Joe Duffy takes the pulse of the Irish nation every day on Liveline. Whenever somebody wants to get something off their chest, the advice is often: “Talk to Joe”. Just Joe reveals the private man behind the public voice. Joe writes with raw honesty about his difficult upbringing in working-class Ballyfermot, with a hard-drinking father and hard-working mother, and about his younger brother Brendan, who has drink and drug problems and has spent time in prison. For Joe, education was key to a fresh start. He was one of the first from his area to attend university at Trinity College Dublin. His social justice campaigning led to him becoming President of the Union of Students in Ireland. He spent two weeks in Mountjoy Jail following a protest against government cutbacks. Joe eventually moved into a career in RTÉ Radio, where he first became known as a roving reporter on The Gay Byrne Show, before finally finding his niche on Liveline. Just Joe highlights the major stories and controversies raised by the programme; it also deals with the shocking death in 2010 of Joe’s friend and fellow broadcaster Gerry Ryan. This is a riveting, deeply felt and fascinating memoir of a complex, passionate man.
Joe Duffy takes the pulse of the Irish nation every day on Liveline. Whenever somebody wants to get something off their chest, the advice is often: “Talk to Joe”. Just Joe reveals the private man behind the public voice. Joe writes with raw honesty about his difficult upbringing in working-class Ballyfermot, with a hard-drinking father and hard-working mother, and about his younger brother Brendan, who has drink and drug problems and has spent time in prison. For Joe, education was key to a fresh start. He was one of the first from his area to attend university at Trinity College Dublin. His social justice campaigning led to him becoming President of the Union of Students in Ireland. He spent two weeks in Mountjoy Jail following a protest against government cutbacks. Joe eventually moved into a career in RTÉ Radio, where he first became known as a roving reporter on The Gay Byrne Show, before finally finding his niche on Liveline. Just Joe highlights the major stories and controversies raised by the programme; it also deals with the shocking death in 2010 of Joe’s friend and fellow broadcaster Gerry Ryan. This is a riveting, deeply felt and fascinating memoir of a complex, passionate man.
Two-thirds of our globe is Planet Ocean, not Planet Earth. Imagine a vast new source of sustainable and renewable energy that would also bring more equitable economies. A previously untapped source of farming that could produce significant new sources of nutrition. Future societies where people could choose the communities they want to live in, free from the restrictions of conventional citizenship. This bold vision of our near future as imagined in Seasteading attracted the powerful support of Silicon Valley’s Peter Thiel—and it may be drawing close to reality. Our planet is suffering from serious environmental problems: coastal flooding due to severe storms caused in part by atmospheric pollution and diminishing natural resources among them. But the seas can be home to a new breed of pioneers, seasteaders, who are willing to homestead the Blue Frontier. Oil platforms and cruise ships already inhabit the waters; now it’s time to take the next step to full-fledged ocean civilizations. Joe Quirk and Patri Friedman show us how cities built on floating platforms in the ocean will work, and they profile some of the visionaries who are implementing basic concepts of seasteading today. An entrepreneur’s dream, these floating cities will become laboratories for innovation and creativity. Seasteading may be visionary, but it already has begun proving the adage that yesterday’s science fiction is tomorrow’s science fact. Welcome to seavilization.
In 2012, Joe Barr almost died from altitude sickness on the 11,000-ft Wolf Creek Pass in a Race Across America attempt. The infamous 3,200-mile race is non-stop ultracycling at its most extreme. In 2014, Joe returned and received the coveted Finisher's medal, and in 2019, at the age of 60, he went back again and won his category. This story of extreme perseverance begins on a yellow Raleigh Chopper on the streets of Co. Derry, where Joe, trying to escape the harsh everyday reality of the Troubles as a young Catholic boy in an all- Protestant school, went on long bicycle rides into the countryside, dreaming of one day taking part in cycling's grand tours. When his baby son was diagnosed with cancer, Joe got on the bike with a different purpose and won his first 1,300-mile endurance race. This is a story of unimaginable grit, and of what it takes to keep going when failure seems inevitable.
