Menacing and poisonous black widow spiders are profiled in fact-filled detail. Readers will learn about the lives of these spiders, including their eating and living habits. Large, close-up photographs are too much for even the most reluctant readers to resist.
With Aldon Nielson, the editors of this volume agree that ""the middle passage may be the great repressed signifier of American historical consciousness."" The essays collected here illustrate that the repressed memory of crossing lives not only in the academy, in oral traditions, and in the stone walls of slave fortresses but in the liturgy as well as the spiritual and religious practices throughout the African Diaspora. Descendants of African slaves living in the wide Diaspora are bearers of an ""unforgetful strength"" that endures and endures, manifesting itself in every aspect of culture. Black writers, artists and musicians in the New World have tested the limits of cultural memory, finding in it the inspiration to ""speak the unspeakable.""
Misunderstood and stereotyped, the black family in America has been viewed by some as pathologically weak while others have acclaimed its resilience and strength. Those who have drawn these conflicting conclusions have gnerally focused on the nuclear family—husband, wife, and dependent children. But as Elmer and Joanne Martin point out in this revealing book, a unit of this kind often is not the center of black family life. What appear to be fatherless, broken homes in our cities may really be vital parts of strong and flexible extended families based hundreds of miles away—usually in a rural area. Through their eight-year study of some thirty extended families, the Martins find that economic pressures, including federal tax and welfare laws, have begun to make the extended family's flexibility into a liability that threatens its future.
Cold calling is one of the most awkward -- and unsuccessful -- ways to obtain clients in business. Now Joanne S. Black shares her proven 5-step Referral Selling system, so no businessperson ever has to make a cold call again. In this unique and practical guide, Black offers a tutorial on how to differentiate your business from your competitors, make favorable impressions on current clients so they'll refer their acquaintances, and set a "hook" that will leave them wanting more. NO MORE COLD CALLING provides selling scripts, presentation techniques, troubleshooting advice, and a host of helpful insights to increase any sales force's productivity.
With maps and insider tips, this smart travel guidebook will lead you through the Aloha State's most popular gems: Maui, the Valley Isle (and its smaller islands of Moloka'i and Lana'i) and Kaua'i, the Garden Isle! Here's what to see and do, and where to eat, drink, shop, stay, and play-from sun-drenched beaches to cloud-covered volcanoes, from posh resorts to wild emerald-green valleys. Includes "Top Picks". 10 maps (5 for Maui, 1 each for Moloka'i and Lana'i, and 3 for Kaua'i).
Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.
Misunderstood and stereotyped, the black family in America has been viewed by some as pathologically weak while others have acclaimed its resilience and strength. Those who have drawn these conflicting conclusions have gnerally focused on the nuclear family—husband, wife, and dependent children. But as Elmer and Joanne Martin point out in this revealing book, a unit of this kind often is not the center of black family life. What appear to be fatherless, broken homes in our cities may really be vital parts of strong and flexible extended families based hundreds of miles away—usually in a rural area. Through their eight-year study of some thirty extended families, the Martins find that economic pressures, including federal tax and welfare laws, have begun to make the extended family's flexibility into a liability that threatens its future.
Craig Heatley was still at high school when he created a subdivision on the back of $200 saved from his paper round. A few years later, building a mini-golf course launched a business that in 1986 saw him become the youngest person to have then featured in the National Business Review's Rich List. But it is Sky Television that was his boldest and most precarious undertaking. The fledgling company teetered in the early nineties as rugby suffered its own crisis, torn between its amateur heritage and the forces of professionalism. Heatley could see the answer. Making it happen is part of his story. 'Craig built businesses that New Zealanders wanted before we knew we wanted them.' Sir John Key 'I found this book incredibly inspiring. The lessons about the importance of networking, taking risks and anticipating the future have encouraged me to think deeply about how we can get ahead.' David, Small Business Owner 'Without Craig, there'd be no Sky TV and without Sky we would have lost the battle for our players. The importance of Sky to professional rugby in New Zealand cannot be overstated.' Steve Tew
With Aldon Nielson, the editors of this volume agree that ""the middle passage may be the great repressed signifier of American historical consciousness."" The essays collected here illustrate that the repressed memory of crossing lives not only in the academy, in oral traditions, and in the stone walls of slave fortresses but in the liturgy as well as the spiritual and religious practices throughout the African Diaspora. Descendants of African slaves living in the wide Diaspora are bearers of an ""unforgetful strength"" that endures and endures, manifesting itself in every aspect of culture. Black writers, artists and musicians in the New World have tested the limits of cultural memory, finding in it the inspiration to ""speak the unspeakable.""
