important issues facing the South after its Reconstruction. For the first time in publishing history, this eBook presents Harris’ complete works, with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Harris’ life and works * Concise introductions to the novels and other texts * The Complete Uncle Remus books, for the first time in digital publishing * Includes all of the original Uncle Remus illustrations * The Complete Thimblefinger series * All 7 novels, with individual contents tables * Even includes Harris’ first novel, ‘The Romance of Rockville’, lost for many years and appearing here for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * All works are fully illustrated with their original artwork * Rare story collections available in no other eBook * Special chronological and alphabetical contents tables for the short stories * Easily locate the stories you want to read * Includes Harris’ biography on his inspirational friend Henry W. Grady, first time in digital print * Features Wiggins’ seminal biography – discover Harris’ incredible life * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Uncle Remus Books Uncle Remus: His Songs and His Sayings (1881) Nights with Uncle Remus (1883) Uncle Remus and His Friends (1892) The Tar-Baby and Other Rhymes of Uncle Remus (1904) Told by Uncle Remus (1905) Uncle Remus and Brer Rabbit (1907) Uncle Remus and the Little Boy (1910) Uncle Remus Returns (1918) Seven Tales of Uncle Remus (1948) Mr. Thimblefinger Series Little Mr. Thimblefinger and His Queer Country (1894) Mr. Rabbit at Home (1895) The Story of Aaron (So Named), the Son of Ben Ali (1896) Aaron in the Wildwoods (1897) The Novels The Romance of Rockville On the Plantation (1892) Sister Jane (1896) Gabriel Tolliver (1902) A Little Union Scout (1904) Shadow between His Shoulder Blades (1909) The Bishop and the Boogerman (1909) The Shorter Fiction Mingo and Other Sketches in Black and White (1884) Free Joe and Other Georgian Sketches (1887) Daddy Jake, The Runaway: And Short Stories Told After Dark (1889) Balaam and His Master and Other Sketches and Stories (1891) Evening Tales (1893) Stories of Georgia (1896) Tales of the Home Folks in Peace and War (1898) The Chronicles of Aunt Minervy Ann (1899) Plantation Pageants (1899) On the Wing of Occasions (1900) The Making of a Statesman and Other Stories (1902) Wally Wanderoon and His Story-Telling Machine (1903) The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Non-Fiction Introduction to ‘The Young Marooners on the Florida Coast’ by F. R. Goulding (1887) Life of Henry W. Grady (1890) The Biography The Life of Joel Chandler Harris (1918) by Robert Lemuel Wiggins Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
This engrossing volume studies the poetics of evil in early modern English culture, reconciling the Renaissance belief that literature should uphold morality with the compelling and attractive representations of evil throughout the period’s literature. The chapters explore a variety of texts, including Spenser’s Faerie Queene, Shakespeare’s Richard III, broadside ballads, and sermons, culminating in a new reading of Paradise Lost and a novel understanding of the dynamic interaction between aesthetics and theology in shaping seventeenth century Protestant piety. Through these discussions, the book introduces the concept of “sinister aesthetics”: artistic conventions that can make representations of the villainous, monstrous, or hellish pleasurable.
Fineman argues that in the sonnets Shakespeare developed an unprecedented poetic persona, one that subsequently became the governing model of all literary subjectivity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.