When sacred objects were rejected during the Reformation, they were not always burned and broken but were sometimes given to children as toys. Play is typically seen as free and open, while iconoclasm, even to those who deem it necessary, is violent and disenchanting. What does it say about wider attitudes toward religious violence and children at play that these two seemingly different activities were sometimes one and the same? Drawing on a range of sixteenth-century artifacts, artworks, and texts, as well as on ancient and modern theories of iconoclasm and of play, Iconoclasm As Child's Play argues that the desire to shape and interpret the playing of children is an important cultural force. Formerly holy objects may have been handed over with an intent to debase them, but play has a tendency to create new meanings and stories that take on a life of their own. Joe Moshenska shows that this form of iconoclasm is not only a fascinating phenomenon in its own right; it has the potential to alter our understandings of the threshold between the religious and the secular, the forms and functions of play, and the nature of historical transformation and continuity.
In his very first trip to the ballpark, Joe Falls watched Lou Gehrig slam two home runs against the Philadelphia As. He's been in love with professional sports ever since. In this humerous and intellegent memoir, Falls reflects on over sixty years of writing with stories about all the greats from Jack Nicklaus and Michael Jordan, to Joe DiMaggio and more. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
A hilarious examination of faux pas for readers of Allie Brosh’s Hyperbole and a Half and Jenny Lawson’s Let’s Pretend This Never Happened Humankind is doomed. Especially you. It’s already too late. From overstaying your welcome at a party, to leaving passive-aggressive post-its on your roommate’s belongings, to letting your date know the extent of the internet reconnaissance you did on them—you're destined to embarrass yourself again and again. In You Blew It!, Josh Gondelman, comedian and co-creator of the “Modern Seinfeld” twitter account, teams up with Joe Berkowitz, an equally wry and ruthless social-observer, to dissect a range of painfully hilarious faux pas. Breaking down the code violations of modern culture—particularly our fervent, ridiculous addiction to technology—Gondelman and Berkowitz will keep you laughing as they explore how social blunders are simply part of the mystery that is you.
Angela Amato is a former NYPD detective who left the force and became a legal aid attorney. Her reasons for going over to the other side are shared by Gerry Conte, the detective in Lady Gold who is assigned to baby-sit a young mobster-turned-informant who is being kept "on ice" while he is telling what he knows and can learn. Conte goes with him on "dates" and spends time chatting with him - a useful way of coaxing information out. She also has the courage to worm her way into the confidence of his Mafioso uncle Tony. And as time goes on, the feeling between the gold shield detective who hates what the mobsters do to the reputation of honest Italian-Americans and the young wiseguy who thinks he can go through life without paying for his actions edges into an odd and moving love story.
Guest edited by Bonnie Joe, this issue of MRI Clinics covers breast screening protocols, imaging the newly diagnosed cancer patient, imaging to monitor response to therapy, breast MR spectroscopy, and more.
The author of The Dressing Station offers a powerful memoir of the author's experiences in a combat-zone hospital in Iraq, sharing stories of his father's experiences as a surgeon on the battlefield in World War II. Reprint.
The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. Feeling Pleasures argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period—surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine—to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England.
What’s the point of poetry? It’s a question asked in classrooms all over the world, but it rarely receives a satisfactory answer. Which is why so many people, who read all kinds of books, never read poetry after leaving school. Exploring twenty-two works from poets as varied as William Blake, Seamus Heaney, Rita Dove and Hollie McNish, this book makes the case for what poetry has to offer us, what it can tell us about the things that matter in life. Each poem is discussed with humour and refreshing clarity, using a mixture of anecdote and literary criticism that has been honed over a lifetime of teaching. Poetry can enrich our lives, if we’ll let it. The Point of Poetry is the perfect companion for anyone looking to discover how.
