Credited on its first title page to William Shakespeare and William Rowley, The Birth of Merlin continues to provoke speculation about its place in the Shakespeare 'Apocrypha'. The play is an imaginative re-working of the story of Merlin the Magician and his part in the struggle against the Saxon invasion of Britain. It contains not only scenes of love, war, and court politics, but a devil, a clown, and an unusual number of spectacular stage effects. This edition seeks to provide contexts for the play's diverse elements (chronicle history, romance, spectacle, and comedy), and considers its relationships with a wide variety of texts from Geoffrey of Monmouth and the English prose Brut to Shakespeare's Henry VIII.
To this day, churchgoing Mormons report that they hear from their fellow congregants in Sunday meetings that African-Americans are the accursed descendants of Cain whose spirits--due to their lack of spiritual mettle in a premortal existence--were destined to come to earth with a "curse" of black skin. This claim can be made in many Mormon Sunday Schools without fear of contradiction. You are more likely to encounter opposition if you argue that the ban on the ordination of Black Mormons was a product of human racism. Like most difficult subjects in Mormon history and practice, says Joanna Brooks, the priesthood and temple ban on Blacks has been managed carefully in LDS institutional settings with a combination of avoidance, denial, selective truth-telling, and determined silence. As America begins to come to terms with the costs of white privilege to Black lives, this book urges a soul-searching examination of the role American Christianity has played in sustaining everyday white supremacy by assuring white people of their innocence. In Mormonism and White Supremacy, Joanna Brooks offers an unflinching look at her own people's history and culture and finds in them lessons that will hit home for every scholar of American religion and person of faith.
In southern Wyoming, an influenza epidemic sweeps in on the tails of a raging blizzard. An already tense situation between whites and the Cheyenne, Shoshoni, and Blackfoot Indian tribes is aggravated when the Indians begin attacking settlers and soldiers alike. Only the nearby Crow remain friendly, at one point even rescuing an army patrol under attack. When influenza and starvation threaten the Crow, Hannah and a young doctor come to their aid. The hungry settlers complain at first, but eventually come to admire and respect the example set by Hannah's Touch of Compassion.
Horticultural Therapy is ideally suited to engage veterans alienated from traditional civilian healthcare routes who present with a range of complex and challenging healthcare needs. It presents, on the surface, as a deceptively simple and accessible activity. Carried out by trained professionals, it is an evidence-based, effective and cost-effective treatment. By targeting specific client-centred goals, it is able to integrate improved individual physical, emotional, cognitive and social outcomes with broader opportunities to transition successfully into civilian society through learning a valuable skill set and a meaningful occupation. This book provides a comprehensive introduction to the methods of Horticultural Therapy as applied to this unique client group. It describes the type of combat training and experiences veterans may have had, and sets out the common issues and pitfalls civilian therapists often face when working with the military. Looking to the future, it also identifies promising avenues in terms of how we may improve the treatment we offer to best serve the needs of these ex-service men and women who fight on our behalf.
Suffering and Happiness in England 1550-1850 pays tribute to one of the leading historians working on early modern England, Paul Slack, and his work as a historian, and enters into discussion with the rapidly growing body of work on the 'history of emotions'. The themes of suffering and happiness run through Paul Slack's publications; the first being more prominent in his early work on plague and poverty, the second in his more recent work on conceptual frameworks for social thought and action. Though he has not himself engaged directly with the history of emotions, assembling essays on these themes provides an opportunity to do that. The chapters explore in turn shifting discourses of happiness and suffering over time; the deployment of these discourses for particular purposes at specific moments; and their relationship to subjective experience. In their introduction, the editors note the very diverse approaches that can be taken to the topic; they suggest that it is best treated not as a discrete field of enquiry but as terrain in which many paths may fruitfully cross. The history of emotions has much to offer as a site of encounter between historians with diverse knowledge, interests, and skills.
Facts and figures are transformed into full-color visuals, making this a must-have for those who love literature. What are infographics? Simply put, they present statistical information in a visual format, turning boring details into colorful, entertaining scenes that help you remember what you’ve learned. Infographic Guide to Literature uses these fun, dynamic diagrams to show how much time great authors spend writing versus sleeping, which futuristic inventions became reality long after appearing in a novel, and why so many covers in genre fiction look the same. Along with these colorful and entertaining visual representations of statistics are quizzes that challenge you to identify popular authors from throughout history, as well as maps that chart some of the most iconic journeys in literature. Infographics, if used wisely, could make you more popular on trivia night or around the water cooler as you impress your friends and colleagues with your dazzling arsenal of knowledge.
Credited on its first title page to William Shakespeare and William Rowley, The Birth of Merlin continues to provoke speculation about its place in the Shakespeare 'Apocrypha'. The play is an imaginative re-working of the story of Merlin the Magician and his part in the struggle against the Saxon invasion of Britain. It contains not only scenes of love, war, and court politics, but a devil, a clown, and an unusual number of spectacular stage effects. This edition seeks to provide contexts for the play's diverse elements (chronicle history, romance, spectacle, and comedy), and considers its relationships with a wide variety of texts from Geoffrey of Monmouth and the English prose Brut to Shakespeare's Henry VIII.
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