Quatro estudantes se hospedarão na casa da avó de Filipe no feriado, com sua irmã, suas primas e amigas da anfitriã. Os rapazes falam sobre as mulheres que estarão presentes e as relações que poderão surgir. Augusto, é inconstante no amor, então Filipe aposta que se ele voltar de lá sem ter se apaixonado, escreverá um livro de romance se Augusto se apaixonasse, ele é quem escreveria o livro.
One of the wittiest, most playful, and . . . most alive and ageless books ever written." --Dave Eggers, The New Yorker A revelatory new translation of the playful, incomparable masterpiece of one of the greatest Black authors in the Americas A Penguin Classic The mixed-race grandson of ex-slaves, Machado de Assis is not only Brazil's most celebrated writer but also a writer of world stature, who has been championed by the likes of Philip Roth, Susan Sontag, Allen Ginsberg, John Updike, and Salman Rushdie. In his masterpiece, the 1881 novel The Posthumous Memoirs of Brás Cubas (translated also as Epitaph of a Small Winner), the ghost of a decadent and disagreeable aristocrat decides to write his memoir. He dedicates it to the worms gnawing at his corpse and tells of his failed romances and halfhearted political ambitions, serves up harebrained philosophies, and complains with gusto from the depths of his grave. Wildly imaginative, wickedly witty, and ahead of its time, the novel has been compared to the work of everyone from Cervantes to Sterne to Joyce to Nabokov to Borges to Calvino, and has influenced generations of writers around the world. This new English translation is the first to include extensive notes providing crucial historical and cultural context. Unlike other editions, it also preserves Machado's original chapter breaks--each of the novel's 160 short chapters begins on a new page--and includes excerpts from previous versions of the novel never before published in English.
Accompanied by a thorough introduction to Brazil's Machado, Machado's Brazil, these vibrant new translations of eight of Machado de Assis's best-known short stories bring nineteenth-century Brazilian society and culture to life for modern readers.
“Is it possible that the most modern, most startlingly avant-garde novel to appear this year was originally published in 1881?”—Parul Sehgal, New York Times Now considered a progenitor of South American fiction, Machado de Assis’s highly experimental novel is finally rendered as a stunningly contemporary work. Narrating from beyond the grave, Brás Cubas—an enigmatic, amusing and frequently insufferable antihero—describes his childhood spent tormenting household slaves, his bachelor years of torrid affairs, and his final days obsessing over nonsensical poultices. “Rejuvenated” (Pradeep Niroula, Chicago Review of Books) by Margaret Jull Costa and Robin Patterson’s fresh new translation, Posthumous Memoirs of Brás Cubas is a work of acerbic mockery and deep pathos that offers a bird’s-eye view of how Machado de Assis launched the canon of modernist fiction.“Sprinkled with epigrams, dreams, gags and asides, the story teases, dances and delights.”—Economist
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