Maudlin challenges much of the existing biographical material on the writer and offers a fresh view on the final years of his life. Through the utilization of primary and secondary sources including letters, interviews, recordings, and newspaper clippings, Mauldin offers a candid account of the life of Thomas Wolfe from the time of his visit to North Carolina in 1937 until his untimely death in 1938. Mauldin chronicles details of Wolfe's shocking change in publishers and his complex relationships with his editors, family, friends, and his mistress. This examination goes beyond Wolfe's life and extends into the period after his death, revealing details about the reaction of family and friends to the passing of this literary legend, as well as the cavalierpublishing practices of his posthumous editors. Mauldin's narrative is unique from other biographical accounts of Thomas Wolfe in that it focuses solely on the final years in the life of the author.
The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.
Focusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.
With Aldon Nielson, the editors of this volume agree that ""the middle passage may be the great repressed signifier of American historical consciousness."" The essays collected here illustrate that the repressed memory of crossing lives not only in the academy, in oral traditions, and in the stone walls of slave fortresses but in the liturgy as well as the spiritual and religious practices throughout the African Diaspora. Descendants of African slaves living in the wide Diaspora are bearers of an ""unforgetful strength"" that endures and endures, manifesting itself in every aspect of culture. Black writers, artists and musicians in the New World have tested the limits of cultural memory, finding in it the inspiration to ""speak the unspeakable.""
Special educator Joanne De Simone bears all in this raw and transformative memoir that captures how she used lessons of modern dance in her journey through motherhood with two children with disabilities. When the pediatrician places the measuring tape around her infant’s head and notes, “His head is a little small,” Joanne knows that motherhood won’t be as she had dreamt. Even as a special educator, Joanne isn’t prepared to raise a child with a life-limiting brain malformation. Nor is she ready for the compounded pain and alienation that comes when her second son is diagnosed with autism. But the struggle to balance her sons’ medical and educational challenges drives Joanne to reconnect with the lessons she learned as a modern dancer—and there she finds enlightenment. Inspired by her experience performing José Limón’s There Is a Time, based on Ecclesiastes 3, each chapter of Fall and Recovery details a dance lesson and the dichotomy of parenting children with disabilities. Over time, Joanne discovers that surviving motherhood isn’t a matter of strength, bravery, or faith. It’s a matter of linking your past experiences and creating your own purpose. It’s realizing that we live simultaneously in love and grief. In the end, dance teaches Joanne not only how to move freely through pain but also how to fall and recover.
This illustrated encyclopedia examines the unique influence and contributions of women in every era of American history, from the colonial period to the present. It not only covers the issues that have had an impact on women, but also traces the influence of women's achievements on society as a whole. Divided into three chronologically arranged volumes, the set includes historical surveys and thematic essays on central issues and political changes affecting women's lives during each period. These are followed by A-Z entries on significant events and social movements, laws, court cases and more, as well as profiles of notable American women from all walks of life and all fields of endeavor. Primary sources and original documents are included throughout.
This is the first in-depth examination of contemporary intercultural performance by women around the world. Contemporary feminist performance is explored in the contexts of current intercultural practices, theories and debates. Holledge and Tompkins provide ways of thinking about and analysing contemporary performance and representations of the performing, female, culturally-marked body. The book includes discussions of: * ritual performance by women from Central Australia and Korea * the cultural exchange of A Doll's House and Antigone * plays from Algeria, South Africa and Ghana * the work of the Takarazuka revue company * the market forces that govern the distribution of women and women's performance. This is an essential read for anyone studying or interested in women's performance.
