Your Eyes Will Be My Window reclaims the two erasures of Esta Plat. Murdered in Ukraine by Nazi troops in 1942, evidence of the life of Esta Plat was preserved in a bundle of her letters until the letters were tossed into a dumpster and destroyed. Haunted by the inheritance of survivor's guilt and shame in a family that kept no Old World keepsakes except her grandmother's one-sentence memory of Esta Plat, Jodi Varonis compelled to sift through records of Europe's genocidal past. Pitting grandiose Holocaust memorials against the act of bearing witness, Varon confronts the limitations of history, folklore, archival data, and survivor testimonies. Seeking solace in ritual, she challenges her upbringing as an outlier Jew in the Rocky Mountain West to provide a window to the meaning of cultural displacement in immigrant communities. When an ethnic German woman's corpse was discarded across from Varon's rented flat in Baden-Württemberg, the homemade memorial for Nadine E. prompts a meditation on violence against women and girls as a weapon of suppression and war. The record of unfiltered emotions among Kindertransport survivors in Europe, journalists in Ludwigsburg, and archivists and guides in Jerusalem, Your Eyes Will Be My Window is a defiant exercise in honoring the lost.
Varon interweaves recollections of growing up in Vietnam-era Denver with stories of her gambler father, son of Sephardic Jewish immigrants, and offers an introduction to Sephardic culture contrasted with Ashkenazic culture, examines the forging of identity within the potentially destructive American "melting pot," and challenges stereotypes of the American West"--Provided by publisher.
Varon interweaves recollections of growing up in Vietnam-era Denver with stories of her gambler father, son of Sephardic Jewish immigrants, and offers an introduction to Sephardic culture contrasted with Ashkenazic culture, examines the forging of identity within the potentially destructive American "melting pot," and challenges stereotypes of the American West"--Provided by publisher.
Your Eyes Will Be My Window reclaims the two erasures of Esta Plat. Murdered in Ukraine by Nazi troops in 1942, evidence of the life of Esta Plat was preserved in a bundle of her letters until the letters were tossed into a dumpster and destroyed. Haunted by the inheritance of survivor's guilt and shame in a family that kept no Old World keepsakes except her grandmother's one-sentence memory of Esta Plat, Jodi Varonis compelled to sift through records of Europe's genocidal past. Pitting grandiose Holocaust memorials against the act of bearing witness, Varon confronts the limitations of history, folklore, archival data, and survivor testimonies. Seeking solace in ritual, she challenges her upbringing as an outlier Jew in the Rocky Mountain West to provide a window to the meaning of cultural displacement in immigrant communities. When an ethnic German woman's corpse was discarded across from Varon's rented flat in Baden-Württemberg, the homemade memorial for Nadine E. prompts a meditation on violence against women and girls as a weapon of suppression and war. The record of unfiltered emotions among Kindertransport survivors in Europe, journalists in Ludwigsburg, and archivists and guides in Jerusalem, Your Eyes Will Be My Window is a defiant exercise in honoring the lost.
The Go-To Guide to Great Farmers' Markets, Farm Stands, Farms, U-Picks, Kids' Activities, Lodging, Dining, Dairies, Festivals, Choose-and-Cut Christmas Trees, Vineyards and Wineries, and More
The Go-To Guide to Great Farmers' Markets, Farm Stands, Farms, U-Picks, Kids' Activities, Lodging, Dining, Dairies, Festivals, Choose-and-Cut Christmas Trees, Vineyards and Wineries, and More
The first guidebook of its kind for the Peach State, Farm Fresh Georgia leads food lovers, families, locals, and tourists on a lively tour of almost 400 farms and farm-related attractions, all open to the public and visited by travel writer Jodi Helmer. Here are irresistible opportunities to find farmers' markets, dine at a farm-to-table restaurant known for its chicken and waffles, buzz by an apiary, stay at an Arabian horse ranch and bed and breakfast, and visit an urban farm in Atlanta where kids build entrepreneurial skills. Organized by six state regions (Atlanta Metro, Upper Coastal Plain, Lower Coastal Plain, Piedmont, Appalachian, and Blue Ridge) and nine categories of attractions, the listings connect readers with Georgia's farms and reflect agritourism trends burgeoning in the South and the nation. Highlighting establishments that are independent and active in public education and sustainability, the book taps local food initiatives and celebrates the work of local farmers. Thirteen recipes gathered directly from farmers and chefs offer the farm-fresh tastes of Georgia.
