Franklin's Kite is the tale of a clever little boy who, inspired by a story about his hero Ben Franklin, overcomes the obstacle preventing him from tagging along with his older brother and his friends.
A story that any family could relate. A grandmother with quirks, a wonderful sense of humor and a coat that held treasures untold. One of nine siblings, some of which were suspected or nefarious dealings. Her offspring, equally quirky and heir to that sense of humor. All lucky enough to marry like-minded spouses and raise like-minded offspring of their own. Having reached the ripe age of "older than adolescent," these cousins began a six-week exchange of e-mail that began with a simple question: "Who has Nana's Coat?" Out of the cobwebs of their aging minds springs forth a youthful recollection-recollections: of beginnings in Dorchester, Massachusetts, of languid summer days at Nantasket Beach on Boston's south shore and of life in Newton, MA, a sleepy suburb.
BACK IN PRINT AND BESSER THAN EVER! For more than six decades, Joe Besser brought gales of laughter to millions—in vaudeville, on Broadway, on radio, in motion pictures, and on television. From his days working as a bumbling assistant to the world-famous Thurston the Magician, he carved out success with his own act—that of a childlike sissy who brandished his foils with a flick of the wrist and such hilarious verbal assaults as “Ooh, you crazy you!” and “Not so f-a-s-t!” From stage to film and television screens, the famed roly-poly comedian left an indelible mark–from starring in his own feature films and short-subject series for Columbia Pictures, to dishing out huge laughs on scores of popular programs of the day, most notably as the malevolent brat “Stinky” on The Abbott and Costello Show, to stepping in to replace Shemp Howard after his death as a member of Three Stooges comedy team. Followed by countless more laugh out-loud performances in movies and on television, from playing the frustrated superintendent, Jillson, on The Joey Bishop Show to voicing Saturday morning cartoons, his legacy still lives on today, thanks to reruns of his classic work. Illustrating a passing age of American humor, ONCE A STOOGE, ALWAYS A STOOGE tells the whole story. Jam-packed with timeless remembrances, Besser vividly recounts it all–the personal ups and downs, the classic skits and routines that became his hallmark, and behind-the-scenes stories of show business icons who enriched his life and career, including Abbott and Costello, Fred Allen, Jack Benny, Milton Berle, Sammy Davis, Jr., Jerry Lewis, Olsen and Johnson, and many others. Previously unpublished anecdotes incorporated throughout, plus hundreds of new, many rare and one-of-a-kind illustrations and extensive appendices of the legendary funnyman’s stage, film, radio and TV appearances, round out this charming and thoughtfully written memoir. PRAISE FOR THE ORIGINAL EDITION: “An affectionate, thoroughly enjoyable remembrance of a lifetime spent on the road and on the screen.” -- LOS ANGELES TIMES “A fascinating look at the development of American entertainment from a person who managed to experience it all . . .” --PHILADELPHIA INQUIRER
Walk into Happy Joe's in Bettendorf, Iowa, for their lunch buffet, and chances are good that you might find me there, sitting down at my favorite round table, enjoying a slice of the taco pizza I created and made famous. I will sit there for hours, talking to customers, telling jokes, and waiting for children to come by. Any child passing me will be rewarded with a wooden nickel, good for a scoop of ice cream or bowl of frozen 'Joegurt, ' and that child will walk away standing a little taller, a little more confident in himself, and know, without a doubt, that they are a pretty special kid. Because Happy Joe said so. I am not only living proof of the American dream but proof that the American dream can become a reality for any one of us. This is my story. And yours. Happy Joe loves people, and it shows. He loves to have a good time and make people laugh, and that's just what his book does. You're sure to love these feel-good stories about one hard-working, good-natured man and his endeavors in business and in the business of making people happy.
