Issue 8: NEW TYPE DESIGN features: 100 typefaces by over 60 designers; Facit AB-Z (Excerpt) by Our Polite Society; Interview with Berton Hasebe (by Harry Gassel); "Tools" by Dinamo; Introduction written by Kris Sowersby.
This illustrated version of performer Billy Joel's popular song showcases the sights and landmarks of New York City, as seen through the eyes of a plucky little dog.
Movies and television series are excellent tools for teaching political science and international relations. Understanding how stories in various film and television genres illustrate political ideas can better assist students and fans understand and appreciate the political subtext of these media products. This book examines politics through five film genres and their variants. Gangster movies focus on American and other organized crime. They reached their zenith in the films of Francis Ford Coppola and Martin Scorsese. Political thrillers express paranoia about secrecy and political conspiracies, while action movies channel anger at foreign and domestic threats to order. Superhero films and TV present modern characters who seek to serve society as they face personal struggles about their individual identities. War movies promote positive images of wars when conflicts are perceived as successful, but often include antiwar messages when wars turn out badly. Western movies fell out of favor in the 1970s and 1980s but have undergone a renaissance since the 1990s. Westerns can be taken as either political parables, or as meditations on policing, anarchy, community organization. The author argues that while these genres all offer escape, they also offer important political lessons.
Uncle Remus is the title character and fictional narrator of a collection of black folktales adapted and compiled by Joel Chandler Harris, published in book form in 1881. A journalist in post-Reconstruction Atlanta, Georgia, Harris produced seven Uncle Remus books.
Nights With Uncle Remus is a story-book dearly loved by children. Besides that, it is an important contribution to the study of Afro-American folk-lore, and through many years of popularity it has carried a long and learned Introduction, of great interest to students but rather forbidding in aspect to youthful readers. In this new edition, which has been prepared especially for children, and illustrated in colors by an artist who knows how to please them as well as their elders, the Introduction has been omitted, but the stories and their charming setting have been left intact.
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