Thomas gets the surprise of a lifetime when an unfamiliar face enters he and Mindy's lives in this direct sequel to the 2008 classic Krupa hit, "HOLD ON". You will be left biting your nails as we adventure on in another sequel that surprisingly feels fresh and breathes an extra burst of life into the HOLD ON franchise. This mystery individual is poised to flip the table on Mindy and Thomas... But who is it?
The blazing rock opera of the greatest drummer of all-time, Jim Gordon, from the legendary Wrecking Crew to redefining the genre on the Seventies’ biggest hits and outrageous tours, and ultimately to the most shocking crime in rock history—a story of musical genius, uncontrollable madness, and the big fill Jim Gordon was the greatest rock drummer of all-time. Just ask the world-famous musicians who played with him—John Lennon, George Harrison, Eric Clapton, Tom Petty, Frank Zappa, Steely Dan, Ringo Starr, Harry Nilsson, Joe Cocker, and many more. They knew him for his superior playing, extraordinary training and technique, preternatural intuition, perfect sense of time, and his “big fill”—the mathematically-precise clatter that exploded like detonating fireworks on his drum breaks. But as best-selling author and award-winning journalist Joel Selvin reveals in Drums & Demons, the story of Jim Gordon is the most brilliant, turbulent, and wrenching rock opera ever. This riveting narrative follows Gordon as the very chemicals in his brain that gifted him also destroyed him. His head crowded with a hellish gang of voices screaming at him, demanding obedience, Gordon descended from the absolute heights of the rock world—playing with the most famous musicians of his generation—to working with a Santa Monica dive-bar band for $30 a night. And then he committed the most shocking crime in rock history. Based on his trademark extensive, detailed research, Joel Selvin’s Drums & Demons is at once an epic journey through an artist’s monumental musical contributions, a rollicking history of rock drumming, and a terrifying downward spiral into unimaginable madness that Gordon fought a valiant but losing battle against. One of the great untold stories of rock is finally being told.
Elliot Marshall has always been a golden boy. That was, until his uncle Jeffrey gifted him the demon called "Shame" that was inhabiting and otherwise completely controlling his body. With the demon bound to his flesh, Elliot will seek out and destroy anything and anyone in his path. As he slowly becomes one with the demon Shame, Elliot slowly begins to change from his human form into that of an actual demon. Once the process completes, there will be no telling how much hell this 13 year old child can let loose. (Horror)
“Hollywood Eden brings the lost humanity of the record business vividly back to life ... [Selvin’s] style is blunt, unpretentious and brisk; he knows how to move things along entertainingly ... Songs about surfboards and convertibles had turned quaint, but in this book, their coolness is restored.” — New York Times From surf music to hot-rod records to the sunny pop of the Beach Boys, Jan & Dean, the Byrds, and the Mama’s & the Papa’s, Hollywood Eden captures the fresh blossom of a young generation who came together in the epic spring of the 1960s to invent the myth of the California Paradise. Central to the story is a group of sun-kissed teens from the University High School class of 1959 — a class that included Jan & Dean, Nancy Sinatra, and future members of the Beach Boys — who came of age in Los Angeles at the dawn of a new golden era when anything seemed possible. These were the people who invented the idea of modern California for the rest of the world. But their own private struggles belied the paradise portrayed in their music. What began as a light-hearted frolic under sunny skies ended up crashing down to earth just a few short but action-packed years later as, one by one, each met their destinies head-on. A rock ’n’ roll opera loaded with violence, deceit, intrigue, low comedy, and high drama, Hollywood Eden tells the story of a group of young artists and musicians who bumped heads, crashed cars, and ultimately flew too close to the sun.
Joel McIver's acclaimed Black Sabbath biography, Sabbath Bloody Sabbath, concluded in 2011 that its subjects were at a crossroads. Could Ozzy, Tony, Geezer and Bill manage after over 40 years in business to get back together one more time? After all, the veteran heavy metal musicians were grieving for their fallen comrade Ronnie James Dio and about to face a devastating medical diagnosis for one of their own. McIver's brand-new, updated volume brings the story up to date with the tale of Sabbath's near-miraculous return to form with the Rick Rubin-produced 13 album, which topped charts worldwide on its release in 2013. In true Sabbath style, however, nothing went entirely to plan, with internal arguments, last-minute band-member replacements -- and a genuine fear that this may be Sabbath's very last shot at glory.
This book shows why quantitative social science must develop by its own rules, distinct from those that govern the disciplines of mathematics and statistics. It discusses the use of various quantitative methods through data analysis, philosophy, and close analysis of well-known examples.
This book contains two review articles on mathematical physiology that deal with closely related topics but were written and can be read independently. The first article reviews the basic theory of calcium oscillations (common to almost all cell types), including spatio-temporal behaviors such as waves. The second article uses, and expands on, much of this basic theory to show how the interaction of cytosolic calcium oscillators with membrane ion channels can result in highly complex patterns of electrical spiking. Through these examples one can see clearly how multiple oscillatory processes interact within a cell, and how mathematical methods can be used to understand such interactions better. The two reviews provide excellent examples of how mathematics and physiology can learn from each other, and work jointly towards a better understanding of complex cellular processes. Review 1: Richard Bertram, Joel Tabak, Wondimu Teka, Theodore Vo, Martin Wechselberger: Geometric Singular Perturbation Analysis of Bursting Oscillations in Pituitary Cells Review 2: Vivien Kirk, James Sneyd: Nonlinear Dynamics of Calcium
Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among Jean-Paul Sartre, Simone de Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white Negro" and black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool. This is the first work to trace the history of cool during the Cold War by exploring the intersections of film noir, jazz, existential literature, Method acting, blues, and rock and roll. Dinerstein reveals that they came together to create something completely new—and that something is cool.
What makes a project financeable, and what can the resource-rich nations of the region do to create vibrant clean electricity financing markets for renewables? Outlines the factors that affect the financeability of projects, reviews the latest developments in renewable energy finance in the region, and presents policy recommendations going forward.
Paul’s foundational letter to the Romans is placed within the commonly accepted scripture structure as the initial letter from one of the apostles to the churches in the first century, BC. Paul, formerly known as Saul of Tarsus, was by his own account one of the most prominent Jewish scholars, thoroughly versed in the history of his nation, as well as the particulars of the Law of Moses. In the early days of church history, immediately following the crucifixion and ascension of Jesus Christ, Saul of Tarsus was one of the fiercest opponents of the sect known as Christians, initially known by that name in the ancient city of Antioch. The Lord dramatically saved Saul as he approached Damascus in Syria with orders from the Jewish Sanhedrin to capture and return Christians for trial in Jerusalem. Knocked to the ground, and blinded, Jesus instructed him to continue on to Damascus to be prayed for by a Christian, Ananias, at which time he would recover his sight, receive his new name, and begin his new career as the apostle to the nations. Paul was perfectly suited to fulfill his new role. His letter to the Romans laid out the basic doctrines of faith for all believers. In Chapters 9-11, of which this manuscript describes, Paul provides a detailed status report on Israel, including their temporary fall from grace, followed by the wondrous time when they will return to God when All Israel Shall be Saved.
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