The entrancing historical read perfect for readers of Hamnet and The Manningtree Witches 'Vivid and poetic' JENNIFER SAINT 'Mesmerizing' ROSIE ANDREWS 'Page-turning' SUSAN STOKES-CHAPMAN 'Beautiful' ANNIE GARTHWAITE 'Exquisitely written' SONIA VELTON 'Fascinating' LIZ HYDER 'Heart-wrenching' REBECCA F. JOHN 'Wholly original' SARAH BURTON 'Exquisite' EMMA CARROLL 'Bewitching' ROZ WATKINS 'Spellbinding' NIKKI MARMERY It is 1665 and the women of Eyam keep many secrets. Isabel Frith, the village midwife, walks a dangerous line with her herbs and remedies. There are men in the village who speak of witchcraft, and Isabel has a past to hide. So she tells nobody her fears about Wulfric, the pious, reclusive apothecary. Mae, Wulfric's youngest daughter, dreads her father's rage if he discovers what she keeps from him. Like her feelings for Rafe, Isabel's ward, or that she studies from Wulfric's forbidden books at night. But others have secrets too. Secrets darker than any of them could have imagined. When Mae makes a horrifying discovery, Isabel is the only person she can turn to. But helping Mae will place them both in unspeakable peril. And meanwhile another danger is on its way from London. One that threatens to engulf them all . . . Based on the real history of an English village during the Great Plague, The Hemlock Cure is an utterly beguiling tale of fear and ambition, betrayal, self-sacrifice and the unbreakable bond between two women.
Glenwood Cemetery has long offered a serene and pastoral final resting place for many of Houston's civic leaders and historic figures. In Houston's Silent Garden, Suzanne Turner and Joanne Seale Wilson reveal the story of this beautifully wooded and landscaped preserve's development—a story that is also very much entwined with the history of Houston. In 1871, recovering from Reconstruction, a group of progressive citizens noticed that Houston needed a new cemetery at the edge of the central city. Embracing the picturesque aesthetic that had swept through the Eastern Seaboard, the founders of Glenwood selected land along Buffalo Bayou and developed Glenwood. Since then, the cemetery's monuments have memorialized the lives of many of the city's most interesting residents (Allen, Baker, Brown, Clayton, Cooley, Cullinan, Farish, Hermann, Hobby, House, Hughes, Jones, Law, Rice, Staub, Sterling, Weiss, and Wortham, among many others). The monuments also showcase the artistry and craftsmanship of some of the region's finest sculptors and artisans. Accompanied by the breathtaking photography of Paul Hester, this book chronicles the cemetery's origins from its inception in 1871 to the present day. Through the story of Glenwood, readers will appreciate some of the natural features that shaped Houston's evolution and will also begin to understand the forces of urbanization that positioned Houston to become the vital community it is today. Houston's Silent Garden is a must-read for those interested in Houston civic and regional history, architecture, and urban planning.
On June 19, 2009, his holiness Benedict XVI established a special year for priests, ending on June 10, 2010. The hope was to 'encourage priests as they strive for spiritual perfection because, of course, on this the effectiveness of their ministry depends.' In honor of those who daily offer their lives in service to the Lord, Joanne McKenna has written Letters to Priests, a book of inspiration, hope, and encouragement for priests, pastors, saints, and sinnersall believers travelling through innocence, penitence, and priesthood. Its two parts consist of letters, prayers, and journal entries that will inspire any on the road to redemption. So take up your walking stick and journey with those who've been on this road for years and let your story meld with theirs. Each faith journey is significant and in the end not as different as we would like to believe.
This study investigates contestations over spatiality in one culturally composite nation, Australia, where contemporary theatre stages competing cultural and political agendas through space and place. Covering a wide range of plays it will have wide appeal for issues of space, spatiality and territory in all forms of theatre, in all nations.
“Tell me all about your trip!” It’s a request that follows travelers as they head out into the world, and one of the first things they hear when they return. When we leave our homes to explore the wider world, we feel compelled to capture the experiences and bring the story home. But for those who don’t think of themselves as writers, putting experiences into words can be more stressful than inspirational. Writing Abroad is meant for travelers of all backgrounds and writing levels: a student embarking on overseas study; a retiree realizing a dream of seeing China; a Peace Corps worker in Kenya. All can benefit from documenting their adventures, whether on paper or online. Through practical advice and adaptable exercises, this guide will help travelers hone their observational skills, conduct research and interviews, choose an appropriate literary form, and incorporate photos and videos into their writing. Writing about travel is more than just safeguarding memories—it can transform experiences and tease out new realizations. With Writing Abroad, travelers will be able to deepen their understanding of other cultures and write about that new awareness in clear and vivid prose.
