Joe Eszterhas had everything Hollywood could offer. A combination of insider and rebel, he saw and participated in the fights, the deals, the backstabbing, and all the sex and drugs. But here, in his candid and heartwrenching memoir, we see the rest of the story: the inspiring account of the child of Hungarian immigrants who, against all odds, grows up to live the American Dream. Hollywood Animal reveals the trajectory of Eszterhas's life in gripping detail, from his childhood in a refugee camp, to his battle with a devastating cancer. It shows how a struggling journalist became the most successful screenwriter of all time, and how a man who had access to the most beautiful women in Hollywood ultimately chose to live with the love of his life in a small town in Ohio. Above all, it is the story of a father and a son, and the turbulent relationship that was an unending cycle of heartbreak. Hollywood Animal is an enthralling, provocative memoir: a moving celebration of the human spirit.
If the Watergate scandal was a previous generation's National Nightmare, then maybe the Clinton scandal was our National Wet Dream, and who better to narrate it than the screenwriter Joe Eszterhas? In American Rhapsody, Eszterhas, whose credits include Basic Instinct and Showgirls, and Charlie Simpson's Apocalypse, for which he was nominated for a National Book Award, takes us through the events that threatened to topple a president and left most of the nation's citizens with, at the very least, a bad taste in their mouths. Taking full advantage of his considerable journalistic and storytelling talents, Eszterhas gives us every fact, rumor, or innuendo surrounding the president's foibles in the context of late century American politics and entertainment. Here Washington and Hollywood do more than just flirt with each other; they share the same bed. From scandalmongers Matt Drudge (who began as a Hollywood gossip) and Ken Starr, to would-be president paramours Sharon Stone and Barbra Streisand, to his final, unimpeachable witness, Willard—none other than President Clinton's talking penis—Eszterhas gives us the goods on the story that nobody could stop talking about and, thanks to American Rhapsody, will be impossible to think about the same way again.
In The Devil's Guide to Hollywood, bestselling author and legendary bad-boy screenwriter Joe Eszterhas tells everything he knows about the industry, its players and screenwriting itself—from the first blank sheet of paper in the Olivetti to the size of the credit on the one-sheet. "There's just one hunk of funny anecdote after another, quotes from everyone who ever mattered in the movie biz, and the thing is jam-packed with screenwriterly advice. Plus it's hilariously funny, ribald, sexy and brilliant."—Liz Smith Often practical and always entertaining, The Devil's Guide to Hollywood distills everything one of Hollywood's most accomplished screenwriters knows about the business, from writing advice to negotiation tricks, from the wisdom of past players to the feuds of current ones. Eszterhas has selected his personal pantheon of the most loved and loathed players in the business and treats the reader to a treasure trove of stories, quotes and wisdom from those luminaries, who include William Goldman (loathes) and Zsa Zsa Gabor (loves). The Devil's Guide to Hollywood could only have been written by someone who loves the business as much as Eszterhas does—but who also has its number. "Eszterhas delivers a dishy, catty mix of reminiscences and Hollywood trivia...his forte is skewering sycophants and phonies in this opinionated showcase of the underside of Hollywood life."—Publishers Weekly
With wit, intelligence, and a complete willingness to bare even the toughest details of his own life, famous Hollywood screenwriter Eszterhas has written a fresh exploration of faith, a reassessment of organized religion, and a moving personal story about family and love.
Ann Talbot refuses to believe the horrible accusations that her father is a Nazi war criminal. As a lawyer, she will defend him. As his daughter, she will stand by him. And as a person, she faces the most agonizing dilemma of her life. The tie-in edition to the December 1989 movie starring Academy Award-winner Jessica Lange!