The new edition of Playbuilding as Arts-Based Research details how playbuilding (creating an original performative work with a group) as a methodology has developed in qualitative research over the last 15 years. The second edition substantially updates the award-winning first edition by making connections to current research theories, providing complete scripts with URL links to videos, and including a new section with interviews with colleagues. Chapter 1 provides an in-depth discussion of the epistemological, ontological, axiological, aesthetic, and pedagogic stances that playbuilding takes, applying them to research in general. The value of a playful, trusting atmosphere; choices of style, casting, set, and location in representing the data; and pedagogical theories that guide participatory theatre are highlighted. Chapter 2 discusses how Mirror Theatre generates data, structures dramatic scenes, and conducts live and virtual participatory workshops. Chapter 3 is a thematized account of interviews with 23 colleagues who employ variations of playbuilding that show how playbuilding can be applied in a wide range of contemporary contexts and disciplines. Chapters 4 through 9 describe six projects that address topics of drinking choices and mental health issues on campus, person-centred care, homelessness, the transition to university, and co-op placements. They include both a theme and a style analyses and workshop ideas. Chapter 10, new to this edition, concludes with quantitative and qualitative data from audiences attesting to the efficacy of this approach. This is a fascinating resource for qualitative researchers, applied theatre practitioners, drama teachers, and those interested in social justice, who will appreciate how the book adeptly blends theory and practice, providing exemplars for their own projects.
How can one believe in a God of love amid all the evil and suffering found in the world? How does one do theology 'after Auschwitz', while vast numbers of people still have to endure violent oppression every day? This book seeks to address such questions from a standpoint informed by life in Africa, which in the face of extraordinary difficulties bears witness to Gospel hope by demonstrating forgiveness in action and promoting reconciliation. The work unfolds in two parts. In the first part, a description of the misery that characterises much of life in Africa in the recent past opens up to a theological consideration of the underlying causes and of God's response to them. In the second part, the joy which is so characteristic of life in Africa even in places of immense suffering sets the scene for detailed reflections on liturgy, memory, forgiveness and hope.
The rich, poignant tales of major league baseball’s most hard-luck fraternity—the pitchers of its Almost-Perfect Games From 1908 to 2015, there have been thirteen pitchers who have begun Major League Baseball games by retiring the first twenty-six opposing batters, but then, one out from completing a perfect game, somehow faltering (or having perfection stolen from them). Three other pitchers did successfully retire twenty-seven batters in a row, but are still not credited with perfect games. While stories of pitching the perfect game have been told and retold, Almost Perfect looks at how baseball, at its core, is about heartbreak, and these sixteen men are closer to what baseball really is, and why we remain invested in the sport. Author Joe Cox visits this notion through a century of baseball and through these sixteen pitchers—recounting their games in thrilling fashion, telling the personal stories of the fascinating (and very human) baseball figures involved, and exploring the historical American and baseball backdrops of each flawed gem. From George “Hooks” Wiltse's nearly perfect game in 1908 to “Hard Luck” Harvey Haddix’s 12-inning, 36-consecutive-outs performance on May 26, 1959 (the most astounding single-game pitching performance in baseball history) to Max Scherzer’s near miss in 2015, Joe Cox’s book captures the action, the humanity, and the history of the national pastime’s greatest “almosts.”
Lunardi delves into the early days of Bracketology, details its growth, and dispels the myths of the process The NCAA Tournament has become one of the most popular sports events in the country, consuming fans for weeks with the run to the Final Four and ultimately the crowning of the champion of college hoops.? Each March, millions of Americans fill out their bracket in the hopes of correctly predicting the future. Yet, there is no true Madness without the oft-debated question about what teams should be seeded where—from the Power-5 Blue Blood with some early season stumbles on their resume to the mid-major that rampaged through their less competitive conference season—and the inventor of Bracketology himself, Joe Lunardi, now reveals the mystery and science behind the legend. While going in depth on his ever-evolving predictive formula, Lunardi compares great teams from different eras with intriguing results, talks to the biggest names in college basketball about their perception of Bracketology (both good and bad), and looks ahead to the future of the sport and how Bracketology will help shape the conversation. This fascinating book is a must-read for college hoops fans and anyone who has aspired to win their yearly office pool.
