Canadian wilderness seems a self-evident entity, yet, as this volume shows in vivid historical detail, wilderness is not what it seems. In Temagami’s Tangled Wild, Jocelyn Thorpe traces how struggles over meaning, racialized and gendered identities, and land have made the Temagami area in Ontario into a site emblematic of wild Canadian nature, even though the Teme-Augama Anishnabai have long understood the region as their homeland rather than as a wilderness. Eloquent and accessible, this engaging history challenges readers to acknowledge the embeddedness of colonial relations in our notions of wilderness, and to reconsider our understanding of the wilderness ideal.
Temagami’s Tangled Wild traces the processes and power relationships through which the Temagami area of northeastern Ontario has become emblematic of Canadian wilderness. In this sophisticated analysis, Jocelyn Thorpe uncovers how struggles over meaning, racialized and gendered identities, and land have made Temagami a site of wild Canadian nature. Despite the fact that the Teme-Augama Anishnabai have for many generations understood the region as their homeland rather than as a wilderness, the forestry and tourism industries, as well as Canadian law, have refused to acknowledge this claim. Instead, the concept of wilderness has been employed to aid in Aboriginal dispossession and to create a home for non-Aboriginal Canadians on Native land. An eloquent critique and engaging history, Temagami’s Tangled Wild challenges readers to acknowledge how colonial relations are embedded in our notions of wilderness, and to reconsider our understanding of the wilderness ideal.
In Satire, Celebrity, and Politics in Jane Austen, Jocelyn Harris argues thatJane Austen was a satirist, a celebrity-watcher,and a keen political observer.In Mansfield Park, she appears to baseFanny Price on Fanny Burney, criticizethe royal heir as unfit to rule, and exposeSusan Burney’s cruel husband throughMr. Price. In Northanger Abbey, she satirizes the young Prince of Wales as the vulgar John Thorpe; in Persuasion, she attacks both the regent’s failure to retrench, and his dangerous desire to become another Sun King. For Elizabeth Bennet in Pride and Prejudice, Austen may draw on the actress Dorothy Jordan, mistress of the pro-slavery Duke of Clarence, while her West Indian heiress in Sanditon may allude to Sara Baartman, who was exhibited in Paris and London as “The Hottentot Venus,” and adopted as a test case by the abolitionists. Thoroughly researched and elegantly written, this new book by Jocelyn Harris contributes significantly to the growing literature about Austen’s worldiness by presenting a highly particularized web of facts, people, texts, and issues vital to her historical moment.
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