The dramatic and eye-opening original account of events that shook the nation. At noon on May 4, 1970, a thirteen-second burst of gunfire transformed the campus of Kent State University into a national nightmare. National Guard bullets killed four students and wounded nine. By nightfall the campus was evacuated and the school was closed. A generation of college students said they had lost all hope for the System and the future. Yet Kent State was not a radical university like Berkeley, Columbia, or Harvard. Although a new mood had been growing among the students in recent years, the school was not known for political activity or demonstrations. In fact, exactly one week before, students had held their traditional spring-is-here mudfight. What most alarmed Americans was the knowledge that if this tragedy could occur at Kent State, on a campus made up of the children of the Silent Majority and in the heart of Middle America, it could happen anywhere. But why? how did it happen that young Americans in battle helmets, gas masks, and combat boots confronted other young Americans wearing bell-bottom trousers, flowered shirts, and shoulder-length hair? What were the issues and why did the confrontation escalate so terribly? Would there be future confrontations like the one of May 4? To answer these questions, prize-winning reporters Eszterhas and Roberts, who were on campus on May 4, spent weeks interviewing all the participants in the tragedy. They traveled to victims' homes and talked to relatives and friends; they spoke to National Guardsmen on the firing line and to students who were fired on. By putting together hundreds of first-person accounts they were able to establish for the first time what actually took place on the day of the shooting.
L'inspecteur Nick Curran, de la police de San Francisco, enquête sur le meurtre de l'ancien chanteur de rock Johnny Boz, frappé de 31 coups de pic à glace par une inconnue avec laquelle il faisait l'amour. Amateur de plaisirs corsés, la star fréquentait une jeune, riche et brillante romancière, Catherine Tramell, auteur d'un polar à succès consacré à un meurtre identique. Nick apprend bientôt que les parents de Catherine - dont elle a hérité de plus de cent millions de dollars - sont morts dans un "accident" suspect, décrit dans un autre de ses livres, et que son professeur de psychologie à l'université a été assassiné dix ans plus tôt à coups de pic à glace... Fasciné par ce déluge de violences, le policier se consacre à prouver la culpabilité de l'insolente et superbe romancière. Mais Catherine n'a rien laissé au hasard. Elle semble déjà tout connaître de Nick : le suicide de sa femme, les bavures dont il s'est rendu coupable, ses problèmes de drogue et d'alcool. Exaspérant les désirs de Nick, multipliant les avances, elle entraîne le policier dans un vertigineux dédale d'excès et de plaisirs...
If the Watergate scandal was a previous generation's National Nightmare, then maybe the Clinton scandal was our National Wet Dream, and who better to narrate it than the screenwriter Joe Eszterhas? In American Rhapsody, Eszterhas, whose credits include Basic Instinct and Showgirls, and Charlie Simpson's Apocalypse, for which he was nominated for a National Book Award, takes us through the events that threatened to topple a president and left most of the nation's citizens with, at the very least, a bad taste in their mouths. Taking full advantage of his considerable journalistic and storytelling talents, Eszterhas gives us every fact, rumor, or innuendo surrounding the president's foibles in the context of late century American politics and entertainment. Here Washington and Hollywood do more than just flirt with each other; they share the same bed. From scandalmongers Matt Drudge (who began as a Hollywood gossip) and Ken Starr, to would-be president paramours Sharon Stone and Barbra Streisand, to his final, unimpeachable witness, Willard—none other than President Clinton's talking penis—Eszterhas gives us the goods on the story that nobody could stop talking about and, thanks to American Rhapsody, will be impossible to think about the same way again.
