Go behind the scenes of the animated series Legend of Korra Book Two - Spirits--created by Michael Dante DiMartino and Bryan Konietzko--the smash hit sequel to their blockbuster show Avatar: The Last Airbender! This handsome hardcover contains hundreds of art pieces created during the development of the show’s second season, complete with creator commentary from DiMartino and Konietzko. This celebrated second edition also includes pages of new sketches from the original creative team and a brand-new foreword by Korra voice actor P.J. Byrne! This is an intimate look inside the creative process that brought a new generation of Avatar heroes to life, revisited for the show’s anniversary!
Reprinted to celebrate anniversary of the series that stole our hearts, this limited edition hardcover contains hundreds of art pieces created during the development of the show's incredible second season, alongside creator commentary from DiMartino and Konietzko. The book is packaged in a deluxe slipcase with a commemorative lithograph, celebrating this timeless series and the legacy it continues! Return to the animated series The Legend of Korra Book Two - Spirits--created by Michael Dante DiMartino and Bryan Konietzko--the smash-hit sequel to their blockbuster show Avatar: The Last Airbender!
Go behind the scenes of the animated series The Legend of Korra created by Michael Dante DiMartino and Bryan Konietzko the smash-hit sequel to their blockbuster show Avatar: The Last Airbender! This handsome hardcover contains hundreds of pieces of never-before-seen artwork created during the development of season one of the show. With captions from Michael and Bryan throughout, this is an intimate look inside the creative process that brought the mystical world of bending and a new generation of heroes to life!
Reprinted to celebrate anniversary of the series that stole our hearts, this limited edition hardcover contains hundreds of art pieces created during the development of the show's incredible second season, alongside creator commentary from DiMartino and Konietzko. The book is packaged in a deluxe slipcase with a commemorative lithograph, celebrating this timeless series and the legacy it continues! Return to the animated series The Legend of Korra Book Two - Spirits--created by Michael Dante DiMartino and Bryan Konietzko--the smash-hit sequel to their blockbuster show Avatar: The Last Airbender!
Go behind the scenes of the animated series The Legend of Korra created by Michael Dante DiMartino and Bryan Konietzko the smash-hit sequel to their blockbuster show Avatar: The Last Airbender! This handsome hardcover contains hundreds of pieces of never-before-seen artwork created during the development of season one of the show. With captions from Michael and Bryan throughout, this is an intimate look inside the creative process that brought the mystical world of bending and a new generation of heroes to life!
Go behind the scenes of the animated series Legend of Korra Book Two - Spirits--created by Michael Dante DiMartino and Bryan Konietzko--the smash hit sequel to their blockbuster show Avatar: The Last Airbender! This handsome hardcover contains hundreds of art pieces created during the development of the show’s second season, complete with creator commentary from DiMartino and Konietzko. This celebrated second edition also includes pages of new sketches from the original creative team and a brand-new foreword by Korra voice actor P.J. Byrne! This is an intimate look inside the creative process that brought a new generation of Avatar heroes to life, revisited for the show’s anniversary!
A palm tree, seeing me troubled and divining the cause, murmured in its branches that there was nothing wrong with fifteen-year old boys getting into corners with girls of fourteen; quite the contrary, youths of that age have no other function, and corners were made for that very purpose. It was an old palm-tree, and I believed in old palm-trees even more than in old books. Birds, butterflies, a cricket trying out its summer song, all the living things of the air were of the same opinion." So begins this extraordinary love story between Bento and Capitu, childhood sweethearts who grow up next door to each other in Rio de Janeiro in the 1850s. Like other great nineteenth century novels--The Scarlet Letter, Anna Karenina, Madame Bovary--Machado de Assis's Dom Casmurro explores the themes of marriage and adultery. But what distinguishes Machado's novel from the realism of its contemporaries, and what makes it such a delightful discovery for English-speaking readers, is its eccentric and wildly unpredictable narrative style. Far from creating the illusion of an orderly fictional "reality," Dom Casmurro is told by a narrator who is disruptively self-conscious, deeply subjective, and prone to all manner of marvelous digression. As he recounts the events of his life from the vantage of a lonely old age, Bento continually interrupts his story to reflect on the writing of it: he examines the aptness of an image or analogy, considers cutting out certain scenes before taking the manuscript to the printer, and engages in a running, and often hilarious, dialogue with the reader. "If all this seems a little emphatic, irritating reader," he says, "it's because you have never combed a girl's hair, you've never put your adolescent hands on the young head of a nymph..." But the novel is more than a performance of stylistic acrobatics. It is an ironic critique of Catholicism, in which God appears as a kind of divine accountant whose ledgers may be balanced in devious as well as pious ways. It is also a story about love and its obstacles, about deception and self-deception, and about the failure of memory to make life's beginning fit neatly into its end. First published in 1900, Dom Casmurro is one of the great unrecognized classics of the turn of the century by one of Brazil's greatest writers. The popularity of Machado de Assis in Latin America has never been in doubt and now, with the acclaim of such critics and writers as Susan Sontag, John Barth, and Tony Tanner, his work is finally receiving the worldwide attention it deserves. Newly translated and edited by John Gledson, with an afterword by Joao Adolfo Hansen, this Library of Latin America edition is the only complete, unabridged, and annotated translation of the novel available. It offers English-speaking readers a literary genius of the rarest kind.