Expert author Joanne Martin examines a variety of conflicting ways to study cultures in organizations, including different theoretical orientations, political ideologies (managerial, critical, and apparently neutral); methods (qualitative, quantitative, and hybrid approaches), and styles of writing about culture (ranging from traditional to postmodern and experimental). In addition, she offers a guide for those who might want to study culture themselves, addressing such issues as: What qualitative, quantitative, and hybrid methods can be used to study culture? What standards are used when reviewers evaluate these various types of research? What innovative ways of writing about culture have been introduced? And finally, what are the most important unanswered questions for future organizational culture researchers?
A critical examination of panegyrical theatre from its beginnings in the masque, city pageant, and history plays to its varied culmination on the Restoration musical stage.
What causes violent conflicts around the Middle East? All too often, the answer is sectarianism—popularly viewed as a timeless and intractable force that leads religious groups to conflict. In Everyday Sectarianism in Urban Lebanon, Joanne Nucho shows how wrong this perspective can be. Through in-depth research with local governments, NGOs, and political parties in Beirut, she demonstrates how sectarianism is actually recalibrated on a daily basis through the provision of essential services and infrastructures, such as electricity, medical care, credit, and the planning of bridges and roads. Taking readers to a working-class, predominantly Armenian suburb in northeast Beirut called Bourj Hammoud, Nucho conducts extensive interviews and observations in medical clinics, social service centers, shops, banking coops, and municipal offices. She explores how group and individual access to services depends on making claims to membership in the dominant sectarian community, and she examines how sectarianism is not just tied to ethnoreligious identity, but also class, gender, and geography. Life in Bourj Hammoud makes visible a broader pattern in which the relationships that develop while procuring basic needs become a way for people to see themselves as part of the greater public. Illustrating how sectarianism in Lebanon is not simply about religious identity, as is commonly thought, Everyday Sectarianism in Urban Lebanon offers a new look at how everyday social exchanges define and redefine communities and conflicts.
When mail-order bride Juniper’s husband vanishes, she writes to him—but fears she's waiting for a ghost in a ghost town. A century later, Johnny Sutherland discovers her letters while restoring her abandoned farmhouse. Can her loving words from the distant past change his present? 1902: Upon arriving in Kenworthy, California, mail-order bride Juniper Cohen is met by the pounding of the gold mine, an untamable landscape, and her greatest surprise of all: the kind and charming man who awaits her. But when the mine proves empty of profit, and when Juniper’s husband, John, vanishes, Juniper is left to fend for herself and her young daughter in the dying town that is now her home. Juniper pens letters to her husband but fears she is waiting on a ghost. Perhaps worse, rumors abound claiming the man she loves could be an outlaw. Fighting for survival, she befriends the few people left in Kenworthy and refuses to leave, resolving to be exactly where her husband left her in case he comes home. Surviving in a ghost town requires trusting the kindness of a few remaining souls, including the one who can unlock the mystery of her husband’s disappearance. Present day: Trying to escape the heartache of his failed marriage, Johnny Sutherland throws himself into raising his children and restoring a hundred-year-old abandoned farmhouse in what was once known as Kenworthy in the San Jacinto Mountains. While exploring its secrets he uncovers Juniper’s letters and is moved by the handwritten accounts that bear his name—and as a love story from the past touches his own world, Johnny might discover yet that hope and resilience go hand in hand. With The Gold in These Hills, acclaimed and beloved author Joanne Bischof returns with an absorbing masterpiece of faith, perseverance, and love that changes the course of history. Sweeping, Inspirational fiction with historical and contemporary timelines Stand-alone novel Book length: 93,000 words Includes discussion questions for book clubs and a note from the author
Jeannette Howard Foster was to lesbianism in the mid-twentieth century what out authors such as Gore Vidal and James Baldwin were to gay men. She unapologetically blew the lid off Cold War sexual repression in 1956 with her Sex Variant Women in Literature-the first-ever study of homosexual, bisexual, and cross-dressing characters appearing in more than 300 works, from ancient times to the present. Joanne Passet's Sex Variant Woman is a fascinating portrait of Foster, who served as the first librarian at the Kinsey Institute before leaving to publish her controversial book. It is also a riveting look into the pre-Stonewall past, the intense sexual repression and persecution endured by homosexuals, the groundbreaking advances put forth by a cadre of activists, and the rise of feminism and gay and lesbian liberation decades later.