The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy. A Penguin Classics Marvel Collection Edition Collects Captain America Comics #1 (1941); the Captain America stories from Tales of Suspense #59, #63-68, #75-81, #92-95, #110-113 (1964-1969); “Captain America…Commie Smasher” from Captain America #78 (1954). It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few. Drawing upon multiple comic book series, this collection includes Captain America’s very first appearances from 1941 alongside key examples of his first solo stories of the 1960s, in which Steve Rogers, the newly resurrected hero of World War II, searches to find his place in a new and unfamiliar world. As the contents reveal, the transformations of this American icon thus mark parallel transformations in the nation itself. A foreword by Gene Luen Yang and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of Captain America and classic Marvel comics. The Deluxe Hardcover edition features gold foil stamping, gold top stain edges, special endpapers with artwork spotlighting series villains, and full-color art throughout.
Veteran broadcaster Joe Castiglione combines the story of his baseball adventures with the Cleveland Indians; the Milwaukee Brewers; and for twenty years, the Boston Red Sox, with a travelogue of major American cities.
Ten thousand dollars made Rush Henry take the job. He didn't know who his client was, and he was told he'd never find out, but the instructions were simple: Clean up Forest City!
Focusing on high-yield information, Breast Imaging: The Core Requisites, 4th Edition emphasizes the basics to help you establish a foundational understanding of breast imaging during rotations, refresh your knowledge of key concepts, and learn strategies to provide "value-added" reports to referring clinicians. This completely rewritten and reorganized edition emphasizes the essential knowledge you need in an easy-to-read format, with thorough updates that cover new imaging modalities, the latest guidelines, and integration of physics information throughout. - Emphasizes the essentials in a templated, quick-reference format that includes numerous outlines, tables, pearls, boxed material, and bulleted content for easy reading, reference, and recall. - Helps you build and solidify core knowledge to prepare you for clinical practice with critical, up-to-date information on mammography, breast ultrasound, digital breast tomosynthesis, and breast MRIs, as well as special chapters on lymph node evaluation in breast imaging, augmented and reconstructed breast, and special populations in breast imaging. - Features hundreds of high-quality images, including correlations of ultrasound, mammography, digital breast tomosynthesis and MRI. - Published as part of the newly reimagined Core Requisites series, an update to the popular Requisites series aimed at radiology trainees and today's busy clinicians. - An eBook version is included with purchase. The eBook allows you to access all of the text, figures and references, with the ability to search, customize your content, make notes and highlights, and have content read aloud.
The authors have combed the Mid-Atlantic region, including Pennsylvania, Maryland, New Jersey, New York, Delaware, and Washington, DC, to write about and visit the graves of some of the most horrendous murders, massacres, and calamities in our nation's history. Included in the volume: Enoch Brown School MassacreMollie MaguiresLattimer MassacreHerman MudgettJohnstown FloodPhiladelphia SinnersHarry ThawBabes in the WoodsFlight 93Kelayres MassacreMary MeyerTitanicMalcolm XMary MallonNY MobTriangle Factory FireAlexander Hamilton & BurrJoe PetrosinoAnthony WayneJack JablonskiMenendez MurdersLincoln AssassinsRhoads Opera House FireGeneral Slocum Disaster
Relive the earliest adventures of Captain America, Sentinel of Liberty! Return to the Golden Age of comics as Cap and Bucky come face to face withthe Red Skull, the Ringmaster of Death, and more! Captain America Comics (1939) #1-4.
Matt is having a bad year. First, he loses his job. Then his wife kicks him out of their home and gets a barring order, forcing him to kip on his best friends couch. Things couldnt get worse, could they? Then poor Matt gets drunk, forgets about the barring order, goes home, and is promptly arrested, which introduces Matt to a totally different societyprison. Here, all the rules are different. It is a whole new world and one that most of us will never know. We track Matts progress on his journey into the unknown and how he copes with everything that gets thrown at him. Read on to get a unique insight into this underbelly of Dublin life.