Arbitration Law of Brazil: Practice and Procedure is a timely contribution to the development of commercial arbitration in Brazil, as it provides international practitioners and arbitrators with a useful reference tool to understand the Brazilian arbitral framework. Without sacrificing scholarly rigor, it provides a clear commentary on Brazilian arbitration legislation from a practical perspective, addressing the most relevant points in a direct and instructive manner, so that even someone unfamiliar with Brazilian law can comprehend all issues. This work reflects the experience of the authors, who are among the most prominent arbitration practitioners in Brazil. Both authors have long been committed to the development of arbitration, through teaching classes, organizing seminars and writing articles, not to mention their work on the Arbitration Committee of the Rio de Janeiro State Chapter of the Brazilian Bar Association, the first institution in Brazil to help develop and improve alternative dispute resolution mechanisms. Besides the authors' work, this book also contains in its appendices articles from other leading Brazilian scholars analyzing relevant issues in connection with arbitration in Brazil. This provides an enlightening combination of practical background and academic debate."--Publisher's website.
Discussing the right of Renewable Energies is to ensure the possibility of sustainable development, by a path different from that taken by the great central nations. Academics from China and Brazil lend themselves, through this cooperation, to the production of knowledge that serves as a basis for an adequate regulation of the matter, taking into account the international law for people’s development and the common principles of environmental protection added to the social protection and improvement of institutions plus the control of planned actions regarding the execution and implementation of this new energy matrix. Law is a language that makes it possible, in addition to esolving possible conflicts, to guide and put into practice concrete actions in the sense of expanding possibilities for the good use of renewable energies.
A masterpiece of realism, Machado de Assis’s Dom Casmurro probes the mind of a distrustful husband with delusions of grandeur. Originally published in 1899, Dom Casmurro is widely considered to be Joaquim Maria Machado de Assis’s masterpiece and a progenitor of twentieth-century Latin American fiction. This exuberant new translation captures all the hilarious, maddening, and utterly compelling idiosyncrasies of one of Machado’s most complex characters. Bento Santiago, our charismatic yet exceedingly unreliable narrator, nicknamed by his enemies Dom Casmurro, has become a bit of a recluse in old age. He spends his days reading and mourning the past in a house built as a replica of his childhood home. One day, musing over the painted busts of Nero, Augustus, Masinissa, and Caesar, he is inspired to write his own story, a tale of equally epic proportions. Or so, at least, he thinks. “Yes, let us begin by evoking a famous November afternoon, one I will never forget,” he writes, recalling the day he fell in love with his childhood sweetheart, Capitu. Thus he transports readers back to his youth in a once fashionable neighborhood, when he and Capitu were neighbors playing innocently in the backyard. But after overcoming many obstacles, Bento’s happy-ever-after ending proves short-lived when he is consumed by paranoia and jealousy. At once oblivious and obsessive, Bento becomes a strangely engaging antihero as he mines the repercussions of his suspicions against the backdrop of a rapidly modernizing Rio de Janeiro. Eloquently translated by Margaret Jull Costa and Robin Patterson—the same duo that sparked a Machado renaissance with their brilliant translations of The Collected Stories and Posthumous Memoirs of Brás Cubas—and brimming with his signature charm, Dom Casmurro is a subversive and groundbreaking dark comedy from one of Brazil’s greatest authors.
There is a growing interest in Public-Private Partnerships (PPPs), particularly in infrastructure and public services. Under the scope of PPPs, renegotiations are becoming more relevant, as empirical evidence suggests that most PPP projects are inevitably renegotiated, i.e., the original contract needs to be adapted to new and unforeseen circumstances. Renegotiations have a substantial impact on the contract and performance of a PPP and usually represent significant costs for users and taxpayers. However, very little is known about the management and, mainly, the process of renegotiating that will, very likely, occur. This book provides a set of case-studies of PPP renegotiations in the transport sector. The authors illustrate the Portuguese experience, a country that has been using PPP extensively, particularly in transport. The case studies provide an extensive and detailed analysis on each aspect of the project and the renegotiation. What drives renegotiations? Why are some projects more renegotiated than others? What are the results? How can the performance of renegotiation processes be improved? These and other questions provide the basis for the discussions in this book. The novelty and value of the book come mainly from the extent of information available. Each case-study deals with these questions in much more detail than what is common in the case-studies approach.
