Special educator Joanne De Simone bears all in this raw and transformative memoir that captures how she used lessons of modern dance in her journey through motherhood with two children with disabilities. When the pediatrician places the measuring tape around her infant’s head and notes, “His head is a little small,” Joanne knows that motherhood won’t be as she had dreamt. Even as a special educator, Joanne isn’t prepared to raise a child with a life-limiting brain malformation. Nor is she ready for the compounded pain and alienation that comes when her second son is diagnosed with autism. But the struggle to balance her sons’ medical and educational challenges drives Joanne to reconnect with the lessons she learned as a modern dancer—and there she finds enlightenment. Inspired by her experience performing José Limón’s There Is a Time, based on Ecclesiastes 3, each chapter of Fall and Recovery details a dance lesson and the dichotomy of parenting children with disabilities. Over time, Joanne discovers that surviving motherhood isn’t a matter of strength, bravery, or faith. It’s a matter of linking your past experiences and creating your own purpose. It’s realizing that we live simultaneously in love and grief. In the end, dance teaches Joanne not only how to move freely through pain but also how to fall and recover.
If the mind is a trap for memories and flashing recollections, or a place that snatches a thought or action from the air for just a moment, this compilation of poems from the respective minds of two artists, sitting in a studio at East Hampton's public access televison show, Haim Mizrahi's HELLO, HELLO, reveal that minds meld and the instinctive floating grey cells give way to the unexpected whether it's on Joanne's paper scraps or Hiam's laptop screen. In the end, they are notable to the extent that they reveal what's under the SLIPCOVER.
Special educator Joanne De Simone bears all in this raw and transformative memoir that captures how she used lessons of modern dance in her journey through motherhood with two children with disabilities. When the pediatrician places the measuring tape around her infant’s head and notes, “His head is a little small,” Joanne knows that motherhood won’t be as she had dreamt. Even as a special educator, Joanne isn’t prepared to raise a child with a life-limiting brain malformation. Nor is she ready for the compounded pain and alienation that comes when her second son is diagnosed with autism. But the struggle to balance her sons’ medical and educational challenges drives Joanne to reconnect with the lessons she learned as a modern dancer—and there she finds enlightenment. Inspired by her experience performing José Limón’s There Is a Time, based on Ecclesiastes 3, each chapter of Fall and Recovery details a dance lesson and the dichotomy of parenting children with disabilities. Over time, Joanne discovers that surviving motherhood isn’t a matter of strength, bravery, or faith. It’s a matter of linking your past experiences and creating your own purpose. It’s realizing that we live simultaneously in love and grief. In the end, dance teaches Joanne not only how to move freely through pain but also how to fall and recover.
We hope that the lives of all children will be filled with possibility, with open horizons and rainbows into the future. Children with serious illnesses, their families, and those who care for them, confront the realization that "not everything is possible," that despite dramatic scientific and medical advances, the lifespan of some children will be shortened. This threat of premature loss heightens the sense of time for children and families alike, and challenges clinicians to create new pathways of hope for them"--
Splashes of poetry, essays and short fiction, from early teen to done and seen, with some lessons learned in between, recorded in the order of the writers life Joanne writes poetry in the style of a lyricist, liquid and flowing with rhythm; her short stories and essays are thoughtful and provocative as her quill spills emotion from her soul. - Christine Prendergast. Author, Lecturer, Artistic Director at Breaking the Rules, Creative Consultant to all writers at The Sounding Board.
Published in 1999. Lord Byron and Madam de Stael made a great impression on Europe in the throes of the Napoleonic Wars, through their personalities, the versions of themselves which they projected through their works, and their literary engagement with contemporary life. However, the strong links between them have never before been explored in detail. This pioneering study looks at their personal relations, from their verbal sparring in Regency society, through the friendship which developed in Switzerland after Byron left England in 1816, to Byron’s tributes to Mme de Stael after her death. It concentrates on their literary links, both direct responses to each other’s works, and the copious evidence of shared concerns. The study deals with their treatment of gender, their grappling with the possibilities for heroic endeavour, their engagement with the social and political situations of Britain, France and Italy, and their conceptions of the role of the writer. Although Byron will need no introduction, Mme de Stael’s standing as a French romantic writer of the first rank is made plain by the strong impact of her writings on the English Poet.
From booties and scarves to art and fashion, The Culture of Knitting addresses knitting as art, craft, design, fashion and performance, and as an aspect of the everyday. Drawing on a variety of sources, including interviews with knitters from different disciplines as well as amateurs, the text breaks down hierarchical boundaries and stereotypical assumptions that have previously negated the academic study of knitting. The book also highlights the diversity and complexity of knitting in all its guises. The Culture of Knitting investigates not merely why knitting is so popular now but also the reasons why knitting has such longevity. By assessing the literature of knitting, manuals, patterns, social and regional histories, alongside testimonial discussions with artists, designers, craftspeople and amateurs, the book offers new ways of seeing and new methods of critiquing knitting - without the constraints of disciplinary boundaries - in the hope of creating an environment in which knitting can be valued, recognized and discussed.
This twenty-ninth edition of Annual Editions: Criminal Justice is a collection of articles from the best of the public press. Our student website, Dushkin Online (www.dushkin.com/online/), is designed to support Annual Editions titles.
This Annual Editions reader of public press articles addresses crime and justice in America; victimology; the police; the judicial system; juvenile justice; and punishment and corrections. Our student Web site, Dushkin Online (www.dushkin.com/online/), is designed to support Annual Editions titles.
This Thirty-Second Edition of ANNUAL EDITIONS: CRIMINAL JUSTICE provides convenient, inexpensive access to current articles selected from the best of the public press. Organizational features include: an annotated listing of selected World Wide Web sites; an annotated table of contents; a topic guide; a general introduction; brief overviews for each section; a topical index; and an instructor’s resource guide with testing materials. USING ANNUAL EDITIONS IN THE CLASSROOM is offered as a practical guide for instructors. ANNUAL EDITIONS titles are supported by our student website, www.mhcls.com/online.
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