The Eisner and Harvey Award nominted anthology title returns in a new format; yearly trade editions featuring the best of both established and new talent! In this massive 200 page volume: OKaos MoonO by David Boller, OWhen It RainsO by Joe Pruett and Ken Meyer Jr., OThirteen SecondsO by Jeff Limke and Pete Krause, OBig QO by Phil Hester and Jason Caskey, OPanoramaO by Michel Fiffe, OBad RadioO by Sam Costello and Nelson Evergreen, OThe Geek of the GodsO by Ron Kasman, OMoneyshotO by Jody LeHeup and Pablo Peppino and much more!
BACK IN PRINT AND BESSER THAN EVER! For more than six decades, Joe Besser brought gales of laughter to millions—in vaudeville, on Broadway, on radio, in motion pictures, and on television. From his days working as a bumbling assistant to the world-famous Thurston the Magician, he carved out success with his own act—that of a childlike sissy who brandished his foils with a flick of the wrist and such hilarious verbal assaults as “Ooh, you crazy you!” and “Not so f-a-s-t!” From stage to film and television screens, the famed roly-poly comedian left an indelible mark–from starring in his own feature films and short-subject series for Columbia Pictures, to dishing out huge laughs on scores of popular programs of the day, most notably as the malevolent brat “Stinky” on The Abbott and Costello Show, to stepping in to replace Shemp Howard after his death as a member of Three Stooges comedy team. Followed by countless more laugh out-loud performances in movies and on television, from playing the frustrated superintendent, Jillson, on The Joey Bishop Show to voicing Saturday morning cartoons, his legacy still lives on today, thanks to reruns of his classic work. Illustrating a passing age of American humor, ONCE A STOOGE, ALWAYS A STOOGE tells the whole story. Jam-packed with timeless remembrances, Besser vividly recounts it all–the personal ups and downs, the classic skits and routines that became his hallmark, and behind-the-scenes stories of show business icons who enriched his life and career, including Abbott and Costello, Fred Allen, Jack Benny, Milton Berle, Sammy Davis, Jr., Jerry Lewis, Olsen and Johnson, and many others. Previously unpublished anecdotes incorporated throughout, plus hundreds of new, many rare and one-of-a-kind illustrations and extensive appendices of the legendary funnyman’s stage, film, radio and TV appearances, round out this charming and thoughtfully written memoir. PRAISE FOR THE ORIGINAL EDITION: “An affectionate, thoroughly enjoyable remembrance of a lifetime spent on the road and on the screen.” -- LOS ANGELES TIMES “A fascinating look at the development of American entertainment from a person who managed to experience it all . . .” --PHILADELPHIA INQUIRER
The beginning of the Cold War began within days of the end of the Second World War, yet conscription still continued to replace the demobilisation of the existing armed forces still serving in war-torn Europe, the middle and Far East territories of the British Empire. Who better to replace them than over two million eligible eighteen year old young men who were thoroughly enjoying their freedom until a brown envelope fluttered through the letterbox informing: YOU'RE CONSCRIPTED LADDIE. This is a factual and personal story about the camaraderie that quickly developed among many during their enforced National Service. They did not want to do it, but I am sure that they, like me, had some great times apart from the shit that was dished out! I sincerely trust that the chapters within my story do relate to similar incidents, albeit under different circumstances, that occurred to thousands of others. For all of us it was a period of you had to do it. No ifs or buts and for many that did enjoy that way of life, and did re-enlist, good luck to them. Nevertheless, I can honestly say that I now look back with pride that I became one of the millions of young conscripts who did survive to tell the tale.