Although only 2 percent of Colombia’s population identifies as indigenous, that figure belies the significance of the country’s indigenous movement. More than a quarter of the Colombian national territory belongs to indigenous groups, and 80 percent of the country’s mineral resources are located in native-owned lands. In this innovative ethnography, Joanne Rappaport draws on research she has conducted in Colombia over the past decade—and particularly on her collaborations with activists—to explore the country’s multifaceted indigenous movement, which, after almost 35 years, continues to press for rights to live as indigenous people in a pluralistic society that recognizes them as citizens. Focusing on the intellectuals involved in the movement, Rappaport traces the development of a distinctly indigenous modernity in Latin America—one that defies common stereotypes of separatism or a romantic return to the past. As she reveals, this emerging form of modernity is characterized by interethnic communication and the reframing of selectively appropriated Western research methodologies within indigenous philosophical frameworks. Intercultural Utopias centers on southwestern Colombia’s Cauca region, a culturally and linguistically heterogeneous area well known for its history of indigenous mobilization and its pluralist approach to ethnic politics. Rappaport interweaves the stories of individuals with an analysis of the history of the Regional Indigenous Council of Cauca and other indigenous organizations. She presents insights into the movement and the intercultural relationships that characterize it from the varying perspectives of regional indigenous activists, nonindigenous urban intellectuals dedicated to the fight for indigenous rights, anthropologists, local teachers, shamans, and native politicians.
Meet four women whose lives are in transition and watch as something old, new, borrowed, or blue brings them joy, romance, and renewed faith. Betsy’s something old is a lost family watch. Wren’s something new is a home built with her in mind. Clara’s something borrowed is a farmhand from the neighbors. Darla’s something blue is her mother’s missing cameo. Will each woman find the treasure her heart is intent upon in these four historical romance novellas?
The Life and Songs of Stephen Foster offers an engaging reassessment of the life, politics, and legacy of the misunderstood father of American music. Once revered the world over, Foster’s plantation songs, like “Old Folks at Home” and “My Old Kentucky Home,” fell from grace in the wake of the Civil Rights Movement due to their controversial lyrics. Foster embraced the minstrel tradition for a brief time, refining it and infusing his songs with sympathy for slaves, before abandoning the genre for respectable parlor music. The youngest child in a large family, he grew up in the shadows of a successful older brother and his president brother-in-law, James Buchanan, and walked a fine line between the family’s conservative politics and his own pro-Lincoln sentiments. Foster lived most of his life just outside of industrial, smoke-filled Pittsburgh and wrote songs set in a pastoral South—unsullied by the grime of industry but tarnished by the injustice of slavery. Rather than defining Foster by his now-controversial minstrel songs, JoAnne O’Connell reveals a prolific composer who concealed his true feelings in his lyrics and wrote in diverse styles to satisfy the changing tastes of his generation. In a trenchant reevaluation of his NewYork Bowery years, O’Connell illustrates how Foster purposely abandoned the style for which he was famous to write lighthearted songs for newly popular variety stages and music halls. In the last years of his life, Foster’s new direction in songwriting stood in the vanguard of vaudeville and musical comedy to pave the way for the future of American popular music. His stylistic flexibility in the face of evolving audience preferences not only proves his versatility as a composer but also reveals important changes in the American music and publishing industries. An intimate biography of a complex, controversial, and now neglected composer, The Life and Songs of Stephen Foster is an important story about the father of American music. This invaluable portrait of the political, economic, social, racial, and gender issues of antebellum and Civil War America will appeal to history and music lovers of all generations.