In The Devil's Guide to Hollywood, bestselling author and legendary bad-boy screenwriter Joe Eszterhas tells everything he knows about the industry, its players and screenwriting itself—from the first blank sheet of paper in the Olivetti to the size of the credit on the one-sheet. "There's just one hunk of funny anecdote after another, quotes from everyone who ever mattered in the movie biz, and the thing is jam-packed with screenwriterly advice. Plus it's hilariously funny, ribald, sexy and brilliant."—Liz Smith Often practical and always entertaining, The Devil's Guide to Hollywood distills everything one of Hollywood's most accomplished screenwriters knows about the business, from writing advice to negotiation tricks, from the wisdom of past players to the feuds of current ones. Eszterhas has selected his personal pantheon of the most loved and loathed players in the business and treats the reader to a treasure trove of stories, quotes and wisdom from those luminaries, who include William Goldman (loathes) and Zsa Zsa Gabor (loves). The Devil's Guide to Hollywood could only have been written by someone who loves the business as much as Eszterhas does—but who also has its number. "Eszterhas delivers a dishy, catty mix of reminiscences and Hollywood trivia...his forte is skewering sycophants and phonies in this opinionated showcase of the underside of Hollywood life."—Publishers Weekly
NATIONAL BESTSELLER • A New York Times Top 10 Book of the Year • A delicious romp through the heyday of rock and roll and a revealing portrait of Jann Wenner, the man at the helm of Rolling Stone magazine, with candid look backs at the era from major musicians • "Come for the essayist in Hagan, stay for the eye-popping details and artful gossip."–Dwight Garner, The New York Times "Through his nuanced portrait of Wenner, [Hagan] shows us how thoroughly the publication reflected its founder, warts and all.”–Margaret Sullivan, The Washington Post The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, and the pioneering era he helped curate, is told here for the first time in glittering, glorious detail. Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O’Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine. Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers depicts an ambitious, mercurial, wide-eyed rock and roll fan of who exalts in youth and beauty and learns how to package it, marketing late sixties counterculture as a testament to the power of American youth. The result is a fascinating and complex portrait of man and era, and an irresistible biography of popular culture, celebrity, music, and politics in America.
Joe Eszterhas had everything Hollywood could offer. A combination of insider and rebel, he saw and participated in the fights, the deals, the backstabbing, and all the sex and drugs. But here, in his candid and heartwrenching memoir, we see the rest of the story: the inspiring account of the child of Hungarian immigrants who, against all odds, grows up to live the American Dream. Hollywood Animal reveals the trajectory of Eszterhas's life in gripping detail, from his childhood in a refugee camp, to his battle with a devastating cancer. It shows how a struggling journalist became the most successful screenwriter of all time, and how a man who had access to the most beautiful women in Hollywood ultimately chose to live with the love of his life in a small town in Ohio. Above all, it is the story of a father and a son, and the turbulent relationship that was an unending cycle of heartbreak. Hollywood Animal is an enthralling, provocative memoir: a moving celebration of the human spirit.
The dramatic and eye-opening original account of events that shook the nation. At noon on May 4, 1970, a thirteen-second burst of gunfire transformed the campus of Kent State University into a national nightmare. National Guard bullets killed four students and wounded nine. By nightfall the campus was evacuated and the school was closed. A generation of college students said they had lost all hope for the System and the future. Yet Kent State was not a radical university like Berkeley, Columbia, or Harvard. Although a new mood had been growing among the students in recent years, the school was not known for political activity or demonstrations. In fact, exactly one week before, students had held their traditional spring-is-here mudfight. What most alarmed Americans was the knowledge that if this tragedy could occur at Kent State, on a campus made up of the children of the Silent Majority and in the heart of Middle America, it could happen anywhere. But why? how did it happen that young Americans in battle helmets, gas masks, and combat boots confronted other young Americans wearing bell-bottom trousers, flowered shirts, and shoulder-length hair? What were the issues and why did the confrontation escalate so terribly? Would there be future confrontations like the one of May 4? To answer these questions, prize-winning reporters Eszterhas and Roberts, who were on campus on May 4, spent weeks interviewing all the participants in the tragedy. They traveled to victims' homes and talked to relatives and friends; they spoke to National Guardsmen on the firing line and to students who were fired on. By putting together hundreds of first-person accounts they were able to establish for the first time what actually took place on the day of the shooting.
Throughout its history, the Supreme Court has had a contentious relationship with the press. Yet, as Joe Mathewson shows, the Court and the Press provide crucial services for each other as well: the press educates the public about the Court's actions, and the court is charged withe protecting the freedoms on which the press relies. In The Supreme Court and the press, Mathewson charts the history of this complex dynamic, from the court's early neglect of the First Amendment through the press's coverage of today's most controversial cases. With this history in mind, Mathewson brings his expertise as a Journalist and lawyer to bear in offering a diagnosis of the current situation, as well as offering solutions to the present shortcomings in the relationship between these two essential institutions. --Book Jacket.
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