People on the right are furious. People on the left are livid. And the center isn’t holding. There is only one thing on which almost everyone agrees: there is something very wrong in Washington. The country is being run by pollsters. Few politicians are able to win the voters’ trust. Blame abounds and personal responsibility is nowhere to be found. There is a cynicism in Washington that appalls those in every state, red or blue. The question is: Why? The more urgent question is: What can be done about it? Few people are more qualified to deal with both questions than Joe Klein. There are many loud and opinionated voices on the political scene, but no one sees or writes with the clarity that this respected observer brings to the table. He has spent a lifetime enmeshed in politics, studying its nuances, its quirks, and its decline. He is as angry and fed up as the rest of us, so he has decided to do something about it—in these pages, he vents, reconstructs, deconstructs, and reveals how and why our leaders are less interested in leading than they are in the “permanent campaign” that political life has become. The book opens with a stirring anecdote from the night of Dr. Martin Luther King Jr.’s assassination. Klein re-creates the scene of Robert Kennedy’s appearance in a black neighborhood in Indianapolis, where he gave a gut-wrenching, poetic speech that showed respect for the audience, imparted dignity to all who listened, and quelled a potential riot. Appearing against the wishes of his security team, it was one of the last truly courageous and spontaneous acts by an American politician—and it is no accident that Klein connects courage to spontaneity. From there, Klein begins his analysis—campaign by campaign—of how things went wrong. From the McGovern campaign polling techniques to Roger Ailes’s combative strategy for Nixon; from Reagan’s reinvention of the Republican Party to Lee Atwater’s equally brilliant reinvention of behind-the-scenes strategizing; from Jimmy Carter to George H. W. Bush to Bill Clinton to George W.—as well as inside looks at the losing sides—we see how the Democrats become diffuse and frightened, how the system becomes unbalanced, and how politics becomes less and less about ideology and more and more about how to gain and keep power. By the end of one of the most dismal political runs in history—Kerry’s 2004 campaign for president—we understand how such traits as courage, spontaneity, and leadership have disappeared from our political landscape. In a fascinating final chapter, the author refuses to give easy answers since the push for easy answers has long been part of the problem. But he does give thoughtful solutions that just may get us out of this mess—especially if any of the 2008 candidates happen to be paying attention.
Joe Baxter Davis tells the story of his family who lived on a farm in Equality Alabama. Daddy worked in town as an auto body man and painter. Some of the time Mama taught school across the county and only was home only on the weekends. So my older brother Winston and my younger brother Michael and I did the farm work. We raised food to eat and to trade at the local store for things we could not raise. We took care of the animals, built fences, cut wood to heat the house, milked the cows and all the other chores. Even though we were young boys, we were farmers. Mama and Daddy depended on us. It may be hard to understand today what our farm life was like in the 1940s, but we all worked very hard to provide for our family, it was our way of life. When I was eight, I had to have surgery on my leg for osteomylitis, a bone disease. After a long time in the hospital I went back to the farm, but I was on crutches and could not do the farm work with my brothers. But guess what Mama and Daddy had a plan. They asked me to be the family cook. So in 1945 I became the full time cook. I was so happy. I had always loved to watch Mama cook but now it was my job. I would get up early in the morning and help build fi res in the fireplace and in the little kitchen stove, then I would make home made biscuits and cook bacon and sausage and eggs for the family. I was the full-time cook. I enjoyed cooking so much and my brothers and Mama and Daddy acted like they really enjoyed the food. Maybe they were just hungry. the Little Boy Cook is a collection of good old county recipes and memories from the past and recipes from family and friends.
