Using humor and frank honesty, Pastor Jim Minor describes how his own street outreach organization transformed from a vibrant, God-infused ministry into a conventional, “safe” church that almost sucked all the passion for ministry right out of him. Then, Jim explains how he got his passion back again. Who is this book for? Pastors and ministry leaders who have lost their focus and have grown to resent the ministries to which they have been called Those in the pews who have lost the spark of their passion for God and find themselves merely going through the motions and “playing church” Non-churchgoers who stay away because they don’t want any part of a dry, lifeless religion that doesn’t make any difference in the world If you identify with any of those categories, this book is for you! Let Jim Minor cast a vision for what church can be. Discover that it’s possible to venture beyond the church walls, to interact with the lost and hurting, and to watch God do miracles in people’s lives. And in the process, church might even become fun and fulfilling once again.
My name is Joe Sorenson. The reason why I am writing this book is to demonstrate my exciting life. Let us enjoy the ride! Do you want to know where I grew up? This book will tell you in great detail. So let's take a ride. I was born August 6 in the year 1941 in Saint Paul, Minnesota. I went to a residential school in Faribault, Minnesota. I am blind, but this book will show you how a blind person can rise from almost becoming mentally ill to rising to the top. I have worked in radio, but I had to work for it. My wife, Ellen, and I live in Albuquerque, New Mexico, and we write poetry. So let's ride.
Using humor and frank honesty, Pastor Jim Minor describes how his own street outreach organization transformed from a vibrant, God-infused ministry into a conventional, “safe” church that almost sucked all the passion for ministry right out of him. Then, Jim explains how he got his passion back again. Who is this book for? Pastors and ministry leaders who have lost their focus and have grown to resent the ministries to which they have been called Those in the pews who have lost the spark of their passion for God and find themselves merely going through the motions and “playing church” Non-churchgoers who stay away because they don’t want any part of a dry, lifeless religion that doesn’t make any difference in the world If you identify with any of those categories, this book is for you! Let Jim Minor cast a vision for what church can be. Discover that it’s possible to venture beyond the church walls, to interact with the lost and hurting, and to watch God do miracles in people’s lives. And in the process, church might even become fun and fulfilling once again.
Life on the road as seen through the eyes of Black Flag/Rollins Band roadie and Rollins confidante, Joe Cole. Tour journal documenting the final Black Flag tour and first Rollins Band tour.
This book contains classic material dating back to the 1900s and before. The content has been carefully selected for its interest and relevance to a modern audience.
The short story "Better Than Home" is a mainstream short story about a father and son relationship - with just a touch of baseball ... Joe Hill is the New York Times bestselling author of NOS4A2, Horns, and Heart-Shaped Box, and the prize-winning story collection 20th Century Ghosts. He is also the co-author, with Stephen King, of In the Tall Grass.
With forty eight Transistor radios in his suitcase, Joe, an Englishman, lands at Trichy Airport in the summer of 1965. The Custom's officer confronts him, but on hearing about Joe's mission, lets him go scot-free!
The new edition of Playbuilding as Arts-Based Research details how playbuilding (creating an original performative work with a group) as a methodology has developed in qualitative research over the last 15 years. The second edition substantially updates the award-winning first edition by making connections to current research theories, providing complete scripts with URL links to videos, and including a new section with interviews with colleagues. Chapter 1 provides an in-depth discussion of the epistemological, ontological, axiological, aesthetic, and pedagogic stances that playbuilding takes, applying them to research in general. The value of a playful, trusting atmosphere; choices of style, casting, set, and location in representing the data; and pedagogical theories that guide participatory theatre are highlighted. Chapter 2 discusses how Mirror Theatre generates data, structures dramatic scenes, and conducts live and virtual participatory workshops. Chapter 3 is a thematized account of interviews with 23 colleagues who employ variations of playbuilding that show how playbuilding can be applied in a wide range of contemporary contexts and disciplines. Chapters 4 through 9 describe six projects that address topics of drinking choices and mental health issues on campus, person-centred care, homelessness, the transition to university, and co-op placements. They include both a theme and a style analyses and workshop ideas. Chapter 10, new to this edition, concludes with quantitative and qualitative data from audiences attesting to the efficacy of this approach. This is a fascinating resource for qualitative researchers, applied theatre practitioners, drama teachers, and those interested in social justice, who will appreciate how the book adeptly blends theory and practice, providing exemplars for their own projects.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.