Introduction to Adhesive Bonding A step-by-step introduction to basic principles and practical applications of adhesive bonding, designed for students and professionals alike Adhesive bonding—the process of joining two surfaces using glues, epoxies, plastic agents, and other adhesives—is a major technique with wide applications in industries as a diverse as aerospace, footwear manufacturing, and food packaging. Adhesive bonding holds several advantages over conventional joining techniques, such as uniform stress concentrations, protection of the bonded surfaces or joints, and the ability to join a variety of different materials and irregular surfaces. Introduction to Adhesive Bonding provides an accessible overview of the principles and common applications of adhesive bonding. Using a systematic approach, the authors thoroughly explain each step necessary to achieve a successful adhesive bond, including surface preparation, bonding agent selection, design and construction of bonded joints, health and safety considerations, and quality control. Readers are provided with both the theoretical foundation and practical information required to plan and complete their own adhesive bonding projects. This comprehensive yet reader-friendly volume: Highlights the inherent advantages of adhesive bonding in various applications Describes the use of adhesive bonding in the development of novel and advanced projects in different industries Features numerous real-world examples of adhesive bonding in areas such as the transportation industry, civil engineering, medical applications, and sports equipment Discusses how adhesives enable development of new products and constructions of reduced weight and size Identifies important limitations and durability concerns of the use of adhesives in specific applications Introduction to Adhesive Bonding is an ideal textbook for undergraduate or graduate Engineering and Chemistry programs, and a useful reference for researchers and industry professionals working in fields such as Engineering, Surface and Polymer Chemistry, and Materials Science.
OODA is a Portuguese architecture collective, now celebrating 10 years of practice. Based in Porto with experience gained internationally in notable offices, such as OMA-Rem Koolhaas and Zaha Hadid Architects, the collective aims to expand internationally, namely New York, São Paulo and Shanghai. With a wide range of work (whether idea or built, new or rehabilitation) and participation in international competitions in Africa, America, Asia, Middle East and Europe, their work includes partnerships with Kengo Kuma and the Pritzker prize winner Souto de Moura. More than presenting and dissecting the work of the practice, this book is an adventure in technical and artistic exchanges. It is divided into three parts; the appraisal of the first ten years, hence the X mark - X - in the title of the book and also predictions for the next ten; a presentation of case studies and projects according to six criteria and knowledge approaches – Insertions, Second Life, Intimacy, Iconographies, Landmarks and Genealogies; and the Dissection of the ten years that have passed, hence the exclamation mark - ! - in the title of the book, along an explanation of the functional and business structure. Ana Aragão has produced an illustrated analysis and synthesis of the practice. Ashley Simone, Fernando Serapião and Pedro Gadanho were invited to write thematically focused and specialized essays on the production and prediction for the coming years of the collective, represented by the question mark - ? - in the title of the book.
During the decades leading up to 1910, Portugal saw vast material improvements under the guise of modernization while in the midst of a significant political transformation - the establishment of the Portuguese First Republic. Urban planning, everyday life, and innovation merged in a rapidly changing Lisbon. Leisure activities for the citizens of the First Republic began to include new forms of musical theater, including operetta and the revue theater. These theatrical forms became an important site for the display of modernity, and the representation of a new national identity. Author João Silva argues that the rise of these genres is inextricably bound to the complex process through which the idea of Portugal was presented, naturalized, and commodified as a modern nation-state. Entertaining Lisbon studies popular entertainment in Portugal and its connections with modern life and nation-building, showing that the promotion of the nation through entertainment permeated the market for cultural goods. Exploring the Portuguese entertainment market as a reflection of ongoing negotiations between local, national, and transnational influences on identity, Silva intertwines representations of gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making. An essential work on Portuguese music in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.
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