The shocking, definitive account of the lawyers and media tycoons who enabled the rise of Donald Trump, featuring new revelations from a Pulitzer Prize-winning Wall Street Journal team With his blunt-force fame and the myths he’s propagated about himself, Donald Trump has always moved in a world of gossip barons, crooked lawyers, and porn stars. But when he became the Republican nominee for the presidency in 2016, all of these characters crawled out from the underbelly of Trump’s stardom and stumbled onto the global stage with him. In The Fixers, Joe Palazzolo and Michael Rothfeld have produced a deeply reported and exquisitely drawn portrait of that world, full of secret phone calls, hidden texts, and desperate deals, unearthing the practice of “catch and kill” by which Trump surrogates paid hush money to cover up his affairs, and detailing Trump’s historic relationship with his fixers—from his early, influential relationship with Roy Cohn to his reliance on Michael Cohen, National Enquirer publisher David Pecker, and former New York mayor Rudy Giuliani. It traces the arc of their interactions from the 1970s through the 2016 campaign and beyond. It is a distinctly American saga that navigates the worlds of reality TV, cash-for-trash tabloids, single-shingle law shops, celebrity bashes, high-end real estate, pornography, and politics. The characters and settings of this book are part of a vulgar circus that crisscrosses the country, from New York to L.A. to D.C. Terrifying, darkly comic, and compulsively readable, The Fixers is an epic political adventure in which greed, corruption, lust, and ambition collide, and that leads, ultimately, to the White House. Advance praise for The Fixers “Of the dozens of books chronicling Donald Trump’s presidency, The Fixers is destined to sit atop the pile. It has everything you look for in a political page-turner: Colorful characters, intrigue, sex, corruption and—unlike much of the Trump canon—meticulous, factual reporting by two ace reporters. What a read!”—John Carreyrou, New York Times bestselling author of Bad Blood
Did Ireland produce a more radical and ambitious literature in the straitened circumstances of the first half of the twentieth century than it has managed to do since it began to ‘modernize’ and become more affluent from the 1960s onwards? Has Irish modernism ceded place to a prevailing naturalism that seems gritty and tough-minded, but that is aesthetically conservative and politically self-thwarted? Does the fixation with ‘de Valera’s Ireland’ in recent narrative represent a necessary settling of accounts with a dark, abusive history or is it indicative of a worrying inability on the part of Irish artists and intellectuals to respond to the very different predicaments of the post-Cold War world? These are some of the questions addressed in Outrageous Fortune. Scanning literature, theatre, film and music, Joe Cleary probes the connections between capital, culture and criticism in modern Ireland. He includes readings of James Joyce and the Irish modernists, the naturalists Patrick Kavanagh, John McGahern and Edna O’Brien, and comments too on what he terms the ‘neo-naturalism’ of Marina Carr, Patrick McCabe and Martin McDonagh. He concludes with a provocative analysis of the cultural achievement of the Pogues.
The short story "Better Than Home" is a mainstream short story about a father and son relationship - with just a touch of baseball ... Joe Hill is the New York Times bestselling author of NOS4A2, Horns, and Heart-Shaped Box, and the prize-winning story collection 20th Century Ghosts. He is also the co-author, with Stephen King, of In the Tall Grass.
Learn to take advantage of every feature of your iPhone! From activation to synching with the Cloud, Hutsko and Boyd help you learn the secrets, and show you how to troubleshoot common problems.
This book explores the emergence of a new architecture of corporate enforcement in Ireland. It is demonstrated that the State has transitioned from one contradictory model of corporate enforcement to another. Traditionally, the State invoked its most powerful weapon of state censure, the criminal law, but was remarkably lenient in practice because the law was not enforced. The contemporary model is much more reliant on cooperative measures and civil orders, but also contains remarkably punitive and instrumental measures to surmount the difficulties of proving guilt in criminal cases. Though corporate and financial regulation has become an area of significant interest for academics, researchers and those with an interest in corporate affairs, this sudden surge of interest lacks a tradition of scholarship or any deep empirical and contextual analysis in Ireland. This book provides that foundation. It is likely to stimulate an extensive conversation on corporate regulation and governance in Ireland. It is also likely to provide a platform for researchers further afield with an interest in comparative study with Ireland.