Writing the Roaming Subject explores issues of identity formation, representation, and resistance in Canada and suggests that these are particularly crucial questions during a period of Canadian literary history.
Dolores del Rio challenged Hollywood's - and the public's - prevailing views on race and gender from the 1920s through the 1960s. Her roles, costumes, and makeup, along with the advertising, publicity, and reviews of her films, reveal the influence of her ethnicity and her construction as an exotic commodity: her sexual image ran counter to the dominant social standards for femininity and against miscegenation, but her exoticism - and the promotion of it - contributed to her renown as one of Hollywood's most enduring stars.
In the current model of health dispensation in South Africa there are two major paradigms, the spirit-inspired tradition of izangoma sinyanga and biomedicine. These operate at best in parallel, but more often than not are at odds with one another. This book, based on the author's personal experience as a practitioner of traditional African medicine, considers the effects of the absence of spirit in biomedicine on collaborative relationships. Given the unprecedented challenge of the HIV/AIDS epidemic in the country, the author suggests that more cooperation is vital. Taking a critical look at the role of anthropology in this endeavor, she proposes the development of a "language of spirit" by means of which the spirit-inspired aetiology of izangoma sinyanga may be made comprehensible to academic scientists and applicable to medical interventions. The author discusses white izangoma in the context of current debates on healing and hybridity and insists that there exists a powerful role for izangoma in the realm of societal healing. Above all, the book constitutes a start in what the author hopes will develop into an ongoing intellectual conversation between traditional African healing, academe, and biomedicine in South Africa.
Features Elizabeth Gaskell's work. This work brings together her journalism, her shorter fiction, which was published in various collections during her lifetime, her early personal writing, including a diary written between 1835 and 1838 when she was a young mother, her five full-length novels and "The Life of Charlotte Bronte".
From the first animal skin body coverings, to today’s high fashion collections, fashion has held an important role in the evolution of mankind. The fashion industry has, and continues to make, major contributions to our cultural and social environment. It is an industry that responds to our inherent longing for tribal belonging, our socio-economic needs, individual lifestyles, status stratification and profession apparel requirements. The fashion industry is fast-paced, complex and ever changing, in response to consumer needs. Throughout the world, vast numbers of people contribute to this industry, each with the shared goal of supplying an end product of a particular price point directed at a target consumer. This second edition of Historical Dictionary of the Fashion Industry contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1,400 cross-referenced entries on designers, models, couture houses, significant articles of apparel and fabrics, trade unions, and the international trade organizations. This book is an excellent resource for students, researchers, and anyone wanting to know more about the fashion industry.
Like Two Peas in a Pot is intended as a stand-alone companion to our two volumes - Like Two Peas in a Pod. While volume 1 concentrates on look-alikes in film and on TV, and volume 2 looks at theatre and ""live"" versions of Stan and Ollie, this edition bridges the gap! In here you will find stunt doubles, music videos, advertising, quiz shows, false leads, rumours and films that never saw the light of day. Full of interesting trivia, this is another fine edition for your Laurel and Hardy book shelf!
′These sections represent the clearest rendition yet of these subjects, with difficult concepts introduced in a digestible form for the neophytic (or not so neophytic) researcher. Whilst in a book this size not every argument can be presented, there is ample extra material to be found to encourage further engagement... At the end of each chapter, there is a very useful Further Reading section provided by the authors, which gives useful guidelines. I believe to be an extremely useful text, which addresses what has until now been a significant gap in the market. This book will be my first choice in the future for introducing doctoral students of management-related subject to the philosophical underpinning they require for their studies. There is no other text which covers this area so clearly, so succinctly and in language that is readily accessible to a wide range of researcher back-grounds. I can enviSAGE this being a valuable source book to which researchers return again and again in order to deepen their understanding as research projects progress; it certainly provoked some new questions for me. To conclude, an excellent buy′ - International Journal of Entrepreneurship and Innovation This is an invaluable introduction for all students and researchers of management confronting a new research project. Understanding Management Research provides an overview of the principal epistemological debates in social science and how these lead to and are expressed in different ways of conceiving and undertaking organizational research. For researchers and students who are increasingly expected to adopt a reflexive understanding of their own epistemological position, the authors present a concise, accessible guide to the different perspectives available and their implications for research output. All students undertaking empirical research for theses and dissertations will find this book helps them comprehend the key ongoing debates and engage with their own pre-understandings when trying to make sense of management and organizations.