As black American women, we are born into a mystic sisterhood, and we live our lives within a magic circle, a realm of shared language, reference, and allusion within the veil of our blackness and our femaleness. We have been as invisible to the dominant culture as rain; we have been knowers, but we have not been known." Joanne Braxton argues for a redefinition of the genre of black American autobiography to include the images of women as well as their memoirs, reminiscences, diaries, and journals—as a corrective to both black and feminist literary criticism. Beginning with slave narratives and concluding with modern autobiography, she deals with individual works as representing stages in a continuum and situates these works in the context of other writings by both black and white writers. Braxton demonstrates that the criteria used to define the slave narrative genre are inadequate for analyzing Harriet "Linda Brent" Jacobs's pseudonymously publishedIncidents in the Life of a Slave Girl: Written by Herself(1861). She examines "sass" as a mode of women's discourse and a weapon of self-defense, and she introduces the "outraged mother" as a parallel to the articulate hero archetype. Not even emancipation authorized black women to define themselves or address an audience. Late-nineteenth-century accounts in the form of confessional spiritual autobiographies, travelogue/adventure stories, and slave memoirs enabled such women as Jarena Lee, Rebecca Cox Jackson, Elizabeth Keckley, Susie King Taylor, as well as Harriet Tubman and Sojourner Truth to tell their own extraordinary stories and to shed light on the thousands of lives obscured by illiteracy and sexual and racial oppression. In her diaries, Charlotte Forten Grimké, the gifted poet, epitomizes the problems faced by a well-educated, extremely articulate black woman attempting to find a public voice in America. Moving into the twentieth century, Braxton analyzes the memoir of Ida B. Wells, journalist and anti-lynching activist, and the work of Zora Neale Hurston and Era Bell Thompson. They represent the first generation of black female autobiographers who did not continually come into contact with former slaves and who transcended the essential struggle for survival that occupied earlier writings. For the contemporary black woman autobiographer, the quest for personal fulfillment is the central theme. Braxton concludes with Maya Angelou'sI Know Why the Caged Bird Sings(1996), which represents the black woman of the 1960s who has found the place to recreate the self in her own image—the place all the others had been searching for. Author note:Joanne M. Braxtonis Cummings Professor of American Studies and English at the College of William and Mary and author ofSometimes I think of Maryland, a collection of poems.
Can the gospel message of the Atonement have a liberative message for black Christians? Is there, indeed, "power in the blood of Jesus"? This study of the meaning of the cross in the African American religious experience is both comprehensive and powerful: comprehensive because it explores the meaning of the cross -- symbol of suffering and sacrifice -- from the early beginnings of Christianity through modern times, and powerful because it is written by a black woman who has experienced abuse and the oppression of field-work.
Traces the life of the Sauk Indian leader who struggled in vain to prevent the Americans from claiming the rich farmland near the Mississippi River in Illinois.
Princess Belle is the Princess of Haiti. It is time for the annual All Nations Princesses Tea Party to be held in Haiti. Princess Belle does not want to attend the tea party because she believes she is not pretty enough to go. She compares her dark skin and kinky hair to all the other princesses all over the world. The King discovers her sadness and makes her realize just how beautiful her dark skin and kinky hair really is. The King's acknowledgment of her beauty allows her to want to go to the tea party. To her surprise, all the other princesses were filled with joy when they saw her at the tea party. She was absolutely so beautiful to them all. They loved everything about Princess Belle. They all laughed together and enjoyed the annual tea party that was held in Haiti.
Menacing and poisonous black widow spiders are profiled in fact-filled detail. Readers will learn about the lives of these spiders, including their eating and living habits. Large, close-up photographs are too much for even the most reluctant readers to resist.
This is an interracial love story about a woman named Bernice, who went through alot of heart ache.. her husband gave her an STD, he cheated on her on numerous of occassions, one in which he cheated on her with her sister's husband who faked his death just to get a sex change. She was told that she couldn't have any children. After going through alot of drama, deception, abuse, and heart ache, she falls in love with her doctor, Dr Rosato. They have two children, in spite of her drug addicted mom's disapproval.
Every year more colleges and high schools are offering classes (and often making them required classes) in black history. Joanne Turner-Sadler provides a concise and probing treatment of 400 years of black history in America that can be used with age groups ranging from lower high school to college. In African American History: An Introduction the author touches on key figures and events that have shaped African American culture beginning with a look at Africa and its various civilizations and the migration of the African people to America. Some essential topics covered are: the struggle with slavery, the role African Americans played in America's wars (including the current war in Iraq), race riots and unions, the NAACP, civil rights, and black power movements, the Harlem Renaissance, issues in education, the journey into the West, legal cases such as Plessy vs. Ferguson and Brown vs. Board of Education, African Americans as athletes, entertainers, and statesmen. This book is an indispensable addition to all library collections as well as a teaching tool for instructors. It is heavily illustrated (photos, maps, timelines) with useful end-of-the-chapter questions and activities for further study and includes a handy bibliography of suggested readings and an index. New in this edition is a section on the historic election of Barack Obama, the first African American president of the United States. Interesting connections Obama has to past presidents are explored as well. This edition also contains enhanced discussions of Colin Powell and Condoleezza Rice, and the historic positions both held.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.