At his death, Nathaniel Hawthorne (1804–1864) was universally acknowledged in America and England as “the Great Romancer.” Novels such as The Scarlet Letter and The House of the Seven Gables and stories published in such collections as Twice-Told Tales continue to capture the minds and imaginations of readers and critics to this day. Harder to capture, however, were the character and personality of the man himself. So few of the essays that appeared in the two years after his death offered new insights into his life, art, and reputation that Hawthorne seemed fated to premature obscurity or, at least, permanent misrepresentation. This first collection of personal reminiscences by those who knew Hawthorne intimately or knew about him through reliable secondary sources rescues him from these confusions and provides the real human history behind the successful writer. Remembrances from Elizabeth Peabody, Sophia Hawthorne, Oliver Wendell Holmes, Ralph Waldo Emerson, Bronson Alcott, Rebecca Harding Davis, and twenty others printed in Hawthorne in His Own Time follow him from his childhood in Salem, through his years of initial literary obscurity, his days in the Boston and Salem Custom Houses, his service as U.S. Consul to Liverpool and Manchester and his life in the Anglo-American communities at Rome and Florence, to his late years as the “Great Romancer.” In their enlightening introduction, editors Ronald Bosco and Jillmarie Murphy assess the postmortem building of Hawthorne’s reputation as well as his relationship to the prominent Transcendentalists, spiritualists, Swedenborgians, and other personalities of his time. By clarifying the sentimental associations between Hawthorne’s writings and his actual personality and moving away from the critical review to the personal narrative, these artful and perceptive reminiscences tell the private and public story of a remarkable life.
A failed escape? Or a Mob hit arranged by crime boss Meyer Lansky to silence him and save Lepke Buchalter, Bugsy Siegel and Albert Anastasia from the electric chair? Either way, Murder Incorporated hit man turned major crime snitch Abe "Kid Twist" Reles, "the pigeon who could sing but not fly," encountered the one law he could not evade: The Law of Gravity. Thirty years later in the early 1970s, Larry Levine takes over at PUBLIC AUTO PARTS, in Brownsville, Brooklyn, when his father is forced into abrupt retirement in Florida to avoid questions about the demise of his old friend, Reles. Someone is talking. Larry knows a little of his father’s link to the Mob, but not nearly enough, as he is left to face a relentless police detective, John Mannion, who wants answers and an equally relentless Mob boss, Carmine, who wants cooperation. While trying to protect his father, end Mob sway at Public Parts, deal with Laurie, his dissatisfied wife, and Ann Riordan, his new, beautiful, and enigmatic young assistant, the business burns to the ground. Indicted for arson and other charges, he is defended by Brownsville's own Harvard trained Bernie the Attorney, once a renowned Mob mouthpiece, now turned Orthodox Rabbi, whose time has long past. Ultimately, Larry’s fate is in the hands of his assistant, whose reluctant testimony about the extent of their relationship and where they were on the night of the fire could save Larry from prison but could also destroy her engagement and his marriage. PUBLIC PARTS is a black comedy of corruption and error cloaking a classic tale of love and betrayal, death and redemption; a might-be-true legend of its time and place, and Larry is the last man able to tell the tale. PRAISE FOR PUBLIC PARTS “The writing throughout is good-to-better-than-good.” Richard Marek, former President and Publisher, E P Dutton Co “A Triumph.” Stefan Kanfer, former Book Editor, Time Magazine
In preparing the pages that follow, the writer has had in view the desirability of familiarizing the youth of Georgia with the salient facts of the State's history in a way that shall make the further study of that history a delight instead of a task. The ground has been gone over before by various writers, but the narratives that are here retold, and the characterizations that are here attempted, have not been brought together heretofore. They lie wide apart in volumes that are little known and out of print. The stories and the characterizations have been grouped together so as to form a series of connecting links in the rise and progress of Georgia; yet it must not be forgotten that these links are themselves connected with facts and events in the State's development that are quite as interesting, and of as far-reaching importance, as those that have been narrated here. Some such suggestion as this, it is hoped, will cross the minds of young students, and lead them to investigate for themselves the interesting intervals that lie between. It is unfortunately true that there is no history of Georgia in which the dry bones of facts have been clothed with the flesh and blood of popular narrative. Colonel Charles C. Jones saw what was needed, and entered upon the task of writing the history of the State with characteristic enthusiasm. He had not proceeded far, however, when the fact dawned upon his mind that such a work as he contemplated must be for the most part a labor of love. He felt the influence of cold neglect from every source that might have been expected to afford him aid and encouragement. He was almost compelled to confine himself to a bare recital of facts, for he had reason to know that, at the end of his task, public inappreciation was awaiting him.
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