As lead singer of The Pogues and as a solo artist, Shane MacGowan is a defining figure of modern Irish music. Among the greatest songwriters of his generation, he has infused traditional Irish folk with the spirit of punk and a bleary-eyed romanticism to create a compelling and unique musical brew. Joe Merrick's biography is an incredible story, sometimes sad, sometimes wonderful, and often soaked in a mixture of alcohol and genius.
What sort of thing is a theatre image? How is it produced and consumed? Who is responsible for the images? Why do the images stay with us when the performance is over? How do we learn to speak of what we see and imagine? And how do we relate what we experience in the theatre to what we share with each other of the world? The Illuminated Theatre is a book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts. It is also a book about how European practitioners working across a range of forms, from theatre and performance to dance, opera, film and visual arts, use images to address the complexities of the times in which their work takes place. Through detailed and impassioned accounts of works by artists such as Dickie Beau, Wendy Houstoun, Alvis Hermanis and Romeo Castellucci, along with close readings of experimental theoretical and art writing from Gillian Rose to T.J. Clark and Marie-José Mondzain, the book outlines the historical, aesthetic and political dimensions of a contemporary ‘suffering of images.’
The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy. A Penguin Classics Marvel Collection Edition Collects Captain America Comics #1 (1941); the Captain America stories from Tales of Suspense #59, #63-68, #75-81, #92-95, #110-113 (1964-1969); “Captain America…Commie Smasher” from Captain America #78 (1954). It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few. Drawing upon multiple comic book series, this collection includes Captain America’s very first appearances from 1941 alongside key examples of his first solo stories of the 1960s, in which Steve Rogers, the newly resurrected hero of World War II, searches to find his place in a new and unfamiliar world. As the contents reveal, the transformations of this American icon thus mark parallel transformations in the nation itself. A foreword by Gene Luen Yang and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of Captain America and classic Marvel comics. The Penguin Classics black spine paperback features full-color art throughout.
Covering both theory and practice, this book will teach educators everything they need to know about developing restorative practices in their education settings, in a way that is also trauma-informed. The first part of the book addresses the theory and philosophy of restorative approaches, and of trauma-informed and trauma-sensitive schools. The second part outlines the five restorative skills (mindfulness, honest expression, empathy, the art of asking questions and the art of requests), what they look like in practice (including using circles, respect agreements and restorative dialogue), and how to implement them. Every strategy is clearly explained and adapted to be appropriate for children and adults who have experienced trauma. Everything the book discusses has been especially designed to be adapted for different school settings and their particular challenges.
The Velvet Underground and Nico has influenced the sound of more bands than any other album. And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched. EXCERPT In 1966, some studios, like Abbey Road, had technicians in white lab coats, and even the less formal studios usually had actual engineering graduates behind the consoles. Studios were still more about science than art. Clients who dared make technical suggestions were treated with bemusement, derision, or hostility. The Velvets were a young band under constant critical attack, and the pressure to conform in order to gain acceptance must have been tremendous. Most bands of that era compromised with their record companies, through wholesale revamping of their image from wardrobe to musical style, changing or omitting lyrics, creating drastically edited versions for radio airplay, or eliminating songs entirely from their sets and records. With Andy Warhol in the band's corner, such threats were minimized.
Using as its epigraph and unifying principle Luc Sante’s notion that “Every human being is an archeological site,” Field Recordings from the Inside provides a deep and personal examination at the impact of music on our lives. Bonomo effortlessly moves between the personal and the critical, investigating the ways in which music defines our personalities, tells histories, and offers mysterious, often unbidden access into the human condition. The book explores the vagaries and richness of music and music-making—from rock and roll, punk, and R&B to Frank Sinatra, Nashville country, and Delta blues—as well as the work of a diverse group of artists and figures—Charles Lamb, music writer Lester Bangs, painter and television personality Bob Ross, child country musician Troy Hess, and songwriter Greg Cartwright. Mining the often complex natures and shapes of the creative process, Field Recordings from the Inside is a singular work that blends music appreciation, criticism, and pop culture from one of the most critically acclaimed music writers of our time.
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