The Avila of Saint Teresa provides both a fascinating account of social and religious change in one important Castilian city and a historical analysis of the life and work of the religious mystic Saint Teresa of Jesus. Jodi Bilinkoff's rich socioeconomic history of sixteenth-century Avila illuminates the conditions that helped to shape the religious reforms for which the city's most famous citizen is celebrated. Bilinkoff takes as her subject the period during which Avila became a center of intense religious activity and the home of a number of influential mystics and religious reformers. During this time, she notes, urban expansion and increased economic opportunity fostered the social and political aspirations of a new "middle class" of merchants, professionals, and minor clerics. This group supported the creation of religious institutions that fostered such values as individual spiritual revitalization, religious poverty, and apostolic service to the urban community. According to Bilinkoff, these reform movements provided an alternative to the traditional, dynastic style of spirituality expressed by the ruling elite, and profoundly influenced Saint Teresa in her renewal of Carmelite monastic life. A focal point of the book is the controversy surrounding Teresa's foundation of a new convent in August 1562. Seeking to discover why people in Avila strenuously opposed this ostensibly innocent act and to reveal what distinguished Teresa's convent from the many others in the city, Bilinkoff offers a detailed examination of the social meaning of religious institutions in Avila. Historians of early modern Europe, especially those concerned with the history of religious culture, urban history, and women's history, specialists in religious studies, and other readers interested in the life of Saint Teresa or in the history of Catholicism will welcome The Avila of Saint Teresa. First published by Cornell University Press in 1989, this new edition of The Avila of Saint Teresa includes a new introduction in which the author provides an overview of the scholarship that has proliferated and evolved over the past 25 years on topics covered in her book. This new edition also include an updated bibliography of works published since 1989 that address topics and themes discussed in her book.
Can a guarded gamer girl lower her shield for a new friend… or more-than-friend? "EARNEST AND LAUGH-OUT-LOUD... PITCH PERFECT."—Publishers Weekly, starred review Thirteen-year-old Ingrid’s been living a double life. At school, she’s the Girl With Dead Parents, her popular friend Rachel’s charity case. Online, things are different: she crushes it in her favorite MMORPG, geeks out in her favorite fantasy fandom, and runs a popular social media account. If only real life were that easy. But when Ingrid finally stands up to Rachel and “starts drama,” it suddenly feels like she has no life at all . . . and nowhere to sit at lunch. Until she gets a supersweet wrong-number text from a mystery boy at her school, and everything starts to go right. Spending time together playing Ancient Tomes Online as “Stitches” and “Traveler” makes her feel like she’s really connecting with someone. But when she begins to suspect that Traveler may be a popular classmate who is WAY above her in the cool-kid food chain—and whose original text was actually intended for Rachel—she faces a difficult choice. Can they be friends IRL? She wants to open up, but getting close to people has hurt her before. Is making real friends only fantasy after all? Bye Forever, I Guess is the fresh, funny, and deeply sweet middle-grade debut of New York Times bestselling author Jodi Meadows (MY LADY JANE). Speaking to the messiness of middle-school friendships (and first loves), this is a warm, witty, enormously entertaining book—and a love letter to geek culture, gaming, and the healing power of fantasy. "HILARIOUS... Charming, funny, and endearing."—Kirkus Reviews "The most DELIGHTFUL middle-grade romcom I've ever read!"—Ellen Oh, award-winning author of Finding Junie Kim
The king is dead. The world is lost. Long live the queen. The thin membrane of magic separating the human and demonic planes has been destroyed. Nightrender, the immortal warrior of the gods, must find a way to rebuild it, but Hanne—the serpent girl, always too cunning to be trusted, too hungry for power—has become High Queen, and is too consumed with ambition to cooperate. Meanwhile, Rune—married to Hanne, but in love with Nightrender—is lost in the realm of demons after a disastrous battle, wandering alone in a twisted landscape of mercury seas, black-glass spires, and winds blowing ash … In this second and final installment of the Nightrender duology, the circle will close, and the world will be saved—or burnt to a cinder.
Kingdoms will fall, gods will die, and hearts will be broken in this sprawling new fantasy from New York Times bestselling author Jodi Meadows. "INTRICATE... UNIQUE... COMPELLING."—YA Books Central In the middle of nothingness is the Island of Salvation. Reality bends easily here. Villages disappear. Forests burn forever. Pockets of inconsistent time are everywhere, their boundaries strung with yellow ribbon. And the three kingdoms of Salvation have been at war for a thousand years. But the greatest threat is the Malice, an incursion from the demon plane slowly tearing its way through the world’s weakest seams. Seams that—once split—will lead to the total unraveling of night and day, light and dark, life and death. Not that the human world takes much interest. Of more concern is the upcoming marriage of Rune Highcrown, Prince of Caberwill, and Johanne Fortuin, Princess of Embria—the serpent bride, a girl of famous cunning—which offers a possible end to the ancient conflict. But Rune has noticed the growing darkness, and he is determined to summon mankind’s only defense: Nightrender, the hammer of the gods, an immortal warrior more weapon than girl. There is only one problem. The last time she was summoned, she slaughtered every royal in Salvation, and no one knows why. Will she save humanity from the Malice… or plunge it deeper into the fires of eternal war? A YAVA Award Nominee! "Tantalizing."—The Bulletin of the Center for Children's Books, Starred Review "Lush."—Publishers Weekly "Wild."—Booklist "Rich."—Kirkus Reviews
In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.
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