A small town is rocked by a string of suspicious accidents in this suspense thriller by the New York Times bestselling author of The Other Child. The moment Marian Larsen sees the patrol car stop outside her house, she feels a shiver of foreboding. The news is even worse than she feared. Marian’s husband and young daughter have been in a snowmobile crash. Dan is paralyzed and Laura is dead, her body broken on the icy ground. Friends and colleagues in Marian’s Minnesota hometown rally around to try and ease her grief. But soon there are more horrible accidents. Then the rumors start—that these are not coincidences at all, that someone is picking off victims one by one. And as winter deepens, the search for answers will reveal a killer whose blood runs colder than the blinding snow . . . For lighter mysteries, don’t miss Joanne Fluke’s Hannah Swensen series!
The term Financial Derivative is a very broad term which has come to mean any financial transaction whose value depends on the underlying value of the asset concerned. Sophisticated statistical modelling of derivatives enables practitioners in the banking industry to reduce financial risk and ultimately increase profits made from these transactions. The book originally published in March 2000 to widespread acclaim. This revised edition has been updated with minor corrections and new references, and now includes a chapter of exercises and solutions, enabling use as a course text. Comprehensive introduction to the theory and practice of financial derivatives. Discusses and elaborates on the theory of interest rate derivatives, an area of increasing interest. Divided into two self-contained parts ? the first concentrating on the theory of stochastic calculus, and the second describes in detail the pricing of a number of different derivatives in practice. Written by well respected academics with experience in the banking industry. A valuable text for practitioners in research departments of all banking and finance sectors. Academic researchers and graduate students working in mathematical finance.
The ageing population is a global societal issue. Policymakers, planners and the public, third and private sectors must rethink how the built environment and services are delivered to meet the needs of a changing demographic. This is the first book to systematically review the evolution, development and progress of age-friendly thinking in the UK, with a primary focus on the real-world experiences of the people leading place-based initiatives. The book presents the findings of the first in-depth national study of age-friendly programme leaders in the UK, completed in 2021, and provides insights into the development of age-friendly communities, the formative influences from a social policy perspective, the management challenges and the progress towards achieving age-friendly goals. Using primary interview data and narrative analysis, the experiences of working with age-friendly programmes in different organisational forms are explored. The book promotes a greater understanding of what it means to become an age-friendly community in practice, how the programmes have different development pathways, and what influences different outcomes. Embellished with detailed narratives from practitioners, informative tables, and diagrams and figures throughout, the book carefully gathers the voices of a diverse range of decision-makers and leaders associated with the age-friendly movement and provides unique insights on the drivers of change in specific localities. This is a must-read for anyone involved in ageing research or ageing policy and practice as it provides an insightful look into the real world of embedding this community development model in different localities to make a difference to the lives of older people. Topical themes include how these agendas connect with other issues, such as dementia-friendly programmes and the work of the third sector, as well as the growing challenge of what it means to be ‘friendly’ as a community and place and whether ‘friendly’ is becoming an over-used term in relation to place identity. The book has national and global interest for all communities engaged in age-friendly activity, offering exemplars of best practice, achievements in transforming local communities and views on the meaning of ageing, as well as the age-friendly lens as an approach that champions the world through the eyes of older people. It offers a thought-provoking read for anyone with an interest in this expanding area of ageing, irrespective of disciplinary focus.
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