Athletics in Drogheda 1861-2001 tells the story of how the modern sports of track & field, cross country and road racing made their seperate ways to the Boyneside town of Drogheda in Co. Louth. It chronicles the social conditions that initially confined such activities to a small section fo the community. Generally, the population outside of the upper classes could spectate, but they were frozen out of participation. The book explains why. Gradually, with changes in society and the development of organisations like the Gaelic Athletic Association, GAA, the sport was embraced by the masses in a plethora of urban and rural clubs. In Drogheda the sport was a major crowd pulling activity until the 1960s ushered in a fundamental change int he Western World's lifestyle. The story of how Drogheda men and women became county, national and international athletic stars is relayed through a combination of events, social comment and individual profiles of the more prominent characters. The narrative encompasses the start of the twenty-first century.
Joe Vedella sees potential in others when the world turns a blind eye. A former heroin addict and alcoholic who bounced in and out of jails and prisons 22 times over more than two decades, Joe describes in That's No Story, That's My Life how he emerged from a life of addiction and criminality to recovery and responsibility. After a judge mandated Joe to a treatment program, he began the hard road to sobriety. Through a job at Fifth Avenue Presbyterian Church in Manhattan, he discovered his calling by working with homeless men and women who sleep on the church steps. In this book, Joe tells the raw story of his life and how he learned to live successfully in recovery by serving others. Along the way, he shares the stories of many of the homeless people he serves. This is a moving, sometimes painful, true story of hope. _______________________________________________________________________ Everyone who knows Joe Vedella -- whether rich or poor, housed or homeless -- has been touched by him. As Manager for Homeless Ministries at the prestigious Fifth Avenue Presbyterian Church, Joe befriends the homeless and leads church volunteers by example. He "walks the talk" on the streets of the city, helping the congregation to practice what it preaches. Vedella grew up in the Bronx in a close-knit family of alcoholics, addicts, and co-dependents. In his early life, he became mired in a cycle of addiction, relapse, petty crime, and incarceration. He learned "the system" the hard way through many years in prison, detox, and homelessness. After successful stays at Blaisdell Addiction Treatment Center and the Bowery Mission, he emerged as an unpretentious man of God fond of singing "survival" hymns. Joe now offers hope, help, and love to people living on the streets of New York City.
This moving coming-of-age narrative transports the reader to a quiet way of life, lost and gone forever. Betrayal, tragedy and perseverance lay in store for John Joe Baxter, growing up in Ireland during the 1940s and 50s. When his widowed mother dies in 1947, a conniving uncle tears the family apart, sending John Joe's two older sisters to a convent and the remaining four children to live with different distant relative, but optimistic young John Joe longs to return to his family farm to work the fields on the beautiful mountains of Munlough.
Highly readable, well illustrated, and easy to understand, Obstetrics: Normal and Problem Pregnancies remains your go-to choice for authoritative guidance on managing today’s obstetric patient. Reflecting the expertise of internationally recognized authorities, this bestselling obstetrics reference has been thoroughly revised to bring you up to date on everything from ultrasound assessment of fetal anatomy and growth, to medical complications in pregnancy, to fetal therapy...and much more! Consult this title on your favorite e-reader with intuitive search tools and adjustable font sizes. Elsevier eBooks provide instant portable access to your entire library, no matter what device you're using or where you're located. Benefit from the knowledge and experience of international experts in obstetrics. Gain a new perspective on a wide range of today’s key issues - all evidence based and easy to read. Stay current with new coverage of fetal origins of adult disease, evidence-based medicine, quality assessment, nutrition, and global obstetric practices. Find the information you need quickly with bolded key statements, additional tables, flow diagrams, and bulleted lists for easy reference. Zero in on "Key Points" in every chapter - now made more useful than ever with the inclusion of related statistics. View new ultrasound nomograms in the Normal Values in Pregnancy appendix.