Along with The Posthumous Memoirs of Brás Cubas and Dom Casmurro, Quincas Borba is one of Machado de Assis' major works and indeed one of the major works of nineteenth century fiction. With his uncannily postmodern sensibility, his delicious wit, and his keen insight into the political and social complexities of the Brazilian Empire, Machado opens a fascinating world to English speaking readers. When the mad philosopher Quincas Borba dies, he leaves to his friend Rubião the entirety of his wealth and property, with a single stipulation: Rubião must take care of Quincas Borba's dog, who is also named Quincas Borba, and who may indeed have assumed the soul of the dead philosopher. Flush with his newfound wealth, Rubião heads for Rio de Janeiro and plunges headlong into a world where fantasy and reality become increasingly difficult to keep separate. Brilliantly translated by Gregory Rabassa, Quincas Borba is a masterful satire not only on life in Imperial Brazil but the human condition itself.
Stem cell bioprocessing describes the main large-scale bioprocessing strategies for both stem cell culture and purification, envisaging the application of these cells for regenerative medicine and drug screening. Bioreactor configurations are described, including their applications for stem cell expansion, and stem cell separation techniques such as isolation and purification are discussed. Basic definitions are provided concerning the different types of stem cells, from adult stem cells to the more recent induced pluripotent stem cells. The main characteristics of these different stem cell types are described, alongside the molecular mechanisms underlying their self-renewal and differentiation. The book also focuses on methodologies currently used for in vitro stem cell culture under static conditions, including the challenge of xeno-free culture conditions, as well as culture parameters that influence stem cell culture. Approaches for both stem cell culture and separation in micro-scale conditions are presented, including the use of cellular microarrays for high-throughput screening of the effect of both soluble and extracellular matrix molecules. A further section is dedicated to application of stem cells for regenerative medicine. Maintains a unique focus on both the basic stem cell biology concepts, and their translation to large-scale bioprocessing approaches Envisages the use of stem cells in regenerative medicine and drug screening applications Discusses the application of microscale techniques as a tool to perform basic stem cell biology studies
One of the wittiest, most playful, and . . . most alive and ageless books ever written." --Dave Eggers, The New Yorker A revelatory new translation of the playful, incomparable masterpiece of one of the greatest Black authors in the Americas A Penguin Classic The mixed-race grandson of ex-slaves, Machado de Assis is not only Brazil's most celebrated writer but also a writer of world stature, who has been championed by the likes of Philip Roth, Susan Sontag, Allen Ginsberg, John Updike, and Salman Rushdie. In his masterpiece, the 1881 novel The Posthumous Memoirs of Brás Cubas (translated also as Epitaph of a Small Winner), the ghost of a decadent and disagreeable aristocrat decides to write his memoir. He dedicates it to the worms gnawing at his corpse and tells of his failed romances and halfhearted political ambitions, serves up harebrained philosophies, and complains with gusto from the depths of his grave. Wildly imaginative, wickedly witty, and ahead of its time, the novel has been compared to the work of everyone from Cervantes to Sterne to Joyce to Nabokov to Borges to Calvino, and has influenced generations of writers around the world. This new English translation is the first to include extensive notes providing crucial historical and cultural context. Unlike other editions, it also preserves Machado's original chapter breaks--each of the novel's 160 short chapters begins on a new page--and includes excerpts from previous versions of the novel never before published in English.
A satirical tale of a young man flush with newfound wealth who promptly gets swindled, Quincas Borba is an inspired critique of nineteenth-century Brazil. Hailed in his lifetime as one of Latin America’s greatest writers, Machado de Assis (1839–1908) was a storyteller known for his wholly innovative narrative techniques and uncanny talent for unraveling the social and political milieu of nineteenth-century Brazil. These signature traits are on full display in Quincas Borba, a novel that sees Machado satirize a rapidly changing Rio de Janeiro. Originally published in 1891, the story begins with the death of its titular character, a mad philosopher infamous for spouting pessimistic theories of “Humanitism.” Borba leaves his fortune—including his dog, also named Quincas Borba—to Rubião, his loyal caretaker and a schoolteacher by trade. Bestowed with opulence beyond his wildest dreams, Rubião is quickly coaxed into the comforts of a rich man’s life—the only stipulation being that he continues to care for the canine Quincas Borba with the same dedication he once did the human. Adrift in the big, bad, bustling world of late-1860s Rio de Janeiro, it isn’t long before Rubião is targeted by the city’s sycophants, who can smell his naïveté from a mile away. Playfully told by an omniscient and possibly unreliable narrator, the novel is at once irreverent and ambitious, brimming with barbed wit and keen philosophical inquiry. Brilliantly translated by Margaret Jull Costa and Robin Patterson—the duo credited with introducing a new generation of readers to Machado through their translations of Dom Casmurro, The Collected Stories, and Posthumous Memoirs of Bras Cubas—Quincas Borba is another strikingly modern tale from a blazing progenitor of twentieth-century fiction.
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