From a familythat inspired Big Love’s story of Bill Henricksonand his three wives, this first-ever memoir of a polygamous family captures theextraordinary workings of a unique family dynamic, and argues forthe acceptance of plural marriage as an alternative lifestyle. Readers ofCarolyn Jessop’s Escape, Elissa Wall’s StolenInnocence,and James McGreevey’s Confession,as well as fans of shows like Big Love and Sister Wives, will beenthralled by the first groundbreaking book in praise of polygamy.
Failure, A Writer’s Life is a catalogue of literary monstrosities. Its loosely organized vignettes and convolutes provide the intrepid reader with a philosophy for the unreadable, a consolation for the ignored, and a map for new literary worlds. ,
A collection of 20 short stories, with illustrations by 20 artists from the fine art, graphic art and comic book worlds - including Charles Burns, Paul Hornschemeier and Caroline Hwang. The hardback edition was a finalist in the Granta's 2009 Story Prize, alongside the works of Jumpa Lahiri and Tobias Wolff. In these stories, oddly modern moments occur in the most familiar of public places.
Originally, "lead sled" was a derogatory term used to refer to any custom car whose owner used lead as a body filler -- often poorly applied. Today, the term no longer carries the negative connotations, instead referring to any custom that has undergone extensive bodywork, including frenched headlights, shaved door handles, a chopped top, a sectioned body, reworked lines, or any combination thereof. This book will examine the hottest lead sleds on the nation's custom scene today, with brief histories of the cars and all-new color photography.
Features essays by Katherine Gates, Anthony Haden-Guest, Jack Sargent and Asia Argento. Visionary apocalyptic painter Joe Coleman's oeuvre explores in excruciating detail the artist's fascination with the junctions between saint and sinner, sacred and profane, holy and horrifying. Using a single-hair brush and jeweller's magnifying lenses, Coleman packs his canvases with hallucinatory detail. Coleman's subjects range from John Dillinger and P.T. Barnum to outsider artist Henry Darger and Gangs of New York-era mass-murderer Albert Hicks.
Life on the road as seen through the eyes of Black Flag/Rollins Band roadie and Rollins confidante, Joe Cole. Tour journal documenting the final Black Flag tour and first Rollins Band tour.
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