A first-hand account of the 1916 Rising and its aftermath brings alive the historic events that ushered in the beginnings of an independent Irish state. A Londoner and a member of the Irish Volunteers, Joe Good guarded the approach across O'Connell Bridge as the rebels took the centre of Dublin. He joined the garrison in the GPO, and describes at first hand the events of insurrection: the confusion, the heroism, and the tragedy of Easter Week. After the Rising, Joe Good worked as an organiser for the Volunteers. He was a close associate of Michael Collins and his portrait of Collins provides fresh insight into his character, his competitiveness, and how he related to his men. In 1918 Good was one of a handpicked team sent to London to assassinate members of the British cabinet, and here he gives the first full account to be published of this extraordinary expedition. Joe Good, born in London in 1895, died in Dublin in 1962. He wrote his journal in 1946 for his son Maurice, who has now edited it for publication.
June, 1940. France is teetering on the brink of collapse. British troops are desperately fleeing Dunkirk. Germany is winning the war. Its next target is Britain . . . and Ireland. In neutral Dublin opinions are divided. Some want Germany to win, others favour Britain, most want to stay out of the war altogether. In this atmosphere of edgy uncertainty, young lieutenant Paul Duggan is drafted into G2, the army's intelligence division, and put on the German desk. He's given a suspected German spy to investigate, one who doesn't appear to do much, other than write ambiguous letters to a German intelligence post box in Copenhagen. Before Duggan can probe further, however, he is diverted by a request from his politician uncle to try and find his daughter, who's gone missing, possibly kidnapped. Enlisting the help of witty Special Branch detective Peter Gifford, the two lines of inquiry take Duggan into the double-dealing worlds of spies and politics, and lead him back to a shocking secret that will challenge everything he has grown up believing. An addictive thriller that will keep you glued to the page, right through to its heart-pounding finale.
The Authentocrats" claim to the be the new voice of common sense that speak for the common man and woman; right-wing, traditional and dangerous, Joe Kennedy argues that they are everything but what they purport to be. In contemporary Britain, a lot has been said about what it is that “real people” want politically. Forgotten by elites and sick of globalisation, so the story goes, they demand patriotism, respect for the military, assurances on defence, and controls on immigration. In trying to meet these supposed wishes, politicians attempt to appear normal, salt-of-the-earth, authentic. Authentocrats examines the function of this “authenticity” in a centrist politics which, paradoxically, often defines itself as cosmopolitan, technocratic and opposed to populism. Casting a doubtful eye over – amongst other things – latter-day James Bond films, contemporary nature writing and stand-up comedy, Authentocrats suggests that the sooner we can break with the sententiousness of a skewed conception of authenticity in aesthetics and politics the better.
Joe Ricketts, founder of TD Ameritrade, shares the epic inside story of how a working-class kid from the Nebraska prairie took on Wall Street’s clubby brokerage business, busted it open, and walked away a billionaire. Joe Ricketts always had the gift of seeing what others missed. The son of a house builder, he started life as a part-time janitor, but by the age of thirty-three he saw the chance to challenge the big brokerage firms by offering Americans an inexpensive way to take control of their own stock trading. Nowadays, we take for granted that Main Street is playing right there on Wall Street, but Ricketts made that happen. His company, begun with $12,500 borrowed from friends and family, took off like a rocket thanks to an early embrace of digital technology and irreverent marketing. But Ameritrade also faced a series of near-disasters: the SEC almost shut him down; his partners tried to force him out because of his relentless risk-taking; penny brokers swindled the company; the crash of 1989 nearly cost him everything; and he was almost shut down again when a customer committed massive fraud. By the time of the dot-com bust, he had proven that his strategy based on frontier values could survive just about anything. The Harder You Work, The Luckier You Get offers a view inside Joe Ricketts’ mind, giving readers a visceral understanding of how entrepreneurs think and act differently from the rest of us—how they see the horizon where we just see a spreadsheet. As unvarnished as the prairie he comes from, Ricketts also talks honestly about his shortcomings as a manager, the career sacrifices his wife made for his business, the complexity of being a father, and the pain of splitting with his mentor and of his brother’s death from AIDS. Overcoming these and other challenges, he built a company now worth $30 billion. A must-read for anyone who’s ever dreamed of starting their own business, The Harder You Work, The Luckier You Get is the ultimate only-in-America story.
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